Associated Places: Devon / Image Available: Available - YCBA Collections Search Search Results

1. Study for Cloutsham Farm, Exmoor (`The Devon and Somerset')

Creator:: Cecil Charles Windsor Aldin, 1870–1935
Date:: 1925
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/2 x 23 3/4 inches (47 x 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Plymouth

Creator:: Hendrik Danckerts, ca. 1625–1680
Date:: 1673
Materials & Techniques:: Oil on canvas
Dimensions:: 40 × 68 inches (101.6 × 172.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Blackpool Vale, Devon

Creator:: Lucien Pissarro, 1863–1944
Date:: 1921
Materials & Techniques:: Oil on canvas
Dimensions:: 30 × 34 1/2 inches (76.2 × 87.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:: Not on view

4. The Wreck of the Dutton, An East Indiaman

Creator:: Samuel Prout, 1783–1852
Date:: ca. 1815
Materials & Techniques:: Oil on panel
Dimensions:: 14 3/8 x 19 inches (36.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Rutgers Barclay, Yale BA 1957
On View:: Not on view

5. View on the River Sid, near Sidmouth

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1852
Materials & Techniques:: Oil on paper on board
Dimensions:: 9 3/8 x 12 inches (23.8 x 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Heaving up His Majesty's Frigate 'Diana' at Blackburn's Yard, near Plymouth

Creator:: John Rogers, active 1812–1813
Date:: 1813
Materials & Techniques:: Oil on canvas
Dimensions:: 23 × 49 5/8 inches (58.4 × 126 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. The Victualling Office, Plymouth

Creator:: Nicholas Condy, 1793–1857
Date:: ca. 1835
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/16 x 24 1/8 inches (45.9 x 61.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Princess Amelia Sophia Eleonore of Great Britain

Creator:: Thomas Hudson, 1701–1779
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 50 x 40 inches (127 x 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)

Creator:: Charles Cooper Henderson, 1803–1877
Date:: between 1820 and 1830
Materials & Techniques:: Oil on canvas
Dimensions:: 12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Whitchurch, Devonshire

Creator:: Attributed to Joseph Mallord William Turner, 1775–1851
Date:: 1800
Materials & Techniques:: Graphite on medium, smooth, beige wove paper
Dimensions:: Sheet: 7 3/8 x 10 7/8 inches (18.7 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anne Parmelee Reed Dean in memory of her grandfather, the Reverend Edward Allen Reed, and her father, Professor Edward Bliss Reed, Yale 1894

11. Dartmoor: The Source of the Tamar and the Torridge

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1813
Materials & Techniques:: Watercolor, gouache, graphite and scratching out on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Mutton Cove, Plymouth

Creator:: Thomas Sewell Robins, 1814–1880
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Dartmouth Castle

Creator:: Paul Sandby, 1731–1809
Date:: 1794
Materials & Techniques:: Gouache and graphite on medium, slightly textured, cream wove paper mounted on canvas
Dimensions:: Mount: 19 3/4 x 28 1/8 inches (50.2 x 71.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Sketch from the Bridge

Creator:: William Brockedon, 1787–1854
Materials & Techniques:: Graphite
Dimensions:: Sheet: 7 5/8 x 11 1/2in. (19.4 x 29.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The Royal Citadel and Cattewater, Plymouth

Creator:: William Callow, 1812–1908
Date:: 1842
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 14 5/16 inches (25.1 x 36.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Mill on the Tavy

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1824
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Mount Edgecomb, Devonshire

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Plymouth Citadel

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Dartmoor; Source of the Tamar and the Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof (completed)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. River Tamar, near Endsleigh, Devon

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1832
Materials & Techniques:: Watercolor and graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/4 inches (14.9 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Sidmouth from Offshore

Creator:: Henry Haseler, active 1814–1825
Date:: ca. 1815
Materials & Techniques:: Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/4 × 12 5/8 inches (17.1 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827
Materials & Techniques:: Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Plymouth Dockyard after the Fire

Creator:: William Callow, 1812–1908
Date:: 1840
Materials & Techniques:: Watercolor, pen and brown ink, gray ink, graphite, gouache and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 20 7/16 inches (34.8 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Coast Scene near Plymouth

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount
Dimensions:: Sheet: 18 1/8 × 23 inches (46 × 58.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Hulks at Plymouth

Creator:: Samuel Prout, 1783–1852
Date:: undated
Materials & Techniques:: Watercolor, brown ink, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 15 1/8 inches (26 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Design for Silverton Park, Devon

Creator:: studio of James Knowles, c. 1806–1884
Date:: between 1839 and 1845
Materials & Techniques:: Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Landing of William of Orange at Tor Bay

Creator:: Peter Monamy, 1681–1749
Date:: 1688
Materials & Techniques:: Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Kingsteignton, Devon

Creator:: Samuel Prout, 1783–1852
Date:: ca. 1819
Materials & Techniques:: Watercolor and brown ink over graphite on thick, rough, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 3/16 inches (19.4 × 25.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Sidmouth

Creator:: John Baverstock Knight, 1785–1859
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/2 × 19 1/2 inches (31.8 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving, 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 16 7/8 inches (33.7 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:: Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814
Materials & Techniques:: Etching and engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 × 12 inches (21.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Mewstone, Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Mewstone, Entrance of Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1815
Materials & Techniques:: Line engraving, first published state on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Dartmouth, Devon

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Line engraving and etching, engraver's proof, touched on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 × 14 1/16 inches (27.9 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Plymouth Dock, from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Plymouth Dock from Mount Edgecumbe

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Plymouth, from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Plymouth from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving, Engraver's proof (touched) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Clovelly Bay and Lundy Island

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Exeter

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Widecombe Village

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Guildhall, Exeter

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. The Start Point, North East by North (one of five drawings on one mount)

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 10 1/4 inches (7.9 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The Bolt Head, West North West (one of five drawings on one mount)

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 × 10 1/2 inches (7.9 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. At Mrs. Bulley's, Hooe, near Plymouth

Creator:: Henry Perlee Parker, 1795–1873
Date:: undated
Materials & Techniques:: Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Distant View of Exmouth from Exeter

Creator:: William Payne, active 1850s
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/16 × 7 1/4 inches (15.4 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Clovelly, North Devon

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 29 1/4 x 44 1/2 inches (74.3 x 113 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1815
Materials & Techniques:: Etching and line engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Teignmouth, Devon

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 15/16 × 12 1/16 inches (22.7 × 30.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Plymouth, with Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Plymouth, from Mount Batten

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1817
Materials & Techniques:: Etching and line engraving on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Plymouth Dock, from Mount Edgecumbe

Creator:: Print made by William Miller, 1796–1882
Date:: 1820
Materials & Techniques:: Engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Ilfracombe, North Devon

$Ilfracombe, North Devon$

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1818
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Torbay from Brixham

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:: Sheet: 12 3/4 × 16 inches (32.4 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Coombe-Martin, Devonshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1814 to 1826
Materials & Techniques:: Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Plymouth Sound

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1821
Materials & Techniques:: Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 × 13 1/4 inches (24.4 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. H.M.S. St. Vincent at Plymouth

Creator:: Nicholas Condy, 1793–1857
Date:: undated
Materials & Techniques:: Pen and black ink, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/16 × 10 1/16 inches (10.6 × 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Southampton and Northam from the River Itchen

Creator:: Jonathan Fisher, active 1763–1809
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 7/8 x 10 3/4 inches (17.5 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Buckfastleigh Abbey, Devonshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Estuary on the River Taw, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Caricatures of the counties of Devonshire and Gloucestershire

Creator:: John Leech, 1817–1864
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Dewerstone Near Bickleith, Devon

Creator:: Benjamin Browning, ca. 1850–1870
Date:: 1856
Materials & Techniques:: Albumenized salted paper print from a waxed paper negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 3/4 × 8 inches (27.3 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs

80. HMS Bellerophon, Plymouth Sound

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1835
Materials & Techniques:: Etching and engraving, ngraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Near Kingswear, on the Dent, Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Near Mullyan Cave, Cornwall

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Babicombe Devon

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Bovisand, near Plymouth

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Quay at Straddon Point, near Plymouth

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. View of Kingswear, from Dartmouth, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. The Old Bridge in Devon

Creator:: Thomas Girtin, 1775–1802
Date:: between 1797 and 1801
Materials & Techniques:: Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Sidmouth

Creator:: David Roberts, 1796–1864
Date:: 1845
Materials & Techniques:: Watercolor over graphite with gouache on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Launching of H.M.S. 'Hibernia' 1804

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1804
Materials & Techniques:: Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Werrington Park, Devonshire

Creator:: attributed to Francis Towne, 1740–1816
Date:: undated
Materials & Techniques:: Watercolor and black and brown ink over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 9 5/8 x 13 inches (24.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Ticket to Concert of Ancient Vocal and Instrumental Music

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1786
Materials & Techniques:: Line engraving with etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Exeter Cathedral and neighboring buildings

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 8 1/2 inches (13.7 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Valley of Rocks, Devon

Creator:: unknown artist
Date:: 1851
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 9 1/8 inches (15.9 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Study - The River Taw (Sycamore) June 13, 1998

Creator:: Susan Derges, born 1955
Date:: 1998
Materials & Techniques:: Dye destruction print on photographic paper
Dimensions:: Sheet: 66 1/2 × 24 1/4 inches (168.9 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Joy of Giving Something, Inc.

95. A Devon River at Low Tide, June 16, 1859

Creator:: Edward Thompson Davis, 1833–1867
Date:: 1859
Materials & Techniques:: Watercolor, gouache, and pen and black ink on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Valley of Rocks, Lynton, North Devon

Creator:: Francis Oliver Finch, 1802–1862
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, gouache, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Berry Pomeroy Church

Creator:: Henry Edridge, 1769–1821
Date:: 1818
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 14 5/8 inches (24.8 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Slate Quarry at Widecombe, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1792
Materials & Techniques:: Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. View from a Wood, Overlooking the River and Hills at Teignmouth, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1810
Materials & Techniques:: Gray wash, pen, gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge

Creator:: John White Abbott, 1763–1851
Date:: 1811
Materials & Techniques:: Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Associated Places Devon

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1. Study for Cloutsham Farm, Exmoor (`The Devon and Somerset')

2. Plymouth

3. Blackpool Vale, Devon

4. The Wreck of the Dutton, An East Indiaman

5. View on the River Sid, near Sidmouth

6. Heaving up His Majesty's Frigate 'Diana' at Blackburn's Yard, near Plymouth

7. The Victualling Office, Plymouth

8. Princess Amelia Sophia Eleonore of Great Britain

9. Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)

10. Whitchurch, Devonshire

11. Dartmoor: The Source of the Tamar and the Torridge

12. Mutton Cove, Plymouth

13. Dartmouth Castle

14. Sketch from the Bridge

15. The Royal Citadel and Cattewater, Plymouth

16. Mill on the Tavy

17. Clovelly Bay and Lundy Island

18. Coombe-Martin, Devonshire

19. Mount Edgecomb, Devonshire

20. Plymouth Citadel

21. Dartmoor; Source of the Tamar and the Torridge

22. Exeter

23. Exeter

24. Exeter

25. River Tamar, near Endsleigh, Devon

26. Sidmouth from Offshore

27. Buckfastleigh Abbey, Devonshire

28. Plymouth Dockyard after the Fire

29. Coast Scene near Plymouth

30. Hulks at Plymouth

31. Design for Silverton Park, Devon

32. Landing of William of Orange at Tor Bay

33. Kingsteignton, Devon

34. Sidmouth

35. Dartmouth, Devon

36. Teignmouth, Devon

37. Dartmouth, Devon

38. Dartmouth, Devon

39. The Mewstone, Entrance of Plymouth Sound

40. The Mewstone, Entrance of Plymouth Sound

41. Dartmouth, Devon

42. Plymouth Dock, from Mount Edgecumbe

43. Plymouth Dock from Mount Edgecumbe

44. Plymouth, from Mount Batten

45. Plymouth from Mount Batten

46. Ilfracombe, North Devon

47. Torbay from Brixham

48. Torbay from Brixham

49. Clovelly Bay and Lundy Island

50. Clovelly Bay and Lundy Island

51. Coombe-Martin, Devonshire

52. Exeter

53. Widecombe Village

54. The Guildhall, Exeter

55. The Start Point, North East by North (one of five drawings on one mount)

56. The Bolt Head, West North West (one of five drawings on one mount)

57. At Mrs. Bulley's, Hooe, near Plymouth

58. Distant View of Exmouth from Exeter

59. Clovelly, North Devon

60. Teignmouth, Devon

61. Teignmouth, Devon

62. Plymouth, with Mount Batten

63. Plymouth, from Mount Batten

64. Plymouth Dock, from Mount Edgecumbe

65. Ilfracombe, North Devon

66. Torbay from Brixham

67. Coombe-Martin, Devonshire

68. Coombe-Martin, Devonshire

69. Coombe-Martin, Devonshire

70. Plymouth Sound

71. Buckfastleigh Abbey, Devonshire

72. H.M.S. St. Vincent at Plymouth

73. Southampton and Northam from the River Itchen

74. Buckfastleigh Abbey, Devonshire