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1201. Dedham

Dedham
Creator:
George Bryant Campion, 1796–1870
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 5/8 x 8 3/8in. (14.3 x 21.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1202. Block House Fort, Gosport, Hampshire

Block House Fort, Gosport, Hampshire
Creator:
Richard Beavis, 1824–1896
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 13 3/8 inches (12.4 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1203. Street Scene at Stratford by Bow

Street Scene at Stratford by Bow
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/4 x 8 1/4 inches (12.1 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1204. The Castle Mills Bridge, York

The Castle Mills Bridge, York
Creator:
Thomas Shotter Boys, 1803–1874
Date:
1839
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 x 7 1/8 inches (11.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1205. Queen Anne Boleyn's Room, Windsor Castle

Queen Anne Boleyn's Room, Windsor Castle
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 inches (10.5 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1206. Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers

Hogarth Painting in Vauxhall Gardens in the Presence of Jonathan Tyers
Creator:
John Thomas Smith, 1766–1833
Date:
1817
Materials & Techniques:
Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1207. Interior of a Coppersmith's, Shoe Lane

Interior of a Coppersmith's, Shoe Lane
Creator:
Henry William Burgess, active 1809–1860
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 7 5/8 inches (14 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1208. Ruins of St. Paul Covent Garden

Ruins of St. Paul Covent Garden
Creator:
Print made by Thomas Medland, 1755–1823
Date:
1795
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 3/8 inches (11.4 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1209. The Needles, Isle of Wight

The Needles, Isle of Wight
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 8 1/8in. (13 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1210. Ryde, Isle of Wight

Ryde, Isle of Wight
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 5 1/4 × 8 1/4 inches (13.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1211. Undercliff, Isle of Wight

Undercliff, Isle of Wight
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1212. Culver Cliff, Sandown Bay, Isle of Wight

Culver Cliff, Sandown Bay, Isle of Wight
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Brown ink and brown wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 5 x 8in. (12.7 x 20.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1213. A Lane with Figures - Isle of Wight (?)

A Lane with Figures - Isle of Wight (?)
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 7/8 inches (12.7 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1214. Carisbrook Castle, Isle of Wight

Carisbrook Castle, Isle of Wight
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 4 7/8 × 7 7/8 inches (12.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1215. Beach Scene

Beach Scene
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and gray ink, pen and black ink, and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 7 3/4 × 10 inches (19.7 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1216. Opening of Waterloo Bridge

Opening of Waterloo Bridge
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 3/4 inches (22.9 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1217. Westminster Bridge

Westminster Bridge
Creator:
James Baylis Allen, 1803–1876
Date:
1853
Materials & Techniques:
Engraving
Dimensions:
Sheet: 8 x 12 3/8in. (20.3 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1218. At Oxford

At Oxford
Creator:
Edna Kaulbach, active 1874
Date:
1874
Materials & Techniques:
Black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 16 3/4 × 23 3/8 inches (42.5 × 59.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward I. Elicofon

1219. An Autumn Afternoon on Hampstead Heath

An Autumn Afternoon on Hampstead Heath
Creator:
Print made by John Copley, 1875–1950
Date:
1939
Materials & Techniques:
Etching and drypoint with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 7/16 x 12 1/2 inches (41.8 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1220. Worth Matravers, Dorset

Worth Matravers, Dorset
Creator:
Paul Nash, 1889–1946
Date:
1936
Materials & Techniques:
Watercolor, graphite, black chalk and blue chalk on thick, moderately textured, white wove paper
Dimensions:
Sheet: 15 1/2 x 23 inches (39.4 x 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1221. Cottage at Deane, Hants.

Cottage at Deane, Hants.
Creator:
John Piper, 1903–1992
Date:
1938
Materials & Techniques:
Gray wash and brown wash with pen and black ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 15/16 × 9 15/16 inches (35.4 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1222. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1223. Castles in England

Castles in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1224. Margate, October 2nd, 1850

Margate, October 2nd, 1850
Creator:
George Richmond, 1809–1896
Date:
1850
Materials & Techniques:
Graphite, watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 x 10 5/16 inches (18 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1225. View on Exmoor

View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1226. A Prospect of that Beautiful Cascade below Matlock Bath

A Prospect of that Beautiful Cascade below Matlock Bath
Creator:
Francois Vivares, 1709–1780
Date:
1743
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

1227. Dover

Dover
Creator:
John Martin, 1789–1854
Date:
1833
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 x 10 1/4 inches (19.7 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1228. Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation

Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
Creator:
Peter Simon, 1750–1810
Date:
1789
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

1229. A View from Durdham-Down near Bristol looking down the Avon

A View from Durdham-Down near Bristol looking down the Avon
Creator:
Print made by Jean B. C. Chatelain, 1710–1771
Date:
1756
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

1230. Tom Jones

Tom Jones
Creator:
Peter Simon, 1750–1810
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

1231. A Rowing Boat at Twickenham

A Rowing Boat at Twickenham
Creator:
John Linnell, 1792–1882
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, slightly textured, light blue wove paper
Dimensions:
Sheet: 8 3/8 x 11 1/2 inches (21.3 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1232. Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's

Ascent of Balloon from Burlington House, Piccadilly, from the Window at Mr. B. Palmer's
Creator:
John Linnell, 1792–1882
Date:
after 1812
Materials & Techniques:
Watercolor, brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 13 3/8 inches (24.1 x 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1233. St. Paul's and Blackfriars Bridge

St. Paul's and Blackfriars Bridge
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 3/8 x 16 1/8in. (16.2 x 41cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1234. The Late Entrance to Ber Street, Norwich

The Late Entrance to Ber Street, Norwich
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1235. Beeston Priory, Beeston Regis

Beeston Priory, Beeston Regis
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1236. Remains of the Priory, Beeston Regis

Remains of the Priory, Beeston Regis
Creator:
Robert Dixon, 1780–1815
Date:
1810
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 8 1/4 inches (26.5 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1237. Sketch at Mulbarton

Sketch at Mulbarton
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 x 8 3/16 inches (27 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1238. The Greyfriars Tower, Lynn, as it appeared 1801

The Greyfriars Tower, Lynn, as it appeared 1801
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 15/16 x 8 1/16 inches (25.3 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1239. St. Vincent's Rocks, Clifton (Hotwell House and Baths)

St. Vincent's Rocks, Clifton (Hotwell House and Baths)
Creator:
Print made by unknown artist
Date:
ca. 1840
Materials & Techniques:
Lithograph, hand-colored on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 16 x 21 1/8 inches (40.7 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1240. Windsor Bridge

Windsor Bridge
Creator:
Print made by Joseph Farington, 1747–1821
Date:
1792
Materials & Techniques:
Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1241. Garrick Reading the Ode at the Shakespeare Jubilee

Garrick Reading the Ode at the Shakespeare Jubilee
Creator:
Caroline Watson, 1760–1814
Date:
1784
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 24 7/16 x 17 13/16 inches (62 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander

1242. Winter Amusement: A View in Hyde Park from the Sluice at the East End

Winter Amusement: A View in Hyde Park from the Sluice at the East End
Creator:
Print made by James Tookey, active 1787–1805
Date:
1787
Materials & Techniques:
Aquatint, printed in color and colored by hand
Dimensions:
Sheet: 12 3/8 x 15 3/8in. (31.4 x 39.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1243. Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth

Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
Creator:
Print made by Samuel William Reynolds, 1773–1835
Date:
1797
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 13 7/8in. (50.2 x 35.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1244. A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace

A Perspective View of the Magnificent Structure, erected in the Green Park for the Royal Fireworks exhibited the 27 of April 1749, on account of the General Peace
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/8 × 16 inches (25.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1245. Storm, Representing that Violent one, which drove his Majesty King George I into Rye

Storm, Representing that Violent one, which drove his Majesty King George I into Rye
Creator:
Pierre Charles Canot, ca. 1710–1777
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1246. Devonport and Dockyard, Devonshire

Devonport and Dockyard, Devonshire
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1827-1838
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 3/8 inches (28.6 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1247. A View of part of St. Mary's Church (a), All Saints Church (b), the Conduit (c), Carfax Church (d), & c. in the University of Oxford

A View of part of St. Mary's Church (a), All Saints Church (b), the Conduit (c), Carfax Church (d), & c. in the University of Oxford
Creator:
John Donowell, active 1753–1786
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1248. A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire

A View from Cap't Grenvilles Monument to the Grecian Temple in the Gardens of Earl Temple at Stow, in Buckinghamshire
Creator:
George Bickham the Younger, ca. 1706–1771
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 x 15 3/4in. (26 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1249. A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire

A View in the Elysian Fields, from the Spring of Helicon in the Gardens of Earl Temple at Stow, in Buckinghamshire
Creator:
George Bickham the Elder, 1683/4–1758
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1250. A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick

A View of the Bridge upon the Canal in Lord Burlington's Garden at Chiswick
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 3/4 x 15 3/4in. (27.3 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1251. A View of the Three Walks terminated by the Cassina, the Pavilion, and the Rustic House in the Garden of the Earl of Burlington, at Chiswick

A View of the Three Walks terminated by the Cassina, the Pavilion, and the Rustic House in the Garden of the Earl of Burlington, at Chiswick
Creator:
Print made by unknown artist
Date:
between 1760 and 1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1252. A View of the Back Part of the Cassina, & Part of the Serpentine River, terminated by the Cascade in the Garden of the Earl of Burlington, at Chiswick

A View of the Back Part of the Cassina, & Part of the Serpentine River, terminated by the Cascade in the Garden of the Earl of Burlington, at Chiswick
Creator:
John Donowell, active 1753–1786
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 x 16 1/4in. (26 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1253. A View of the Garden of the Earl of Burlington, at Chiswick, taken from the Top of the Flight of Steps leading to ye Grand Gallery at ye Back Front

A View of the Garden of the Earl of Burlington, at Chiswick, taken from the Top of the Flight of Steps leading to ye Grand Gallery at ye Back Front
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 x 16 1/2in. (29.2 x 41.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1254. A View from Richmond Hill up the River

A View from Richmond Hill up the River
Creator:
Francois Vivares, 1709–1780
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 x 17in. (29.2 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1255. A View of St. James's Park, taken near the Stable Yard

A View of St. James's Park, taken near the Stable Yard
Creator:
Print made by James Smith, active 1733–1759
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 x 16in. (26.7 x 40.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1256. A View of the Orangerie in Lord Burlington's Garden at Chiswick

A View of the Orangerie in Lord Burlington's Garden at Chiswick
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 x 15 3/4in. (26.7 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1257. A View to the Grotto of the Serpentine River in the Alder Grove in the Gardens of Earl Temple at Stow, in Buckinghamshire

A View to the Grotto of the Serpentine River in the Alder Grove in the Gardens of Earl Temple at Stow, in Buckinghamshire
Creator:
George Bickham the Younger, ca. 1706–1771
Materials & Techniques:
Hand-colored engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1258. The Royal Palace of Hampton Court

The Royal Palace of Hampton Court
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 x 16 1/4in. (27.9 x 41.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1259. A View of the Countess of Suffolks House near Twickenham

A View of the Countess of Suffolks House near Twickenham
Creator:
James Mason, 1710–1783
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1260. A View of the City of York from near ye Confluence of the Rivers Ouse & Foss

A View of the City of York from near ye Confluence of the Rivers Ouse & Foss
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/2 x 17in. (29.2 x 43.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1261. A View of the Grotto & Two Shell Temples in the Gardens of Earl Temple at Stow, in Buckinghamshire

A View of the Grotto & Two Shell Temples in the Gardens of Earl Temple at Stow, in Buckinghamshire
Creator:
Print made by George Bickham the Younger, ca. 1706–1771
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 10 1/4 x 15 1/2in. (26 x 39.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1262. A View of the House from the Equestrian Statue in the Park of the Earl Temple at Stow, in Buckinghamshire

A View of the House from the Equestrian Statue in the Park of the Earl Temple at Stow, in Buckinghamshire
Creator:
George Bickham the Younger, ca. 1706–1771
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 10 1/2 x 15in. (26.7 x 38.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1263. A View of the Cascade, of part of the Serpentine River, & of the West Front of the House of the Earl of Burlington, at Chiswick

A View of the Cascade, of part of the Serpentine River, & of the West Front of the House of the Earl of Burlington, at Chiswick
Creator:
John Donowell, active 1753–1786
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1264. A View of the Back Front of the House, & part of the Garden of the Earl of Burlington at Chiswick; with a distant View of the Orangery, Greenhouse, Inigo Jones's Gate, & c.

A View of the Back Front of the House, & part of the Garden of the Earl of Burlington at Chiswick; with a distant View of the Orangery, Greenhouse, Inigo Jones's Gate, & c.
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1265. A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford

A View of Exeter College back gate (a), the Museum (b), the Theatre (c), the Printing House (d), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 12 × 17 inches (30.5 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1266. A View of His Majesty's Dock Yard at Plymouth, in the County of Devon, on the British Channel

A View of His Majesty's Dock Yard at Plymouth, in the County of Devon, on the British Channel
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1267. A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down

A View of the Fleet at Spithead; taken from the Platform at Portsmouth (A) the Watch Tower at Portsmouth (B) Gilkiker upon Gosport Shoar (C) The Sea Mark on Ashey Down
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1268. A View of His Majesty's Dock Yard at Portsmouth, in the County of Hampshire, on the British Channel

A View of His Majesty's Dock Yard at Portsmouth, in the County of Hampshire, on the British Channel
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1269. Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever

Blenheim House. Erected at the Publick Expence in Commemoration of the Victory at Blenheim, and setled on the Great Duke of Marlborough and his Descendents for ever
Creator:
Paul Fourdrinier, 1698–1758
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 × 16 1/8 inches (25.4 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1270. A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows

A View of the Fleet at Spithead, Taken from Stone Common near Exbury Distant upwards of 3 Leagues. A, Spithead. B, The Mother Bank. C, Ashey Sea Mark. D, Mouth of Southampton River. E, Portsmouth Tower. F, Gilkiker. G, Castle of Cows
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/2 × 16 inches (26.7 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1271. A View of the Earl of Radnor's House at Twickenham

A View of the Earl of Radnor's House at Twickenham
Creator:
Anthony Walker, 1726–1765
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1272. The Town & Harbour of Portsmouth, with a View of His Majesty's Fleet Spitthead, (a)Portsmouth, (b)Gosport, (c)Portchester Castle, (d)Isle of Wight

The Town & Harbour of Portsmouth, with a View of His Majesty's Fleet Spitthead, (a)Portsmouth, (b)Gosport, (c)Portchester Castle, (d)Isle of Wight
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1273. A View of the Rt. Hon'ble the Lord of Burlington's House at Chiswick; taken from the Road

A View of the Rt. Hon'ble the Lord of Burlington's House at Chiswick; taken from the Road
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 1/4 × 16 1/4 inches (26 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1274. A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford

A View of the Conduit (a), part of Carfax Church (b), the Piazza called the Butter Market (c), the Town Hall (d), the west Front of Christ Church College (e), & c. in the University of Oxford
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on laid paper
Dimensions:
Plate: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1275. Viewing at the Royal Academy

Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1815
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 9 1/2 inches (14.6 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1276. A Ball at Scarborough

A Ball at Scarborough
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1820
Materials & Techniques:
Watercolor, pen and red ink, brown ink, black ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 9 3/8 inches (14.4 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1277. Comforts of Bath: The Bath

Comforts of Bath: The Bath
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 7 1/8 inches (11 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1278. A Perspective View of Covent Garden

A Perspective View of Covent Garden
Creator:
Print made by John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1279. The Church of St. Mary Le Bow in Cheapside London

The Church of St. Mary Le Bow in Cheapside London
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1280. The Inside View of the Royal Exchange at London

The Inside View of the Royal Exchange at London
Creator:
Print made by Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1281. The South West Prospect of London, from Somerset Gardens to the Tower

The South West Prospect of London, from Somerset Gardens to the Tower
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1282. The Lord Mayor's Mansion House, shewing the Front of the House & the West Side

The Lord Mayor's Mansion House, shewing the Front of the House & the West Side
Creator:
Print made by unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1283. An Inside View of the Church of St. Stephen Walbrooke London

An Inside View of the Church of St. Stephen Walbrooke London
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1284. A View of Somerset House with St. Mary's Church in the Strand London

A View of Somerset House with St. Mary's Church in the Strand London
Creator:
Thomas Bowles III, ca. 1712–1767
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1285. A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.

A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.
Creator:
Print made by John Maurer, active 1713–1761
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 10 × 16 1/2 inches (25.4 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1286. A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles

A Curious Perspective View of the Inside of St. Paul's Cathedral, Shewing part of the Dome, the Piers and Arches which support it; and the Entrances into the Choir and the Isles
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Plate: 11 1/2 × 16 3/4 inches (29.2 × 42.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1287. Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1288. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1289. The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot

The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
Creator:
Possibly Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1290. A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816

A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1291. A Plumed Saddle-Horse

A Plumed Saddle-Horse
Creator:
Attributed to Inigo Jones, 1573–1652
Date:
ca. 1640
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 x 5 inches (14.3 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1292. The Earthquake Scare in Piccadilly

The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1293. The Saddling Enclosure, Epsom

The Saddling Enclosure, Epsom
Creator:
James Barenger, 1780–after 1831
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1294. A Match at Newmarket

A Match at Newmarket
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1295. Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony

Lord Stanhope (Later Earl of Chesterfield) as a Boy, Riding a Pony
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Black chalk on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 × 8 inches (23.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1296. Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'

Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1297. Summer Afternoon, After a Shower

Summer Afternoon, After a Shower
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 17 1/4in. (29.2 x 43.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Archer Gee for History of Art (History of Prints)

1298. The Old Téméraire

The Old Téméraire
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1838-1854
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 3/8 inches (29.5 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1299. Crossing the Brook

Crossing the Brook
Creator:
Print made by William Richardson, active 1842–1877
Date:
between 1859 and 1861
Materials & Techniques:
Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/4 × 8 7/8 inches (29.8 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1300. Château Gaillard, from the East

Château Gaillard, from the East
Creator:
Print made by John Smith, 1799–1843
Date:
1835
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 16 1/4 inches (28.3 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection