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Over the Bank, Exmoor
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1895
Materials & Techniques:
Watercolor, pen and gray ink, and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/16 inches (25.1 × 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Morning at Tattersalls (with further sketches in left margin folded over)
Creator:
Robert Polhill Bevan, 1865–1925
Date:
undated
Materials & Techniques:
Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Street Scene: Opatow Kelecki, Poland
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1907
Materials & Techniques:
Watercolor and black chalk on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 5/8 x 9 inches (16.8 x 22.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Christ Church Gate, Canterbury
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1792–1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tours, Looking Backwards
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1826 and 1830
Materials & Techniques:
Watercolor, gouache, graphite, and pen and brown ink on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 4 7/8 x 7 3/8 inches (12.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dent de Lion, near Margate
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1791
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 13 5/8in. (25.7 x 34.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of St. John's Palace, Eltham
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 x 10 3/4 inches (33.3 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/4 inches (17.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 x 7 3/8 inches (13.3 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bayswater - London
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Pen and gray ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 8 3/8 inches (13.7 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Strand with Astley's Theatre
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 9 1/4 inches (11.7 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cave of the Golden Calf: Study for Stage
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Crayon on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 x 10 3/4 inches (30.5 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
Cave of the Golden Calf: Kneeling Figures
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 1/2 x 4 1/4 inches (8.9 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frederick Gore
A View of Core's Library, Dawlish, Devon
Creator:
John White Abbott, 1763–1851
Date:
1837
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:
Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pass in the Mountains Between Nisa and Villa Velha
Creator:
William Bradford, active 1809
Date:
1809
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Welsh Fair
Creator:
John Preston Neale, 1771/80–1847
Date:
1813
Materials & Techniques:
Watercolor, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 3/16 inches (15.6 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Farningham, Kent
Creator:
Benjamin Thomas Pouncey, active 1772–1799
Date:
1784
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 6 15/16 inches (12.4 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Notre Dame, Paris
Creator:
Thomas Shotter Boys, 1803–1874
Date:
between 1831 and 1845
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 8 7/16 inches (15.9 x 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 9 1/8 inches (14.3 x 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot
Creator:
Possibly Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, with pen, in gray ink on medium, moderately textured, cream laid paper
Dimensions:
Mount: 6 3/16 × 8 5/16 inches (15.7 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Lioness Attacking the Off-Leader of the Exeter Mail Coach Outside the Pheasant Inn, Winterslow, on the Night of 20 October 1816
Creator:
Julius Caesar Ibbetson, 1759–1817
Date:
undated
Materials & Techniques:
Pen and brown ink, and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 7/8 × 6 1/8 inches (9.8 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Earthquake Scare in Piccadilly
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
1750
Materials & Techniques:
Pen and brown ink, graphite, and brown wash on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 5/8 × 16 1/2 inches (27 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Saddling Enclosure, Epsom
Creator:
James Barenger, 1780–after 1831
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Match at Newmarket
Creator:
Peter Tillemans, 1684–1734
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, graphite and gouache on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 9/16 × 7 3/8 inches (9 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foxhunting at Melton Mowbray, 1835: Taking the Gate at the Hinge Post While Snob Walks Thro'
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Leicestershire Hunt - A Struggle for the Start
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Leicestershire Hunt - The Death
Creator:
Possibly Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/4 × 22 1/2 inches (23.5 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Quorn towards Ashby de la Zouch, Leicestershire
Creator:
Lionel Edwards, 1878–1966
Date:
1919
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and black chalk on moderately thick, slightly textured, beige wove paper
Dimensions:
Mount: 19 7/8 × 25 7/16 inches (50.5 × 64.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newmarket - Pulling Up
Creator:
Lionel Edwards, 1878–1966
Date:
1933
Materials & Techniques:
Watercolor, gouache and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 10 1/16 × 13 15/16 inches (25.6 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Preparing for a Hunt at Selhurst Park, Nov. 14, 1796
Creator:
Thomas Daniell, 1749–1840
Date:
1796
Materials & Techniques:
Watercolor, pen and brown ink, brown wash, and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 7 13/16 × 9 13/16 inches (19.8 × 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Night Riders of Nacton: Preparing to Start. Ipswich, the Watering Place behind the Barracks
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, moderately textured brown laid paper mounted to thick, card
Dimensions:
Sheet: 9 1/4 × 13 1/2 inches (23.5 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Night Riders of Nacton: Whoop! and Away! The large field near Biles Corner
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, brown wove paper mounted to thick card
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Night Riders of Nacton: The Last Field near Nacton Heath
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, brown wove paper, mounted to card
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Night Riders of Nacton: The Finish. Nacton Church and Village
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 1/8 × 14 1/8 inches (25.7 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Meet of the Quorn at Garrendon Park, Loughborough, Leicestershire
Creator:
John Ferneley, 1782–1860
Date:
undated
Materials & Techniques:
Oil, watercolor, gouache, and graphite on medium, slightly textured, brown wove paper mounted on wood
Dimensions:
Sheet: 10 3/4 × 15 3/4 inches (27.3 × 40 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Netting Deer in Richmond Park
Creator:
Sir George Hayter, 1792–1871
Date:
undated
Materials & Techniques:
Graphite, with white gouache on moderately thick, slightly textured, green-gray, wove paper
Dimensions:
Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Foxhunting at Melton Mowbray, 1835: The Cream of the Thing
Creator:
Edward Hull, 1810–1877
Date:
ca. 1835
Materials & Techniques:
Watercolor, pen and brown ink, graphite, gum arabic, and gouache on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Racehorses at Exercise, Possibly at Newmarket
Creator:
Gilbert Joseph Holiday, 1879 –1937
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Image: 3 1/4 × 5 13/16 inches (8.3 × 14.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colonel Thornton Driving Tandem on His Sporting Tour of Scotland
Creator:
George Garrard, 1760–1826
Date:
1786
Materials & Techniques:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 7/8 × 18 9/16 inches (32.7 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unloading the Luggage From The Exeter Coach
Creator:
Charles Cooper Henderson, 1803–1877
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 15/16 × 18 1/2 inches (30.3 × 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Travelling in France
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1785 and 1789
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 17 1/2 inches (28.7 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Canterbury-Dover Coach Passing Vanbrugh Castle
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1800
Materials & Techniques:
Watercolor, in pen with brown ink and gray ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 17 15/16 inches (29.2 x 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Race on the Knavesmire at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, and gray ink on thick, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The St. Leger, Doncaster: The Finish
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 16 7/8 inches (31.1 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The St. Leger, Doncaster: Preparing to Start
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 5/16 inches (27.3 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"Fearnought Going to Run Against The D: of Devon: Smart"
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Graphite and brown wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stag at Bay - Scene near Taplow, Berks.
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1795 and 1801
Materials & Techniques:
Watercolor with pen and red, black, gray and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 5/16 x 20 5/8 inches (41.4 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cave of the Golden Calf: Study for Deer Hunting Mural
Creator:
Spencer Frederick Gore, 1878–1914
Date:
1912
Materials & Techniques:
Pastel, pen and black ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Prudhoe Castle, Northumberland
Creator:
William Beilby, 1740–1819
Date:
undated
Materials & Techniques:
Watercolor on slightly textured, medium, beige laid paper
Dimensions:
Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Woolwich Warren
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on very thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 1/2 x 27 1/8 inches (49.5 x 68.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wychwood Forest
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
1806
Materials & Techniques:
Black and gray wash and gouache over pen and brown ink on moderately thick, moderately textured, beige laid paper mounted on thick, moderately textured, beige wove paper
Dimensions:
Mount: 20 × 25 inches (50.8 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mountains of Africa, from the Hospital at Gilbraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The 48th Regiment with Casemate, Gibraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gate Toward Bursit, Aix-la-Chappelle
Creator:
Charles Gore, 1729–1807
Date:
1785
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 18 1/2 inches (28.9 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hubertusburg Château
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 13/16 x 18 3/8 inches (14.8 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leeds Castle, Kent
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 7 x 9 7/8 inches (17.8 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Windsor Castle
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Black ink and gray wash over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 9 inches (14 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bevere House near North Claines, Worcestershire
Creator:
Moses Griffith, 1747–1819
Date:
ca. 1780
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 19 1/4 inches (34.6 x 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exeter College, Oxford
Creator:
Joseph Murray Ince, 1806–1859
Date:
1835
Materials & Techniques:
Watercolor, gum arabic and graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 8 inches (26.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gateway of Lancaster Castle
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Contemporary drawn border: 7 5/8 x 10 1/2 inches (19.4 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unloading Pit Props at Coalbrookdale
Creator:
Thomas Hearne, 1744–1817
Date:
after 1790
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/2 x 7 1/2 inches (21.6 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bayswater Turnpike
Creator:
Thomas Hearne, 1744–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 x 14 1/8 inches (28.3 x 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King's Mews, Charing Cross, London: Section
Creator:
William Kent, ca.1686–1748
Date:
1731
Materials & Techniques:
Graphite, pen and black ink and brown wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 12 7/8 inches (25.1 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gaunt's House, Wimborne
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Pen and black ink, brown wash and graphite on medium, slightly textured, cream wove paper mounted on very thick, smooth, cream wove paper
Dimensions:
Sheet: 3 7/16 × 5 1/8 inches (8.7 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winchester Tower, Windsor Castle
Creator:
Thomas Malton, 1726–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Whitehall Showing Holbein's Gate and Banqueting Hall
Creator:
Thomas Sandby, 1721–1798
Date:
ca. 1760
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 23 1/2 inches (39.4 x 59.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground...
Creator:
Attributed to Edward Edwards, 1738–1806
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen, ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Corn Hill and Moot Hall, Ipswich
Creator:
George Frost, 1745–1821
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 × 13 1/4 inches (22.5 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridgenorth, Shropshire
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1801
Materials & Techniques:
Gouache, watercolor, white chalk, black chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 25 7/8 x 35 1/2 inches (65.7 x 90.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
View at Charlton, Kent
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1783
Materials & Techniques:
Gouache and watercolor on thin paper mounted on panel
Dimensions:
Sheet: 11 1/2 x 17 3/8 inches (29.2 x 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old Bridge at Shrewsbury
Creator:
Paul Sandby, 1731–1809
Date:
1772
Materials & Techniques:
Watercolor and gouache on canvas
Dimensions:
Sheet: 28 1/2 x 37 3/8 inches (72.4 x 94.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gateway to Battle Abbey
Creator:
Henry Morton, ca. 1807–1825
Date:
after 1819
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 × 11 7/16 inches (20.8 × 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Review on Epson Downs
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Lucan House
Creator:
John James Barralet, 1747–1815
Date:
1782
Materials & Techniques:
Watercolor, pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper mounted to medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/8 × 7 1/4 inches (12.4 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
London Cries: A Tinker and His Wife
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1759
Materials & Techniques:
Gray wash, graphite, and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 5 5/8 inches (19.4 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Italianate Landscape with Travellers no. 2
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1760
Materials & Techniques:
Watercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 21 inches (36.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Scene at Windsor
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Graphite and brown wash with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/8 x 6 1/2 inches (10.5 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Coast Scene near Plymouth
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor with brown ink, black ink, and g over graphite on thick, rough, beige board, pasted on mount
Dimensions:
Sheet: 18 1/8 × 23 inches (46 × 58.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Diepen, pres Amsterdam
Creator:
Jan Asselyn, ca. 1610–1652
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 3 3/4 x 7 3/8 inches (9.5 x 18.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
The Tithe Barn at Abbotsbury with the Abbey on the hill...
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, pen and black ink and graphite mounted on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 4 1/8 x 5 7/8 inches (10.5 x 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch for the Eidometropolis: Panorama, Great Surrey Street and Christchurch, Southwark
Creator:
Thomas Girtin, 1775–1802
Date:
between 1797 and 1802
Materials & Techniques:
Graphite and pen and brown ink, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 x 19 3/4 inches (29.2 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mont Saint-Michel
Creator:
Charles Reginald Aston, 1832–1908
Date:
undated
Materials & Techniques:
Watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Frame: 16 × 25 3/4 × 1 1/4 inches (40.6 × 65.4 × 3.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert and Pauline Knoll
Review of Light Horse Volunteers on Wimbledon Common
Creator:
Thomas Rowlandson, 1756–1827
Date:
1798
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 13/16 x 16 5/16 inches (24.9 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 15/16 x 24 7/16 inches (22.7 x 62.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Newbury Market Place, Berkshire
Creator:
Thomas Rowlandson, 1756–1827
Date:
between 1815 and 1820
Materials & Techniques:
Watercolor with pen and brown, red-brown and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 x 15 7/8 inches (25.4 x 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Customs House at Boulogne
Creator:
Thomas Rowlandson, 1756–1827
Date:
1790s
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 x 11 9/16 inches (20.3 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bridge of Don, Old Aberdeen
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Brighton

Brighton
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 3/8 inches (16.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The London Citizen
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/16 x 9 inches (13.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827
Date:
1820
Materials & Techniques:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Valley of Stones, Lynton, Devon
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor, with pen and red and gray-brown ink; verso: graphite on medium, slightly textured, beige wove paper
Dimensions:
Mount: 8 3/8 x 12 3/16 inches (21.3 x 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Welcome
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Esquire's Intrusion
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and red-brown ink over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 7/16 inches (11.4 x 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 3/8 inches (11.4 x 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection