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Subject Terms collar

1. Queen Katherine's Dream

Queen Katherine's Dream

Creator:: George Henry Harlow, 1787–1819
Date:: 1807
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

2. Glaud and Symon

Glaud and Symon

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

3. Whistler Seated in a Chair in His Paris (rue Notre-Dame-des-Champs) Studio

Whistler Seated in a Chair in His Paris (rue Notre-Dame-des-Champs) Studio

Creator:: Paul François Arnold Cardon, called "Dornac", 1859–1941
Date:: 1893
Materials & Techniques:: Albumen print on thin, smooth, wove paper
Dimensions:: Sheet: 10 1/4 x 8 inches (26 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

4. Whistler Standing at a Press in His Paris (rue Notre-Dame-des-Champs) Studio

Whistler Standing at a Press in His Paris (rue Notre-Dame-des-Champs) Studio

Creator:: Paul François Arnold Cardon, called "Dornac", 1859–1941
Date:: 1893
Materials & Techniques:: Albumen print
Dimensions:: Sheet: 10 1/4 x 8 inches (26 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

5. Hamlet and the Ghost

Hamlet and the Ghost

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 17 15/16 × 13 inches (45.6 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. William Robertson, D.D.

William Robertson, D.D.

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1772
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 7/8 × 14 1/16 inches (50.5 × 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Elizabeth, Countess of Pembroke, and the Rt. Honble. George, Lord Herbert

Creator:: Print made by John Dixon, ca. 1740–1811
Date:: 1771
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 18 3/16 × 13 1/4 inches (46.2 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

9. Hamlet in Scotland

Hamlet in Scotland

Creator:: Print made by Robert Dighton, 1752–1814
Date:: 1794
Materials & Techniques:: Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/4 x 9 3/8 inches (28.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

10. An Autumn Afternoon on Hampstead Heath

An Autumn Afternoon on Hampstead Heath

Creator:: Print made by John Copley, 1875–1950
Date:: 1939
Materials & Techniques:: Etching and drypoint with gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 7/16 x 12 1/2 inches (41.8 x 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund