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London from Greenwich Hill
Creator:
Henry Dawson, 1811–1878
Date:
1869 to 1870
Materials & Techniques:
Oil on canvas
Dimensions:
72 x 107 1/2 inches (182.9 x 273.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Greenwich Hospital from the Observatory with a Distant View of London
Creator:
Thomas Christopher Hofland, 1777–1843
Date:
1824
Materials & Techniques:
Oil on paper laid to panel
Dimensions:
9 7/16 x 13 3/16 inches (24 x 33.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Pope's Villa, Twickenham
Creator:
Joseph Nickolls, active 1713–ca. 1755
Date:
ca. 1755
Materials & Techniques:
Oil on canvas
Dimensions:
17 5/16 x 32 1/8 inches (44 x 81.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Greenwich
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 inches (10.5 × 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distant View of Greenwich
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Black ink over graphite on moderately thick, moderately textured, cream wove paper, laid on mount
Dimensions:
Sheet: 7 7/8 x 11 1/8 inches (20 x 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Greenwich Hospital
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Gray ink with gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 x 9 5/8 inches (15.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hinton St. George, Somerset: View of the Saloon
Creator:
Sir John Soane, 1753–1837
Date:
1797
Materials & Techniques:
Graphite, pen and black and brown ink and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 14 15/16 inches (23.5 x 37.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch of a Half-Facade for a Royal Palace, Hyde Park, London
Creator:
Sir John Soane, 1753–1837
Date:
ca. 1779
Materials & Techniques:
Brown wash, gray wash, pen and brown ink, and graphite on medium, moderately textured beige wove paper
Dimensions:
Sheet: 3 1/2 x 8 1/2 inches (8.9 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Somerset House, London
Creator:
Print made by Stanley Anderson, 1884–1966
Date:
1910
Materials & Techniques:
Drypoint and etching on medium, smooth, beige Asian paper
Dimensions:
Sheet: 11 3/4 x 18 13/16 inches (29.8 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
Greenwich, London in the Distance
Creator:
F. Norice, 19th century
Date:
undated
Materials & Techniques:
Graphite, watercolor, white gouache on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 3/4 inches (15.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
Creator:
Sir William Chambers, 1723–1796
Date:
ca. 1761
Materials & Techniques:
Pen and black ink, watercolor and gray wash on medium, moderately textured, beige laid paper, with additional sheet affixed to verso
Dimensions:
Sheet: 7 3/8 x 12 inches (18.7 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Sepulchres, The Round Church
Creator:
John Hill, 1770–1850
Date:
1814
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 x 13 9/16 inches (27.2 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Rev. Peter Rodgers
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and drypoint print on moderately thick, textured, cream laid paper
Dimensions:
Sheet: 11 1/8 x 15 9/16 inches (28.2 x 39.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London from Greenwich Hill
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1791
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 x 21 1/8 inches (37.8 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tom Tower, Christ Church, Oxford
Creator:
Dr. William Crotch, 1775–1847
Date:
undated
Materials & Techniques:
Gray wash over graphite; verso: graphite on moderately thick, moderately textured, blue wove paper
Dimensions:
Sheet: 14 3/4 x 10 7/8 inches (37.4 x 27.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Breaking Up of the Agamemnon, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1870
Materials & Techniques:
Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/8 x 18 3/4 inches (27.6 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
The Breaking Up of the Agamemnon, no. 2
Creator:
Print made by Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and drypoint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/16 x 21 7/8 inches (38.6 x 55.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
The Breaking Up of the Agamemnon, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
after 1880
Materials & Techniques:
Etching and mezzotint on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/16 x 22 1/16 inches (38.3 x 56.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Howard Mansfield
Greenwich Hospital
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, aquatint and color woodcut on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 5 5/8 × 8 7/8 inches (14.3 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mereworth Castle, the Seat of the Right Honble. Lord le Despencer
Creator:
Print made by unknown artist
Date:
ca. 1840
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 × 9 3/16 inches (14.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1830
Materials & Techniques:
Lithograph with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/4 x 19 5/8 inches (36.2 x 49.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection