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Thomas Churchyard House in Woodbridge, Suffolk
Thomas Churchyard, 1798–1865
House in Woodbridge, Suffolk
1859
Not on view
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
Richard Wilson Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank
Richard Wilson, 1713/4–1782
Italian Landscape with Three-Arched Bridge, Bridgehouse, Figures on near Bank, and Poplars on Farther Bank
ca. 1752
Richard Wilson Study of Figures for "A View of the Campagna"
Richard Wilson, 1713/4–1782
Study of Figures for "A View of the Campagna"
ca. 1755
Thomas Girtin The Watermill Above the Bridge at Charenton
Thomas Girtin, 1775–1802
The Watermill Above the Bridge at Charenton
1803
Richard Wilson Italianate Landscape Composition
pupil of Richard Wilson, 1713/4–1782
Italianate Landscape Composition
undated
George Cressal Ellis Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
George Cressal Ellis, ca. 1810–1875
Design for the Setting of Charles Kean's Production of Richard II at the Princess's Theatre on March 12, 1857
undated
Charles Claude Pyne The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
Charles Claude Pyne, 1802–1878
The London Scottish Volunteer Regiment at Wimbledon Common Rifle Ranges with the Soldiers under canvas
1872
Joseph Gray North Sea
Joseph Gray, 1890–1962
North Sea
undated
Sir Francis Seymour Haden Sunset in Ireland
Sir Francis Seymour Haden, 1818–1910
Sunset in Ireland
1863
Sir Francis Seymour Haden Sunset in Ireland
Sir Francis Seymour Haden, 1818–1910
Sunset in Ireland
1863
Frederick Landseer Maur Griggs Carnagh
Print made by Frederick Landseer Maur Griggs, 1876–1938
Carnagh
1915
John Hill Pass-Room Bridewell
John Hill, 1770–1850
Pass-Room Bridewell
1808
Thomas Girtin The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
Robert Streatfeild Spa, Germany - a road flanked by a high bank
Robert Streatfeild, 1786–1852
Spa, Germany - a road flanked by a high bank
undated
William Daniell Barmouth, Merionethshire
Print made by William Daniell, 1769–1837
Barmouth, Merionethshire
1814
John Harris The North Prospect of the Cathedral Church of St. Mary at Worcester
John Harris, 1811–1865
The North Prospect of the Cathedral Church of St. Mary at Worcester
undated
Richard Parkes Bonington Ruines de Château d'Arlay
Print made by Richard Parkes Bonington, 1802–1828
Ruines de Château d'Arlay
1827
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803
Thomas Girtin On the Banks of the Marne below the Bridge at Charenton
Print made by Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton
1803