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1. Junction of the Greta and the Tees

Junction of the Greta and the Tees
Creator:
Print made by John Pye, 1782–1874
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. A Dell, Helmingham Park, Suffolk

A Dell, Helmingham Park, Suffolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1830
Materials & Techniques:
Mezzotint, drypoint and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

3. Stoke by Neyland, Suffolk

Stoke by Neyland, Suffolk
Creator:
Print made by David Lucas, 1802–1881
Date:
1830
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 17 1/2 inches (29.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

4. Virginia Water, No. 2

Virginia Water, No. 2
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/16 × 17 1/2 inches (30.6 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Brinkburn Priory, Northumberland

Brinkburn Priory, Northumberland
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1832
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Blenheim, Oxfordshire

Blenheim, Oxfordshire
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Weymouth, Dorsetshire

Weymouth, Dorsetshire
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814-1826
Materials & Techniques:
Etching and engraving; intermediate state between completed engraver's proof and 1st state on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 × 17 1/2 inches (29.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814
Materials & Techniques:
Etching and engraving with chine collé; first published state on thick, smooth, beige wove paper
Dimensions:
Sheet: 13 1/2 × 17 5/8 inches (34.3 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Hythe, Kent

Hythe, Kent
Creator:
Print made by George Cooke, 1781–1834
Date:
1824
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/4 × 17 1/2 inches (29.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection