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Study for Cloutsham Farm, Exmoor (`The Devon and Somerset')
Creator:
Cecil Charles Windsor Aldin, 1870–1935
Date:
1925
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/2 x 23 3/4 inches (47 x 60.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Plymouth
Creator:
Hendrik Danckerts, ca. 1625–1680
Date:
1673
Materials & Techniques:
Oil on canvas
Dimensions:
40 × 68 inches (101.6 × 172.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Blackpool Vale, Devon
Creator:
Lucien Pissarro, 1863–1944
Date:
1921
Materials & Techniques:
Oil on canvas
Dimensions:
30 × 34 1/2 inches (76.2 × 87.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
On View:
Not on view
The Wreck of the Dutton, An East Indiaman
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1815
Materials & Techniques:
Oil on panel
Dimensions:
14 3/8 x 19 inches (36.5 x 48.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Gift of Rutgers Barclay, Yale BA 1957
On View:
Not on view
View on the River Sid, near Sidmouth
Creator:
Lionel Constable, 1828–1887
Date:
ca. 1852
Materials & Techniques:
Oil on paper on board
Dimensions:
9 3/8 x 12 inches (23.8 x 30.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Heaving up His Majesty's Frigate 'Diana' at Blackburn's Yard, near Plymouth
Creator:
John Rogers, active 1812–1813
Date:
1813
Materials & Techniques:
Oil on canvas
Dimensions:
23 × 49 5/8 inches (58.4 × 126 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Victualling Office, Plymouth
Creator:
Nicholas Condy, 1793–1857
Date:
ca. 1835
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/16 x 24 1/8 inches (45.9 x 61.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Princess Amelia Sophia Eleonore of Great Britain
Creator:
Thomas Hudson, 1701–1779
Date:
ca. 1745
Materials & Techniques:
Oil on canvas
Dimensions:
50 x 40 inches (127 x 101.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Mail Coaches on the Road: the `Quicksilver' Devonport-London Royal Mail about to Start with a new Team (The Devonshire to London Coach)
Creator:
Charles Cooper Henderson, 1803–1877
Date:
between 1820 and 1830
Materials & Techniques:
Oil on canvas
Dimensions:
12 3/4 x 20 3/4 inches (32.4 x 52.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Whitchurch, Devonshire
Creator:
Attributed to Joseph Mallord William Turner, 1775–1851
Date:
1800
Materials & Techniques:
Graphite on medium, smooth, beige wove paper
Dimensions:
Sheet: 7 3/8 x 10 7/8 inches (18.7 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Anne Parmelee Reed Dean in memory of her grandfather, the Reverend Edward Allen Reed, and her father, Professor Edward Bliss Reed, Yale 1894
Dartmoor: The Source of the Tamar and the Torridge
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1813
Materials & Techniques:
Watercolor, gouache, graphite and scratching out on medium, slightly textured, cream wove paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 x 12 5/8 inches (20 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mutton Cove, Plymouth
Creator:
Thomas Sewell Robins, 1814–1880
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 × 11 inches (21.3 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Castle
Creator:
Paul Sandby, 1731–1809
Date:
1794
Materials & Techniques:
Gouache and graphite on medium, slightly textured, cream wove paper mounted on canvas
Dimensions:
Mount: 19 3/4 x 28 1/8 inches (50.2 x 71.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Citadel and Cattewater, Plymouth
Creator:
William Callow, 1812–1908
Date:
1842
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 14 5/16 inches (25.1 x 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mill on the Tavy
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Edgecomb, Devonshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Citadel
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/8 × 18 3/8 inches (34 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmoor; Source of the Tamar and the Torridge
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof (completed)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
River Tamar, near Endsleigh, Devon
Creator:
Frederick Christian Lewis the Elder, 1779–1856
Date:
ca. 1832
Materials & Techniques:
Watercolor and graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/4 inches (14.9 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sidmouth from Offshore
Creator:
Henry Haseler, active 1814–1825
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 12 5/8 inches (17.1 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Dockyard after the Fire
Creator:
William Callow, 1812–1908
Date:
1840
Materials & Techniques:
Watercolor, pen and brown ink, gray ink, graphite, gouache and gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 11/16 x 20 7/16 inches (34.8 x 51.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coast Scene near Plymouth
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount
Dimensions:
Sheet: 18 1/8 × 23 inches (46 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hulks at Plymouth
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor, brown ink, gouache, and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 10 1/4 × 15 1/8 inches (26 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for Silverton Park, Devon
Creator:
studio of James Knowles, c. 1806–1884
Date:
between 1839 and 1845
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 1/8 × 15 inches (23.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landing of William of Orange at Tor Bay
Creator:
Peter Monamy, 1681–1749
Date:
1688
Materials & Techniques:
Gray wash, pen and black ink, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 3/8 x 14 3/8in. (23.8 x 36.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kingsteignton, Devon
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1819
Materials & Techniques:
Watercolor and brown ink over graphite on thick, rough, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 3/16 inches (19.4 × 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Sidmouth

Sidmouth
Creator:
John Baverstock Knight, 1785–1859
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 19 1/2 inches (31.8 × 49.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving, 2nd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/16 × 16 1/2 inches (33.5 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1814
Materials & Techniques:
Etching and engraving, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 16 7/8 inches (33.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 11/16 × 17 3/16 inches (29.7 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving, 1st state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 × 12 inches (21.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mewstone, Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mewstone, Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Line engraving, first published state on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth, Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814 to 1826
Materials & Techniques:
Line engraving and etching, engraver's proof, touched on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 14 1/16 inches (27.9 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Dock, from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 17 1/4 inches (27.9 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Dock from Mount Edgecumbe
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 3/16 × 15 15/16 inches (36 × 40.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth, from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Engraving and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 20 inches (34.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving, Engraver's proof (touched) on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ilfracombe, North Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Torbay from Brixham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Torbay from Brixham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream laid paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 3/8 inches (29.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Widecombe Village
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/2 x 7 1/2 inches (14 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Guildhall, Exeter
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 10 1/8 inches (20.6 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Start Point, North East by North (one of five drawings on one mount)
Creator:
John Thomas Serres, 1759–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 × 10 1/4 inches (7.9 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bolt Head, West North West (one of five drawings on one mount)
Creator:
John Thomas Serres, 1759–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 × 10 1/2 inches (7.9 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
At Mrs. Bulley's, Hooe, near Plymouth
Creator:
Henry Perlee Parker, 1795–1873
Date:
undated
Materials & Techniques:
Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distant View of Exmouth from Exeter
Creator:
William Payne, active 1850s
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/16 × 7 1/4 inches (15.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Clovelly, North Devon
Creator:
William Turner of Oxford, 1789–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 29 1/4 x 44 1/2 inches (74.3 x 113 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1815
Materials & Techniques:
Etching and line engraving, first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 7/16 inches (28.9 × 39.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Teignmouth, Devon
Creator:
Print made by George Cooke, 1781–1834
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 15/16 × 12 1/16 inches (22.7 × 30.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth, with Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 17 3/16 inches (31 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth, from Mount Batten
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1817
Materials & Techniques:
Etching and line engraving on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/8 inches (29.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Dock, from Mount Edgecumbe
Creator:
Print made by William Miller, 1796–1882
Date:
1820
Materials & Techniques:
Engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 × 16 13/16 inches (28.7 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ilfracombe, North Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 × 15 13/16 inches (30.5 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Torbay from Brixham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/4 × 16 inches (32.4 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1821
Materials & Techniques:
Etching and line engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 13 1/4 inches (24.4 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
H.M.S. St. Vincent at Plymouth
Creator:
Nicholas Condy, 1793–1857
Date:
undated
Materials & Techniques:
Pen and black ink, watercolor and gouache on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 4 3/16 × 10 1/16 inches (10.6 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Southampton and Northam from the River Itchen
Creator:
Jonathan Fisher, active 1763–1809
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 10 3/4 inches (17.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827-1838
Materials & Techniques:
Line engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827-1838
Materials & Techniques:
Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Estuary on the River Taw, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:
Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Caricatures of the counties of Devonshire and Gloucestershire
Creator:
John Leech, 1817–1864
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Dewerstone Near Bickleith, Devon
Creator:
Benjamin Browning, ca. 1850–1870
Date:
1856
Materials & Techniques:
Albumenized salted paper print from a waxed paper negative on thin, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 8 inches (27.3 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. and Mrs. Charles T. Isaacs
Near Kingswear, on the Dent, Devon
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Mullyan Cave, Cornwall
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Babicombe Devon
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bovisand, near Plymouth
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Quay at Straddon Point, near Plymouth
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Kingswear, from Dartmouth, Devon
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 16 1/8 inches (24.8 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Old Bridge in Devon
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1801
Materials & Techniques:
Watercolor, pen and brown ink, gouache and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/8 × 11 5/8 inches (21.9 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Sidmouth

Sidmouth
Creator:
David Roberts, 1796–1864
Date:
1845
Materials & Techniques:
Watercolor over graphite with gouache on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Launching of H.M.S. 'Hibernia' 1804
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1804
Materials & Techniques:
Watercolor with pen and red, brown, and gray ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 13/16 x 15 1/4 inches (24.9 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket to Concert of Ancient Vocal and Instrumental Music
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1786
Materials & Techniques:
Line engraving with etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 9 1/8 inches (18.7 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exeter Cathedral and neighboring buildings
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 8 1/2 inches (13.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valley of Rocks, Devon
Creator:
unknown artist
Date:
1851
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 9 1/8 inches (15.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Devon River at Low Tide, June 16, 1859
Creator:
Edward Thompson Davis, 1833–1867
Date:
1859
Materials & Techniques:
Watercolor, gouache, and pen and black ink on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 5 1/8 × 7 5/8 inches (13 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valley of Rocks, Lynton, North Devon
Creator:
Francis Oliver Finch, 1802–1862
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, gouache, graphite, and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 15 inches (29.4 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Berry Pomeroy Church
Creator:
Henry Edridge, 1769–1821
Date:
1818
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 14 5/8 inches (24.8 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Slate Quarry at Widecombe, Devon
Creator:
John White Abbott, 1763–1851
Date:
1792
Materials & Techniques:
Watercolor, pen, and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 7 1/2 inches (23.8 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View from a Wood, Overlooking the River and Hills at Teignmouth, Devon
Creator:
John White Abbott, 1763–1851
Date:
1810
Materials & Techniques:
Gray wash, pen, gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Warren Near Exmouth, Devon: Figures on Rocks at the Sea's Edge
Creator:
John White Abbott, 1763–1851
Date:
1811
Materials & Techniques:
Gray wash and pen and gray ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/8 x 10 1/2 inches (18.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exmouth, Devon
Creator:
William Daniell, 1769–1837
Date:
ca. 1813
Materials & Techniques:
Brown wash with gouache over graphite on medium, slightly textured, beige wove paper, pasted on contemporary mount made of thick, slightly textured, beige card
Dimensions:
Contemporary drawn border: 7 x 10 1/8 inches (17.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bovisand, near Plymouth
Creator:
William Daniell, 1769–1837
Date:
ca. 1813
Materials & Techniques:
Watercolor with brown wash and gouache over graphite on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, beige card
Dimensions:
Contemporary drawn border: 7 x 10 inches (17.8 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Canonteign
Creator:
John White Abbott, 1763–1851
Date:
1808
Materials & Techniques:
Gray wash and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 x 7 3/8 inches (26.7 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Figures on a Rocky River Bank at Canonteign, Devon
Creator:
John White Abbott, 1763–1851
Date:
1801
Materials & Techniques:
Pen and brown ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 7 1/4 inches (22.5 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection