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1. Derwent Water, with Skiddaw in the distance

Derwent Water, with Skiddaw in the distance
Creator:
Joseph Wright of Derby, 1734–1797
Date:
between 1795 and 1796
Materials & Techniques:
Oil on canvas
Dimensions:
22 1/4 x 31 1/2 inches (56.5 x 80 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Sandown Bay, from near Shanklin Chine, Isle of Wight

Sandown Bay, from near Shanklin Chine, Isle of Wight
Creator:
John Glover, 1767–1849
Date:
ca. 1827
Materials & Techniques:
Oil on canvas
Dimensions:
36 x 52 inches (91.4 x 132.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Windsor Castle Seen from the Thames

Windsor Castle Seen from the Thames
Creator:
unknown artist
Date:
ca. 1700
Materials & Techniques:
Oil on canvas
Dimensions:
26 5/8 x 36 3/4 inches (67.6 x 93.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

4. The Mew Stone at the Entrance of Plymouth Sound

The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 × 16 5/16 inches (27.9 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Island Opposite Boyle's Farm

The Island Opposite Boyle's Farm
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1869
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/16 x 11 9/16 inches (20.4 x 29.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

6. The Mew Stone at the Entrance of Plymouth Sound

The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching and engraving; first published state on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 9/16 × 22 5/16 inches (37 × 56.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Mew Stone at the Entrance of Plymouth Sound

The Mew Stone at the Entrance of Plymouth Sound
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1815
Materials & Techniques:
Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 inches (32.1 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1824
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Clovelly Bay and Lundy Island

Clovelly Bay and Lundy Island
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (II) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Island of Portland

The Island of Portland
Creator:
Philippe-Jacques de Loutherbourg, 1740–1812
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 × 4 3/8 inches (7.6 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Cowes Castle, Isle of Wight

Cowes Castle, Isle of Wight
Creator:
John Inigo Richards, 1730/31?–1810
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 9 5/8 inches (26.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. St. Michael's Mount, Cornwall

St. Michael's Mount, Cornwall
Creator:
Attributed to Luke Clennell, 1781–1840
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 6 3/4 inches (11.1 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Church Hope, the Island of Portland, Dorset

Church Hope, the Island of Portland, Dorset
Creator:
George Cumberland, 1754–1848
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 8 5/8 inches (15.6 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection