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The Suffolk Hunt: Going to Cover near Herringswell
Creator:
John Frederick Herring, 1795–1865
Date:
1833
Materials & Techniques:
Oil on canvas
Dimensions:
10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Suffolk Hunt: Gone Away
Creator:
John Frederick Herring, 1795–1865
Date:
1833
Materials & Techniques:
Oil on canvas
Dimensions:
11 x 15 inches (27.9 x 38.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Suffolk Hunt : The Death
Creator:
John Frederick Herring, 1795–1865
Date:
1833
Materials & Techniques:
Oil on canvas
Dimensions:
11 x 15 inches (27.9 x 38.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Suffolk Hunt: Full Cry
Creator:
John Frederick Herring, 1795–1865
Date:
1833
Materials & Techniques:
Oil on canvas
Dimensions:
10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Barn with a Mossy Roof, Shoreham
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Primitive Cottage, Shoreham
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Pen and dark brown ink and gray wash on medium, moderately textured, cream heavy wove paper
Dimensions:
Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dartmoor; Source of the Tamar and the Torridge
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bolton Abbey, Wharfdale
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1826
Materials & Techniques:
Line engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South West View of Dunster Castle, Somersetshire
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1800
Materials & Techniques:
Line engraving, 1st. published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 15 inches (28.3 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ilfracombe, North Devon
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1818
Materials & Techniques:
Etching and engraving, first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wandshorst Church Surrey
Creator:
George Sidney Shepherd, 1784–1862
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 10 7/8 × 14 15/16 inches (27.6 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arundel Castle and Town, Sussex
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1834
Materials & Techniques:
Etching and engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cumberland Landscape
Creator:
Edward Dayes, 1763–1804
Date:
undated
Materials & Techniques:
Gray wash, blue wash, and graphite, with scraping out on medium, smooth, cream laid paper
Dimensions:
Sheet: 10 7/8 x 15 inches (27.6 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, moderately textured brown laid paper mounted to thick, card
Dimensions:
Sheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ullswater, Cumberland
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 13/16 × 14 3/4 inches (27.5 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Destruction by Fire of the Houses of Parliament
Creator:
Print made by M. Gauci, 1810–1846
Date:
after 1834
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 15 1/8 inches (27.9 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Athol Fugard, Zakes Mokae, John Berry, and Ian Bannen in Rehearsals for 'The Blood Knot', New Arts Theatre, London
Creator:
Lewis Morley, 1925–2013
Date:
1960s
Materials & Techniques:
Gelatin silver print on semigloss photographic paper
Dimensions:
Sheet: 12 × 15 1/2 inches (30.5 × 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Dr. J. Patrick and Patricia Kennedy
Warwick Castle, Warwickshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 15/16 × 15 inches (27.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leicester Abbey
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1834
Materials & Techniques:
Line engraving and etching, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dunwich, Suffolk
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1819-1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Castle Upnor
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 × 14 15/16 inches (28.1 × 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching and engraving, 3rd state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 × 14 7/8 inches (27.9 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chalfont Lodge, Buckinghamshire
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, rough, gray-brown laid paper
Dimensions:
Sheet: 11 1/16 x 14 15/16 inches (28.1 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Old Téméraire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1845
Materials & Techniques:
Etching and line engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 17 inches (33.7 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bath: The Circus
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 15/16 × 14 13/16 inches (27.8 × 37.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bath: Queen Square
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 15/16 × 14 7/8 inches (27.8 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The City of Bath taken from the London Road
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bath: The New Bridge
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderatelty thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bath: The Crescent
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/8 × 14 7/8 inches (28.2 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bath: The North Parade
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 13/16 × 14 13/16 inches (27.5 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South View of Bath
Creator:
Print made by John Robert Cozens, 1752–1797
Date:
1773
Materials & Techniques:
Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Tonbridge During the Late Election, December 18, 1832
Creator:
Print made by Joseph Josiah Dodd, 1809–1894
Date:
after 1832
Materials & Techniques:
Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:
Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Old Téméraire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1845
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/4 × 24 1/2 inches (47.6 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Old Téméraire
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1845
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 18 5/8 × 24 3/4 inches (47.3 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Exeter

Exeter
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1829
Materials & Techniques:
Line engraving, 2nd state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 13/16 × 14 7/8 inches (27.5 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alnwick Castle
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1830
Materials & Techniques:
Line engraving and etching, 2nd state on moderately thick, slightly textured, beige wove paper, with beige chine collé
Dimensions:
Sheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hadleigh Castle, Large Plate
Creator:
Print made by David Lucas, 1802–1881
Date:
1830 to 1832
Materials & Techniques:
Mezzotint and etching; proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 18 inches (33 x 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and brown and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
unknown artist
Date:
ca. 1790
Materials & Techniques:
Graphite, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 7/8 inches (27.6 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection