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401. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

402. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

403. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

404. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

405. "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can

"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, red ink, black ink, green ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/8 inches (15.4 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

406. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

407. "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]

"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

408. "Doing the Thing: and the Thing Done:" Doing it No How

"Doing the Thing: and the Thing Done:" Doing it No How
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 × 9 3/16 inches (15.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

409. "Doing the Thing: and the Thing Done:" Doing the Down Leap

"Doing the Thing: and the Thing Done:" Doing the Down Leap
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 5 15/16 × 9 1/8 inches (15.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

410. "Doing the Thing: and the Thing Done:" The Down Leap Done

"Doing the Thing: and the Thing Done:" The Down Leap Done
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 9 1/4 inches (15.4 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

411. "Doing the Thing: and the Thing Done:" Doing it Somehow

"Doing the Thing: and the Thing Done:" Doing it Somehow
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

412. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
Creator:
Henry Thomas Alken, 1785–1851
Date:
1818
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

413. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

414. "Some Do and Some Don't: It is All a Notion:" Getting a Fall

"Some Do and Some Don't: It is All a Notion:" Getting a Fall
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

415. "Some Do and Some Don't: It is All a Notion:" Getting a Dive

"Some Do and Some Don't: It is All a Notion:" Getting a Dive
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

416. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

417. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

418. "Some Do and Some Don't: It is All a Notion:" Getting into a Bog

"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1848 and 1851
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

419. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

420. Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

421. "Some Do and Some Don't: It is All a Notion:" Getting Home

"Some Do and Some Don't: It is All a Notion:" Getting Home
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1820 and 1821
Materials & Techniques:
Graphite, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

422. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

423. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

424. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

425. Morning Ride

Morning Ride
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1823
Materials & Techniques:
Graphite and watercolor on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 1/2 inches (18.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

426. Two Pointers, Facing Right with a Sportsman

Two Pointers, Facing Right with a Sportsman
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on thick, smooth, cream wove paper
Dimensions:
Sheet: 9 3/16 × 11 inches (23.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

427. An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'

An Illustration of H. Bunbury ('Geoffrey Gambado'), "An Academy for Grown Horsemen: 'A Bit of Blood'
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 6 5/8 inches (20.5 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

428. Point-to-Point Racing

Point-to-Point Racing
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Watercolor, charcoal, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 7/16 × 9 15/16 inches (13.8 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

429. Stable Boy Holding a Horse in a Landscape

Stable Boy Holding a Horse in a Landscape
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

430. Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower

Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower
Creator:
John Collet, ca. 1725–1780
Date:
undated
Materials & Techniques:
Watercolor, with pen, in black ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 3 1/8 × 4 13/16 inches (7.9 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

431. "The King and Noblemen Before the Stag is Turn'd Out"

"The King and Noblemen Before the Stag is Turn'd Out"
Creator:
Robert Dighton, 1752–1814
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 × 13 1/2 inches (10.8 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. Wild Duck Shooting

Wild Duck Shooting
Creator:
Edward Duncan, 1803–1882
Date:
1825
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. Pheasant Shooting

Pheasant Shooting
Creator:
Edward Duncan, 1803–1882
Date:
1825
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 5/16 inches (16.8 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

434. Seven Studies of Jockeys' Caps

Seven Studies of Jockeys' Caps
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 8 9/16 × 10 1/16 inches (21.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

435. Hunting Sketch: Gone to Earth

Hunting Sketch: Gone to Earth
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on thin, moderately textured, laid paper
Dimensions:
Sheet: 8 5/8 × 13 5/8 inches (21.9 × 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. Two Riders Conversing

Two Riders Conversing
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 7 9/16 inches (15.2 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. Woodcock Shooting

Woodcock Shooting
Creator:
William Heath, 1795–1840
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gum arabic, gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 11/16 × 7 3/16 inches (24.6 × 18.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. Rubbing Down a Horse in a Paddock at a Racetrack

Rubbing Down a Horse in a Paddock at a Racetrack
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 11/16 × 9 11/16 inches (19.5 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. A Young Man with a Horse, with Studies of Hounds and Dead Hare

A Young Man with a Horse, with Studies of Hounds and Dead Hare
Creator:
John Hoppner, 1758–1810
Date:
ca. 1785
Materials & Techniques:
Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. Coursing: Setting Out

Coursing: Setting Out
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Watercolor, with pen, in black ink, gray ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

441. The Check

The Check
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. Going to Cover

Going to Cover
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. Going out of Kennel

Going out of Kennel
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 1/4 × 11 13/16 inches (23.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

444. The Death

The Death
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 7/16 × 11 3/4 inches (24 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

445. Coursing: The Kill

Coursing: The Kill
Creator:
Samuel Howitt, 1756–1822
Date:
1794
Materials & Techniques:
Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

446. Woodcock Shooting

Woodcock Shooting
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 inches (14.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

447. Full Cry

Full Cry
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and gray ink on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 11 3/4 inches (23.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. The Sporting Undergraduate

The Sporting Undergraduate
Creator:
Henry William Bunbury, 1750–1811
Date:
1772
Materials & Techniques:
Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 3 1/8 inches (9.5 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. The Deer-Stalker, Oct. 15, 1852

The Deer-Stalker, Oct. 15, 1852
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1852
Materials & Techniques:
Pen and brown ink, and brown wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 3/16 × 4 3/8 inches (18.3 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. Sportsman and Two Dogs

Sportsman and Two Dogs
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Pen in brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 3/8 × 5 3/4 inches (11.1 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. The Duke of Wellington Riding Copenhagen

The Duke of Wellington Riding Copenhagen
Creator:
Possibly Sir Thomas Lawrence, 1769–1830
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 5 1/2 inches (18.4 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. The Annual Sculling Race for Doggett's Coat and Badge

The Annual Sculling Race for Doggett's Coat and Badge
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 9 3/16 inches (14.4 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. A Crowded Race Meeting

A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1805 and 1810
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds

Coursing: a Group of Riders Galloping From Left After a Couple of Greyhounds
Creator:
James Pollard, 1792–1867
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 14 1/16 inches (14.9 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. Breakfast before the Hunt

Breakfast before the Hunt
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1790
Materials & Techniques:
Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 x 8 inches (12.7 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. An English Postilion

An English Postilion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. 'How to Twist Your Neck'

'How to Twist Your Neck'
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red ink; verso: watercolor blotches on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 13/16 x 5 13/16 inches (9.7 x 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

458. The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs

The Duke of Cumberland With a Gentleman and a Groom, All Mounted, and Dogs
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 1/2 × 11 11/16 inches (21.6 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

459. Man Leading a Trotting Stallion to Right

Man Leading a Trotting Stallion to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and black chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/16 × 9/16 inches (18.3 × 1.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

460. A Racehorse, Bridled and Saddled

A Racehorse, Bridled and Saddled
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 3/4 × 10 3/4 inches (24.8 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

461. Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left

Whitefoot at Exercise: Hooded and Rugged, Jockey up, Walking to Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, moderately textured, cream wove paper
Dimensions:
Contemporary drawn border: 6 5/8 × 7 1/8 inches (16.8 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. Studies of a Jockey Whipping-On

Studies of a Jockey Whipping-On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Mount: 9 5/16 × 6 1/2 inches (23.7 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. A Boar Hunt

A Boar Hunt
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 1/8 × 10 7/8 inches (23.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. Riders and Hounds in an Open Landscape

Riders and Hounds in an Open Landscape
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 13/16 × 16 5/8 inches (27.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

465. A Hunting Accident

A Hunting Accident
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
1836
Materials & Techniques:
Brown and red ink with brown wash on medium, smooth, cream laid paper
Dimensions:
Sheet: 7 1/4 x 9 inches (18.4 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar

Le Piaffe (2): Training a Bridled and Saddled Horse at the Pillar
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 11/16 × 19 13/16 inches (24.6 × 50.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. Horse, With Rider Lightly Sketched, Walking to Left

Horse, With Rider Lightly Sketched, Walking to Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Red chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 3/16 × 12 3/16 inches (25.9 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. Kindly, with Jockey Up

Kindly, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/16 × 8 1/16 inches (16 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. Henley Regatta

Henley Regatta
Creator:
Paul Maze, 1887–1979
Date:
undated
Materials & Techniques:
Pastel and gouache on medium, smooth, beige wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. Sloven, with Jockey Up, Galloping to Right

Sloven, with Jockey Up, Galloping to Right
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 × 8 5/16 inches (15.9 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. Victorious, with Jockey Up

Victorious, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 × 7 1/2 inches (13.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. Coursing - After the Kill

Coursing - After the Kill
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, red chalk, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. Flying Childers and Grooms

Flying Childers and Grooms
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/4 inches (9.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

474. 'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On

'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 9 × 11 3/4 inches (22.9 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

475. Foxhunter, with Jockey Up

Foxhunter, with Jockey Up
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 7/16 × 8 5/16 inches (13.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

476. Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth

Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Mount: 8 1/2 × 10 3/4 inches (21.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch

Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 10 1/8 × 11 3/4 inches (25.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

478. Conqueror Going to Start

Conqueror Going to Start
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

479. Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through

Dismounted Rider Breaking Open a Fence for Foxhounds to Pass Through
Creator:
John Frederick Tayler, 1802–1889
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 3/16 inches (17.3 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

480. Racing: a Match in Progress

Racing: a Match in Progress
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 6 5/8 × 9 7/8 inches (16.8 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

481. Hare Hunting

Hare Hunting
Creator:
Francis Barlow, 1622–1704
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 9 7/8 inches (17.5 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. The Saddling Enclosure, Epsom

The Saddling Enclosure, Epsom
Creator:
James Barenger, 1780–after 1831
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

"Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor, and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Contemporary drawn border: 11 3/16 × 15 9/16 inches (28.4 × 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. "Hark": Startled Horse and Alert Rider

"Hark": Startled Horse and Alert Rider
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor, and white gouache on medium, slightly textured, gray wove paper
Dimensions:
Contemporary drawn border: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

485. Dosing a Racehorse

Dosing a Racehorse
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

486. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

487. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor, and white gouavhe on moderately thick, slightly textured, gray-brown, wove paper
Dimensions:
Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

488. A Match at Newmarket

A Match at Newmarket
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

489. "The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."

"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and gray ink, black ink, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 6 1/4 inches (16.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

490. "The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."

"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and black ink, gray ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 6 inches (15.6 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

491. "You're Not Going to Follow, Belle, Are You?"

"You're Not Going to Follow, Belle, Are You?"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

492. "The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...

"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse...
Creator:
John Vanderbank, 1694–1739
Date:
1729
Materials & Techniques:
Pen and gray ink, black ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/16 inches (21 × 15.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

493. The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"

The Sporting Parson: "He Joins to Cheer Them on Hallelujah!!!!"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

494. Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel

Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel
Creator:
James Ward, 1769–1859
Date:
ca. 1822
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 1/8 × 10 11/16 inches (23.2 × 27.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

495. Ralph John Lambton on His Hunter, "Undertaker"

Ralph John Lambton on His Hunter, "Undertaker"
Creator:
James Ward, 1769–1859
Date:
ca. 1815
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 7/8 × 11 5/8 inches (20 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

496. The Sporting Parson: "He Sheweth Them the Way They Should Go"

The Sporting Parson: "He Sheweth Them the Way They Should Go"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, moderately textured, gray-brown wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/16 inches (27.3 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

497. Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony

Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Black chalk on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 8 inches (23.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

498. The Sporting Parson: "He Trieth a Little 'High Church' Style"

The Sporting Parson: "He Trieth a Little 'High Church' Style"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 13/16 inches (27.1 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

499. The Sporting Parson: "He Then Goes in For Baptism"

The Sporting Parson: "He Then Goes in For Baptism"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

500. The Sporting Parson: "Next a Little Low Church"

The Sporting Parson: "Next a Little Low Church"
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection