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The Death of the Hare
Creator:
John Wootton, 1682–1764
Date:
ca. 1735
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/2 x 50 1/4 inches (102.9 x 127.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Foxhunting Scene
Creator:
Benjamin Marshall, 1768–1835
Date:
1808
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Almost Away
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
mid-20th century
Materials & Techniques:
Oil on canvas
Dimensions:
20 5/16 x 24 3/16 inches (51.6 x 61.4 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
John Corbet, Sir Robert Leighton and John Kynaston with their Horses and Hounds
Creator:
Thomas Stringer, 1722–1790
Date:
1779
Materials & Techniques:
Oil on canvas
Dimensions:
37 3/4 x 57 1/2 inches (95.9 x 146.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Death of the Hare
Creator:
unknown artist
Date:
between 1760 and 1770
Materials & Techniques:
Oil on canvas
Dimensions:
60 x 99 inches (152.4 x 251.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny
Creator:
Benjamin Marshall, 1768–1835
Date:
between 1806 and 1807
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 50 inches (101.6 x 127 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Bay Racehorse with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
ca. 1730
Materials & Techniques:
Oil on canvas
Dimensions:
12 x 14 inches (30.5 x 35.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Foxhunting: Clearing a Ditch
Creator:
John Frederick Herring, 1795–1865
Date:
1839
Materials & Techniques:
Oil on panel
Dimensions:
10 x 12 inches (25.4 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Bachelor's Hall: Full Cry
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1835 to 1836
Materials & Techniques:
Oil on canvas
Dimensions:
14 x 19 inches (35.6 x 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Bachelor's Hall: The Death
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1835 to 1836
Materials & Techniques:
Oil on canvas
Dimensions:
14 x 19 inches (35.6 x 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Favourites, the Property of H.R.H. Prince George of Cambridge
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1834 to 1835
Materials & Techniques:
Oil on canvas
Dimensions:
40 x 49 1/2 inches (101.6 x 125.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Derby Pets: The Winner
Creator:
James Pollard, 1792–1867
Date:
between 1840 and 1842
Materials & Techniques:
Oil on canvas
Dimensions:
12 3/4 x 17 3/4 inches (32.4 x 45.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Bachelor's Hall: The Meet
Creator:
Francis Calcraft Turner, active 1782–1846
Date:
1835 to 1836
Materials & Techniques:
Oil on canvas
Dimensions:
14 x 19 inches (35.6 x 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Sportsman with Shooting Pony and Gun Dogs
Creator:
Edwin W. Cooper of Beccles, 1785–1833
Date:
ca. 1815
Materials & Techniques:
Oil on canvas
Dimensions:
25 x 30 inches (63.5 x 76.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
An Exercise in Haute Ecole: the Passage to the Left along a Wall, after Vanderbank
Creator:
unknown artist
Date:
ca. 1730
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/2 x 12 inches (47 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

16. The Meet

The Meet
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 5/16 inches (38.1 x 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Found!

Found!
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 x 19 7/16 inches (38.1 x 49.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Flying Pack
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Who-o-p!

Who-o-p!
Creator:
Print made by Robert Polhill Bevan, 1865–1925
Date:
1898-1899
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Captain A. S. M. Summers of the 19th Hussars on Cossack II, April 3, 1909
Creator:
Sir Alfred J. Munnings, 1878–1959
Date:
1909
Materials & Techniques:
Watercolor and gouache with scratching out on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 14 1/2in. (26.7 x 36.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stable Boy on a Pony
Creator:
Arthur James Stark, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 1/2 × 6 7/8 inches (14 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection