Fielded: ilsnumber_ss:580129 / Genre: sporting art - YCBA Collections Search Search Results

1. Mail Coach Behind Time

Creator:: Engraved by Henry Pyall, 1795–1833
Date:: 1827
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 13/16 x 20 3/16 inches (40.2 x 51.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1792
Materials & Techniques:: Color-printed stipple engraving with aquatint and drypoint
Dimensions:: Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Tiger Hunting in the East Indies

Creator:: Richard Earlom, 1743–1822
Date:: 1802
Materials & Techniques:: Stipple engraving, mezzotint, and etching with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 1/2 x 29 1/8 inches (52.1 x 74 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Colonel Mordaunt's Cock Match

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 1/4 x 27 1/2 inches (54 x 69.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Colonel Mordaunt's Cock Match

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1792
Materials & Techniques:: Mezzotint and etching with hand coloring in watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 x 28 7/8 inches (53.3 x 73.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 1/4 inches (16.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 11/16 × 13 11/16 inches (24.6 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Watercolor, pen and blue ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 9 3/4 × 13 11/16 inches (24.8 × 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 11/16 × 17 5/8 inches (32.2 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Quorn Hunt: Tally-Ho and Away

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic and gouache over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 inches (31.1 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, moderately textured brown laid paper mounted to thick, card
Dimensions:: Sheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper mounted to thick card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Night Riders of Nacton: The Last Field near Nacton Heath

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Night Riders of Nacton: The Finish. Nacton Church and Village

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. "The National Sports of Great Britain," 1821: Owling

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 5/8 × 18 3/4 inches (34.6 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "The National Sports of Great Britain" 1821: Badger Catching

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 14 1/2 × 19 5/16 inches (36.8 × 49.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. "The Poacher's Progress:" Poachers in Prison (The Pardon)

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, rough, brown wove paper
Dimensions:: Sheet: 13 1/16 × 17 1/4 inches (33.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. "The Poacher's Progress:" Poachers Before the Magistrates

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 3/4 × 17 5/8 inches (32.4 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Quorn Hunt: The Meet at Ashby Pastures

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/8 × 20 1/16 inches (31.4 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The Quorn Hunt: Drawing Cover

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/8 inches (31.1 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Quorn Hunt: The Pace Begins to Tell

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Quorn Hunt: 'Snob is Beat'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 7/16 × 20 1/8 inches (31.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Quorn Hunt: Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: watercolor, with gum arabic, and gouache, over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Quorn Hunt: The Whissendine Appears in View

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, smooth, cream wove paper
Dimensions:: Sheet: 12 1/16 × 20 1/16 inches (30.6 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Quorn Hunt: The Death

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, with gum arabic, and gouache over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 20 1/16 inches (31.1 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. "The Poacher's Progress:" 'Poachers Snaring Pheasants'

Creator:: C. Blake, active 1825–1826
Date:: undated
Materials & Techniques:: Graphite, watercolor, and varnish on very thick, moderately textured, brown wove paper
Dimensions:: Sheet: 12 1/8 × 17 7/16 inches (30.8 × 44.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Fox Hunting: Arthur Wentworth of Bulmer near Castle Howard, Yorkshire

Creator:: Valentine Green, 1739–1813
Date:: 1767
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 9 13/16 x 13 13/16in. (24.9 x 35.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Huntsman and Greyhounds

Creator:: Print made by Robert Robinson, active 1674–1706
Date:: between 1680 and 1700
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 5/8 × 7 1/2 inches (14.3 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Childers, the Fleetest Horse that Ever Run at Newmarket

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1755
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Portraiture of Babraham

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Portraiture of White-Nose

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Portraiture of the Fine Chesnut Arabian

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Portrature of Sedbury

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1755
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Portraiture of the Cullen Arabian

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Portraiture of the Famous Horse Old Partner

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1755
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Portraiture of Dormouse

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1755
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Portraiture of Bay Bolton

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Portraiture of Lamprey

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1755
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Portraiture of Crab, Late the Property of the Right Honorable Earl of Portmore

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1755
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Portraiture of Bald Charlotte

Creator:: Print made by Richard Houston, ca. 1721–1775
Date:: 1756
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 13 5/8in. (29.5 x 34.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

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Fielded ilsnumber_ss:580129

Genre sporting art

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1. Mail Coach Behind Time

2. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

3. Tiger Hunting in the East Indies

4. Colonel Mordaunt's Cock Match

5. Colonel Mordaunt's Cock Match

6. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

7. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

8. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

9. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

10. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

11. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

12. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

13. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

14. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

15. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

16. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

17. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

18. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

19. Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

20. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

21. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

22. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

23. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

24. A Cock-fight Watched by Four Men in an Out-House:The Death, Engraved as Plate 40 in "The National Sports of Great Britain"

25. A Cock-Fight Watched by Four Men in an Out-House: The Fight, Engraved as Plate 39 in "The National Sports of Great Britain"

26. "The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground

27. The Quorn Hunt: Tally-Ho and Away

28. The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks

29. The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner

30. The Night Riders of Nacton: The Last Field near Nacton Heath

31. The Night Riders of Nacton: The Finish. Nacton Church and Village

32. "The National Sports of Great Britain," 1821: Owling

33. "The National Sports of Great Britain" 1821: Badger Catching

34. "The Poacher's Progress:" Poachers in Prison (The Pardon)

35. "The Poacher's Progress:" Poachers Before the Magistrates

36. The Quorn Hunt: The Meet at Ashby Pastures

37. The Quorn Hunt: Drawing Cover

38. The Quorn Hunt: The Pace Begins to Tell

39. The Quorn Hunt: 'Snob is Beat'

40. The Quorn Hunt: Full Cry

41. The Quorn Hunt: The Whissendine Appears in View

42. The Quorn Hunt: The Death

43. "The Poacher's Progress:" 'Poachers Stalking for Partridges'

44. "The Poacher's Progress:" 'Poachers Snaring Pheasants'

45. Fox Hunting: Arthur Wentworth of Bulmer near Castle Howard, Yorkshire

46. Huntsman and Greyhounds

47. Childers, the Fleetest Horse that Ever Run at Newmarket

48. The Portraiture of Babraham

49. The Portraiture of White-Nose

50. The Portraiture of the Fine Chesnut Arabian

51. The Portrature of Sedbury

52. The Portraiture of the Cullen Arabian

53. The Portraiture of the Famous Horse Old Partner

54. The Portraiture of Dormouse

55. The Portraiture of Bay Bolton

56. The Portraiture of Lamprey

57. The Portraiture of Crab, Late the Property of the Right Honorable Earl of Portmore

58. The Portraiture of Bald Charlotte