Associated Places: England / Height [cm]: 26 - YCBA Collections Search Search Results

101. Dartmouth Cove

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/4 × 22 3/4 inches (42.5 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Mill Near Colchester

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Hampstead Heath, Harrow in the Distance

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Flatford Mill

Creator:: Print made by David Lucas, 1802–1881
Date:: 1844
Materials & Techniques:: Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1829
Materials & Techniques:: Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 × 21 1/16 inches (37.9 × 53.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching and engraving; early engraver's proof on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 10 1/4 × 12 1/2 inches (26 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Entrance to Fowey Harbour, Cornwall

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1827-1838
Materials & Techniques:: Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/2 inches (41.6 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Devonport and Dockyard, Devonshire

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Alnwick Castle, Northumberland

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 21 inches (38.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 22 1/2 inches (41.9 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

Creator:: Albert Goodwin, 1845–1932
Date:: undated
Materials & Techniques:: Watercolor and gouache with pen and brown ink and scratching out over graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 3/4in. (25.6 x 37.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. St. Michael's Mount, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1813
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 12 15/16 inches (25.9 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Land's End, Cornwall

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching and engraving with chine collé; between first and second states on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/16 × 13 13/16 inches (25.9 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Falmouth, Cornwall

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving; first published state on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 14 1/8 inches (26 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Pendennis Castle, and Entrance of Falmouth Harbour

Creator:: Print made by George Cooke, 1781–1834
Date:: 1814-1826
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 × 14 1/16 inches (25.6 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. St. Mawes, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1814 to 1826
Materials & Techniques:: Etching and engraving with chine collé; first published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 13 7/8 inches (26.4 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. Dartmoor; Source of the Tamar and the Torridge

Creator:: Print made by William Bernard Cooke, 1778–1855
Date:: 1816
Materials & Techniques:: Etching and engraving with chine collé on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore

Creator:: Print made by unknown artist
Date:: 1821
Materials & Techniques:: Etching and engraving on thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/4 × 18 1/8 inches (33.7 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Long Library at Blenheim Palace

Creator:: attributed to David Cox, 1783–1859
Date:: mid-19th century
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 13 7/8 inches (26 × 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Gloucester Cathedral

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/8 x 10 inches (20.6 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. A Rustic Bridge over the Thames, Anglers on the River Bank

Creator:: William Evans of Eton, 1798–1877
Date:: 1845
Materials & Techniques:: Watercolor and ink on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Caister Castle, Norfolk

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Margate

Creator:: William Callow, 1812–1908
Date:: 1849
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 x 14 3/16 inches (26 x 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Harbledown, a Village near Canterbury

Creator:: Jonathan Skelton, active 1754, died 1758
Date:: 1757
Materials & Techniques:: Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 10 1/4 × 23 1/2 inches (26 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. Estuary on the River Taw, Devon

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1797
Materials & Techniques:: Watercolor over graphite on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 10 5/16 x 17 3/4 inches (26.2 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. An English Frigate and Other Shipping in the Solent off Calshot Castle

Creator:: John Cleveley the younger, 1747–1786
Date:: undated
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 x 15 inches (26 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

128. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

Creator:: Samuel Scott, ca. 1702–1772
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:: Mount: 10 1/4 x 24 3/4 inches (26 x 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund in honor of John Baskett

129. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Trees in Hyde Park, London

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1800
Materials & Techniques:: Gray and brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 17 3/4 inches (26.4 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Sidmouth

Creator:: David Roberts, 1796–1864
Date:: 1845
Materials & Techniques:: Watercolor over graphite with gouache on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 x 13 7/8in. (25.7 x 35.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Arundel Castle and Town, Sussex

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Conversion of Elizabeth Trelawney

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1909
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 9/16 inches (25.5 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

134. Dundry Tower, Leigh Wood, Hotwell House, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 12 5/16 inches (26.3 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

135. The Sea Walls, from the Leigh Wood Quarry, Clifton

Creator:: William Gauci, active 1825–1854
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 7/8 inches (26 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Brian and Linda Gracie

136. Richmond Horse Show

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 12 × 16 inches (30.5 × 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

137. London

Creator:: Lewis Morley, 1925–2013
Date:: 1960s
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 11 3/4 × 15 7/8 inches (29.8 × 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

138. Trafalgar Square Demonstration

Creator:: Lewis Morley, 1925–2013
Date:: 1958
Materials & Techniques:: Gelatin silver print on semigloss photographic paper
Dimensions:: Sheet: 15 7/8 × 12 inches (40.3 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy

139. West Front of Thornbury Catle, Gloucestershire

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. North West View of Harlaxton Manor House, Lincolnshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1817
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

141. South West View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. West view of the Ruins of Cowdray House, Sussex

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. North West View of Eastbury House, Essex

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. South West View of Eastbury House, Essex

Creator:: John Buckler FSA, 1770–1851
Date:: 1823
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/8 × 19 3/4 inches (34 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. South West View of Bourn Hall, Cambridgeshire; the Seat of the Right hon'ble, Earl Delawarr

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr

Creator:: John Buckler FSA, 1770–1851
Date:: 1818
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. The Entrance to Burleigh park near Stamford

Creator:: John Buckler FSA, 1770–1851
Date:: 1811
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. View of the Higher House of Parliament in England

Creator:: Print made by unknown artist
Date:: ca. 1695
Materials & Techniques:: Line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 18 1/2 × 15 1/8 inches (47 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Part of the Construction in the Old House of Lords

Creator:: Attributed to office of Sir John Soane, 1753–1837
Date:: 1823
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Survey view of a lobby, Palace of Westminster

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink on smooth, thin, brown wove paper
Dimensions:: Sheet: 10 1/8 × 8 11/16 inches (25.7 × 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

Creator:: Print made by Augustus Charles Pugin, 1762–1832
Date:: undated
Materials & Techniques:: Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:: Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Henry VII Chapel (Exterior)

Creator:: Print made by unknown artist
Date:: ca. 1890
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/16 inches (25.7 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Buildings on North Side, Dean's Yard

Creator:: Attributed to John Carter, 1748–1817
Date:: between 1806 and 1815
Materials & Techniques:: Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:: Sheet: 10 1/4 × 11 inches (26 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Crofton

Creator:: Robert Havell, 1769–1832
Date:: 1813
Materials & Techniques:: Aquatint with etching, hand-colored on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 17 3/8 inches (29.5 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Carlisle

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Junction of the Greta and the Tees

Creator:: Print made by John Pye, 1782–1874
Date:: 1834
Materials & Techniques:: Etching and engraving with chine collé; second state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. The First Thames Steamboat: Pearl

Creator:: Edward Duncan, 1803–1882
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 10 1/8 x 14 1/2 inches (25.7 x 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Appledore Church, Cornwall

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 1/8 inches (26.4 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971

159. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Creator:: Attributed to John Carter, 1748–1817
Date:: ca. 1781
Materials & Techniques:: Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Drury Lane. The School for Scandal

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 15 3/8 inches (26 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Durham Cathedral

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 15 3/8 inches (26.4 x 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Pitchford Hall, Sussex

Creator:: Robert Henry Cheney, ca. 1800–1866
Date:: ca. 1853
Materials & Techniques:: Albumen print from waxed paper negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 7 × 8 5/8 inches (17.8 × 21.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

163. Marble Portrait Statue of a Veiled Priestess at the British Museum

Creator:: Stephen Thompson, active 19th century
Date:: early 1870s
Materials & Techniques:: Albumen print from wet collodion negative on thin, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 8 inches (26 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro

164. Priory At Dover

Creator:: William Sawrey Gilpin, 1762–1843
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/16 x 14 5/8in. (25.9 x 37.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Quay at Straddon Point Near Plymouth

Creator:: Print made by William Daniell, 1769–1837
Date:: 1825
Materials & Techniques:: Etching and aquatint with hand coloring in watercolor on medium, sightly textured, cream wove paper
Dimensions:: Sheet: 10 1/8 × 14 1/4 inches (25.7 × 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

166. St. Alban's Abbey

Creator:: Henry Edridge, 1769–1821
Date:: ca. 1800
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 13 3/8 inches (26.4 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Clock Tower, St. Alban's Abbey

Creator:: Henry Edridge, 1769–1821
Date:: 1801
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 7 7/8 inches (26.4 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Castle Acre Priory, Norfolk, West Front

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1804
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper, mounted to medium, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 x 14 1/4 inches (26 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. Chester

Creator:: Peter DeWint, 1784–1849
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, moderately texture, cream wove paper
Dimensions:: Sheet: 10 3/8 x 16 7/8 inches (26.4 x 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Aylmerton Church; Norfolk, from the South-West

Creator:: John Sell Cotman, 1782–1842
Date:: 1816
Materials & Techniques:: Graphite and brown wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 3/8 inches (18.7 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Brampton Church, Norfolk, from the South-East

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1816
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 11 3/8 inches (22.2 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Caister Castle, Norfolk

Creator:: follower of John Sell Cotman, 1782–1842
Date:: undated
Materials & Techniques:: Graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 10 3/8 x 11 1/2 inches (26.4 x 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Castleton - The Peak

Creator:: Joseph Farington, 1747–1821
Date:: 1801
Materials & Techniques:: Graphite, black chalk, and white chalk on moderately thick, slightly textured, brown laid paper
Dimensions:: Sheet: 10 3/8 × 13 1/8 inches (26.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

174. Banqueting House, Whitehall: Front Elevation

Creator:: Thomas Forster, ca. 1677–after 1712
Date:: undated
Materials & Techniques:: Graphite, pen and brown ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/8 x 14 inches (26.4 x 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Greenwich Park

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Gray wash with gray ink over graphite on medium, smooth, cream laid paper
Dimensions:: Sheet: 10 1/4 x 13 3/8 inches (26 x 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Arches in the City Wall, Canterbury

Creator:: Capt. Francis Grose, 1731–1791
Date:: before 1769
Materials & Techniques:: Watercolor with pen and gray ink over graphite on medium, slightly textured, cream laid paper mounted on contemporary heavy textured laid paper Mount: Thick, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 x 14 13/16in. (26 x 37.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Southborough Common Kent

Creator:: David Simson, 1803–1874
Date:: 1863
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/8 × 13 inches (25.7 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. On the Sussex Downs

Creator:: William Lee Hankey, 1869–1952
Date:: 1916
Materials & Techniques:: Etching on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 10 3/8 x 14 3/16 inches (26.3 x 36.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

179. Cobham Hall, Kent: Side Elevation

Creator:: James Wyatt, 1746–1813
Date:: ca. 1790
Materials & Techniques:: Graphite, pen and brown ink on moderately thick, moderately textured cream laid paper
Dimensions:: Sheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. At Penshurst

Creator:: David Simson, 1803–1874
Date:: 1863
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 1/4 × 13 7/16 inches (26 × 34.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. At Tunbridge Wells (view of house)

Creator:: David Simson, 1803–1874
Date:: 1863
Materials & Techniques:: Watercolor, gouache, graphite, pen and red ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/16 × 13 inches (25.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Associated Places England

Height [cm] 26

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101. Dartmouth Cove

102. Mill Near Colchester

103. Hampstead Heath, Harrow in the Distance

104. Flatford Mill

105. Entrance to Fowey Harbour, Cornwall

106. Entrance to Fowey Harbour, Cornwall

107. Entrance to Fowey Harbour, Cornwall

108. Devonport and Dockyard, Devonshire

109. Alnwick Castle, Northumberland

110. Arundel Castle and Town, Sussex

111. Arundel Castle and Town, Sussex

112. Evening with a Procession of Choir Boys Walking Towards Westminster Abbey

113. St. Michael's Mount, Cornwall

114. Land's End, Cornwall

115. Falmouth, Cornwall

116. Pendennis Castle, and Entrance of Falmouth Harbour

117. St. Mawes, Cornwall

118. Dartmoor; Source of the Tamar and the Torridge

119. Sheerness and the Isle of Sheppey, with the Junction of the Thames and Medway, from the Nore

120. Long Library at Blenheim Palace

121. Gloucester Cathedral

122. A Rustic Bridge over the Thames, Anglers on the River Bank

123. Caister Castle, Norfolk

124. Margate

125. Harbledown, a Village near Canterbury

126. Estuary on the River Taw, Devon

127. An English Frigate and Other Shipping in the Solent off Calshot Castle

128. A View of Bristol with Ratcilffe Church and Lime Kiln Dock

129. The Ceremony of Opening London Bridge, August 1, 1831

130. Trees in Hyde Park, London

131. Sidmouth

132. Arundel Castle and Town, Sussex

133. Conversion of Elizabeth Trelawney

134. Dundry Tower, Leigh Wood, Hotwell House, Clifton

135. The Sea Walls, from the Leigh Wood Quarry, Clifton

136. Richmond Horse Show

137. London

138. Trafalgar Square Demonstration

139. West Front of Thornbury Catle, Gloucestershire

140. North West View of Harlaxton Manor House, Lincolnshire

141. South West View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton

142. West view of the Ruins of Cowdray House, Sussex

143. North West View of Eastbury House, Essex

144. South West View of Eastbury House, Essex

145. South West View of Bourn Hall, Cambridgeshire; the Seat of the Right hon'ble, Earl Delawarr

146. South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr

147. The Entrance to Burleigh park near Stamford

148. View of the Higher House of Parliament in England

149. Part of the Construction in the Old House of Lords

150. Survey view of a lobby, Palace of Westminster

151. Henry VII Chapel at Westminster Showing Two Renovated Pinacles

152. Henry VII Chapel (Exterior)

153. Buildings on North Side, Dean's Yard

154. Crofton

155. Carlisle

156. Junction of the Greta and the Tees

157. The First Thames Steamboat: Pearl

158. Appledore Church, Cornwall

159. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

160. Drury Lane. The School for Scandal

161. Durham Cathedral

162. Pitchford Hall, Sussex

163. Marble Portrait Statue of a Veiled Priestess at the British Museum

164. Priory At Dover

165. Quay at Straddon Point Near Plymouth

166. St. Alban's Abbey

167. Clock Tower, St. Alban's Abbey

168. Castle Acre Priory, Norfolk, West Front

169. Chester

170. Aylmerton Church; Norfolk, from the South-West

171. Brampton Church, Norfolk, from the South-East

172. Caister Castle, Norfolk

173. Castleton - The Peak

174. Banqueting House, Whitehall: Front Elevation