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1701. Brass Plate Monument for John Stockton, West Wickham Church

Brass Plate Monument for John Stockton, West Wickham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Graphite, watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1702. View from the Pont Neuf

View from the Pont Neuf
Creator:
William Henry Lake Price, ca. 1810–ca. 1896
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, rough, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1703. Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby

Off Portsmouth: Boats Loading or Unloading a Large Hulk, Small Craft Nearby
Creator:
Follower of Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Watercolor over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 10 3/16 inches (16.9 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1704. Study of Figures at Ulm

Study of Figures at Ulm
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/16 × 4 7/16 inches (8.4 × 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1705. Study of Figures at Schaffhausen

Study of Figures at Schaffhausen
Creator:
Samuel Prout, 1783–1852
Date:
before 1841
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/16 × 4 7/16 inches (8.7 × 11.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1706. Mill Near Colchester

Mill Near Colchester
Creator:
Print made by David Lucas, 1802–1881
Date:
1845
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1707. Hampstead Heath, Harrow in the Distance

Hampstead Heath, Harrow in the Distance
Creator:
Print made by David Lucas, 1802–1881
Date:
1845
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1708. Flatford Mill

Flatford Mill
Creator:
Print made by David Lucas, 1802–1881
Date:
1844
Materials & Techniques:
Mezzotint and drypoint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/8 x 14 1/4 inches (25.7 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1709. Summer Evening

Summer Evening
Creator:
Print made by David Lucas, 1802–1881
Date:
1831
Materials & Techniques:
Mezzotint with chine collé on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 x 14 1/4 inches (24.8 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1710. Fisherfolk on the Beach, Ostend

Fisherfolk on the Beach, Ostend
Creator:
Samuel Prout, 1783–1852
Date:
undated
Materials & Techniques:
Graphite and watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 3 9/16 × 6 1/4 inches (9 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1711. Near St. Malo

Near St. Malo
Creator:
Sir Augustus Wall Callcott, 1779–1844
Date:
undated
Materials & Techniques:
Watercolor, black chalk with scratching out on medium, slightly textured white wove paper, mounted to card
Dimensions:
Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1712. Lake of Como, I

Lake of Como, I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/8 × 11 5/8 inches (44.1 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1713. Lake of Como, I

Lake of Como, I
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1714. Harwich, Essex

Harwich, Essex
Creator:
William Daniell, 1769–1837
Date:
ca. 1820
Materials & Techniques:
Brown wash, brown ink, and white chalk over graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/2 inches (16.2 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1715. William Tell's Chapel

William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1716. The Lake of Geneva

The Lake of Geneva
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1830
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 8 1/2 inches (29.2 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1717. St. Paul's From the River

St. Paul's From the River
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1718. Beaugency

Beaugency
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1719. Blois

Blois
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1720. Château of Amboise

Château of Amboise
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1833
Materials & Techniques:
Etching and engraving, with graphite and chine collé; touched engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 9/16 × 11 11/16 inches (21.7 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1721. Canal of the Loire and Cher, near Tours

Canal of the Loire and Cher, near Tours
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 5/8 × 12 1/2 inches (21.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1722. Tours

Tours
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1723. Rietz, near Saumur

Rietz, near Saumur
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1724. Amboise

Amboise
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 15 5/8 inches (29.5 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1725. Saumur

Saumur
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1726. Montjen

Montjen
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (c) on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1727. Scene on the Loire

Scene on the Loire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof (b) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1728. Between Clairmont and Mauves

Between Clairmont and Mauves
Creator:
Print made by William Miller, 1796–1882
Date:
1833
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1729. William Tell's Chapel

William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1730. Coteaux de Mauves

Coteaux de Mauves
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Etching and engraving; engraver's proof (d) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1731. Havre

Havre
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (4) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1732. Malta

Malta
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 × 16 7/8 inches (29.7 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1733. Tours, Looking Backwards

Tours, Looking Backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, sliightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1734. Fulham Palace, Porter's Lodge

Fulham Palace, Porter's Lodge
Creator:
John Gendall, 1790–1865
Date:
undated
Materials & Techniques:
Brown wash, pen and brown ink with white gouache over graphite on thick, textured, card
Dimensions:
Sheet: 5 × 5 15/16 inches (12.7 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1735. Falls at Schaffhausen

Falls at Schaffhausen
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1782
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1736. The Mountains of Africa, from the Hospital at Gilbraltar

The Mountains of Africa, from the Hospital at Gilbraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1737. Bridge over Pool at Llanrwst

Bridge over Pool at Llanrwst
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, blue-gray wove paper
Dimensions:
Sheet: 10 1/8 × 13 inches (25.7 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1738. The South Barracks, Gibraltar

The South Barracks, Gibraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Watercolor, pen and black ink, graphite, and collage on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1739. The Rock of Gibraltar from Algeciras (Spain)

The Rock of Gibraltar from Algeciras (Spain)
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor, gouache, graphite and scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1740. O'Hara's Tower, Gibraltar

O'Hara's Tower, Gibraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream card
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1741. Between Llangollen and Oswestry

Between Llangollen and Oswestry
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1790
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 9 inches (18.4 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1742. Europa Lighthouse, Ceuta, Spain

Europa Lighthouse, Ceuta, Spain
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1743. Algeciras from Gibraltar

Algeciras from Gibraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1744. Cabrita Point - Rock of Gibraltar

Cabrita Point - Rock of Gibraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1745. Officer's Quarters and Casemate Barracks, Gibraltar

Officer's Quarters and Casemate Barracks, Gibraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 10 1/4 inches (18.3 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1746. Tarifa Point, Spain and Mons Abyla, Africa

Tarifa Point, Spain and Mons Abyla, Africa
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1747. Enter Malvolio, Crossgartered...

Enter Malvolio, Crossgartered...
Creator:
Sir John Gilbert, 1817–1897
Date:
1863
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1748. The Rock of Gibraltar from the Alameida at San Roque

The Rock of Gibraltar from the Alameida at San Roque
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Watercolor, pen and black ink over graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1749. View of Valetta, Malta

View of Valetta, Malta
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Watercolor with touches of red gouache over graphite on slightly textured, thick, heavy wove paper
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1750. The Colleoni Statue, Venice

The Colleoni Statue, Venice
Creator:
James Holland, 1799–1870
Date:
ca. 1845
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 4 5/8 inches (21.9 × 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1751. The Zattere, Sunset

The Zattere, Sunset
Creator:
James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1752. Greenwich

Greenwich
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Pen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 6 inches (10.5 × 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1753. A Mistica, Gibraltar

A Mistica, Gibraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Watercolor, pen and black ink and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 3 × 4 1/8 inches (7.6 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1754. The Rock of Gibraltar, from the North Front Guard Room

The Rock of Gibraltar, from the North Front Guard Room
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1755. A Yorkshire Road

A Yorkshire Road
Creator:
John Glover, 1767–1849
Date:
undated
Materials & Techniques:
Watercolor over graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/4 x 7 1/4 inches (10.8 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1756. Casemates

Casemates
Creator:
George Lothian Hall, 1825–1888
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 2 7/8 inches (10.5 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1757. The 48th Regiment with Casemate, Gibraltar

The 48th Regiment with Casemate, Gibraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1758. The King's Bastion, the Club House Hotel, Gibraltar

The King's Bastion, the Club House Hotel, Gibraltar
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Pen and black ink, watercolor, graphite and scraping out on thick slightly textured, cream card
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1759. Part of the Bay of Gibraltar, the Spanish Lines

Part of the Bay of Gibraltar, the Spanish Lines
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Watercolor and pen and brown ink over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1760. Rosia Bay, Gibraltar and Algeciras, Spain

Rosia Bay, Gibraltar and Algeciras, Spain
Creator:
George Lothian Hall, 1825–1888
Date:
1844
Materials & Techniques:
Watercolor over graphite with scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1761. Tournon Opposite to Teint on the Rhone

Tournon Opposite to Teint on the Rhone
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, varnish and brown ground on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 7 3/4 x 12 1/8 inches (19.7 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1762. Margate

Margate
Creator:
James Holland, 1799–1870
Date:
1861
Materials & Techniques:
Watercolor with white gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 6 3/8 inches (10.2 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1763. Calais Harbour

Calais Harbour
Creator:
Attributed to James Holland, 1799–1870
Date:
undated
Materials & Techniques:
Watercolor and graphite with white gouache on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 6 5/8 × 11 1/2 inches (16.8 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1764. View of Steiereck on the Danube

View of Steiereck on the Danube
Creator:
Wenceslaus Hollar, 1607–1677
Date:
ca. 1636
Materials & Techniques:
Pen and brown ink, pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 9 1/4 inches (10.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1765. View of the East Part of Southwark, Looking Towards Greenwich

View of the East Part of Southwark, Looking Towards Greenwich
Creator:
Wenceslaus Hollar, 1607–1677
Date:
ca. 1638
Materials & Techniques:
Pen and blue-black ink, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 12 1/8 inches (14.3 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1766. In Saint Paul's Church, One of the Choir Doors

In Saint Paul's Church, One of the Choir Doors
Creator:
Wenceslaus Hollar, 1607–1677
Date:
between 1656 and 1658
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 3/4 × 5 inches (7 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1767. A View from St. Mary's, Southwark, Looking Towards Westminster

A View from St. Mary's, Southwark, Looking Towards Westminster
Creator:
Wenceslaus Hollar, 1607–1677
Date:
ca. 1638
Materials & Techniques:
Pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 12 1/8 inches (13 × 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1768. On the Rhone

On the Rhone
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, gray wash, graphite, brown ground and varnish on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 11 5/8 inches (17.8 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1769. Lake Morat from Avenches

Lake Morat from Avenches
Creator:
Mary Harcourt, 1750–1833
Date:
ca. 1780
Materials & Techniques:
Brushed brown ink, brown wash, graphite and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/2 x 10 7/8 inches (21.6 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1770. Naples from the Strada Nouva, Nov.26, 1830

Naples from the Strada Nouva, Nov.26, 1830
Creator:
James Duffield Harding, 1798–1863
Date:
1830
Materials & Techniques:
Graphite, watercolor, and gouache on thick, slightly textured, gray wove paper
Dimensions:
Sheet: 9 7/8 × 13 7/8 inches (25.1 × 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1771. Fishermen's Houses at Sculcoats near Hull, Yorkshire

Fishermen's Houses at Sculcoats near Hull, Yorkshire
Creator:
James Duffield Harding, 1798–1863
Date:
1827
Materials & Techniques:
Watercolor with pen and brown ink, over graphite, with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 7 × 9 1/4 inches (17.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1772. Glencoe: A Shepherd Boy Crossing a Burn

Glencoe: A Shepherd Boy Crossing a Burn
Creator:
Walter Goodall, 1830–1889
Date:
1857
Materials & Techniques:
Watercolor over graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 19 3/8 inches (33.3 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1773. Lago Fucino

Lago Fucino
Creator:
Charles Gore, 1729–1807
Date:
1776
Materials & Techniques:
Watercolor, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 × 36 inches (20.6 × 91.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1774. View of Dürrenstein

View of Dürrenstein
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor with pen and gray ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 3/8 x 15 inches (18.7 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1775. Landing Place at Pallanza

Landing Place at Pallanza
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, gouache, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 36 5/8 inches (23 × 93 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1776. Florence Opposite the Cassines

Florence Opposite the Cassines
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 6 3/8 x 11 3/4 inches (16.2 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1777. Lorch on the Rhine

Lorch on the Rhine
Creator:
Charles Gore, 1729–1807
Date:
between 1790 and 1799
Materials & Techniques:
Watercolor over graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 5/8 x 21 3/8 inches (19.4 x 54.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1778. Garden of Vieux Joncs near Maestricht

Garden of Vieux Joncs near Maestricht
Creator:
Charles Gore, 1729–1807
Date:
between 1784 and 1794
Materials & Techniques:
Watercolor over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 18 3/4 inches (32.1 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1779. Port d'Arona

Port d'Arona
Creator:
Charles Gore, 1729–1807
Date:
1795
Materials & Techniques:
Watercolor, pen and black ink, gray ink, gray wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/4 × 27 inches (33.7 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1780. Gate Toward Bursit, Aix-la-Chappelle

Gate Toward Bursit, Aix-la-Chappelle
Creator:
Charles Gore, 1729–1807
Date:
1785
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 x 18 1/2 inches (28.9 x 47 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1781. Hubertusburg Château

Hubertusburg Château
Creator:
Charles Gore, 1729–1807
Date:
undated
Materials & Techniques:
Watercolor with pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Mount: 5 13/16 x 18 3/8 inches (14.8 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1782. Konigstein

Konigstein
Creator:
Charles Gore, 1729–1807
Date:
1789
Materials & Techniques:
Watercolor and gouache with pen and brown ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/8 x 18 1/4 inches (26.4 x 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1783. Ruins du Château du Heidelberg

Ruins du Château du Heidelberg
Creator:
Charles Gore, 1729–1807
Date:
1793
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 7/8 × 21 3/4 inches (37.8 × 55.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1784. Landscape with a Boatshed

Landscape with a Boatshed
Creator:
Attributed to George Harley, 1791–1871
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 8 1/2 inches (14.6 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1785. Queen Katherine's Dream

Queen Katherine's Dream
Creator:
George Henry Harlow, 1787–1819
Date:
1807
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 × 9 7/8 inches (34.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1786. Clare College, Cambridge

Clare College, Cambridge
Creator:
Richard Banks Harraden, 1778–1862
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1787. Pembroke College, Cambridge

Pembroke College, Cambridge
Creator:
Richard Banks Harraden, 1778–1862
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 8 inches (12.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1788. Boston Church, Lincolnshire

Boston Church, Lincolnshire
Creator:
J. Harrison, active 1821
Date:
1821
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper mounted to thick, rough cream wove paper
Dimensions:
Sheet: 8 1/2 × 7 inches (21.6 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1789. Fish Market, Hastings

Fish Market, Hastings
Creator:
William Henry Harriott, active 1811, died 1839
Date:
1824
Materials & Techniques:
Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 10 3/8 inches (17.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1790. Sluice House, Hornsey, Middlesex

Sluice House, Hornsey, Middlesex
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 7 7/8 inches (15.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1791. Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.

Grove Cottage, Box Hill, Surrey, the Seat of George Barclay Esq.
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 7 7/8 inches (14.9 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1792. The Villa of - Groote Esq near Bromley Kent

The Villa of - Groote Esq near Bromley Kent
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper mounted to medium, slightly textured, gray wove paper
Dimensions:
Sheet: 5 1/2 × 7 1/2 inches (14 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1793. The Entrance to King John's Palace, Eltham, Kent

The Entrance to King John's Palace, Eltham, Kent
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 inches (15.2 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1794. Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.

Pit-Palace, Epsom, The Seat of Thomas Jeudwine, Esq.
Creator:
John Hassell, 1767–1825
Date:
ca. 1812
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 5/8 inches (13.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1795. Interior of the New Bedford

Interior of the New Bedford
Creator:
Spencer Frederick Gore, 1878–1914
Date:
between 1908 and 1909
Materials & Techniques:
Black chalk, white chalk and graphite, squared for transfer on medium, slightly textured, mauve wove paper
Dimensions:
Sheet: 14 1/2 x 10 inches (36.8 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

1796. Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View

Bowling Green at Hampton Court Palace, Richmond: Bird's-eye View
Creator:
Attributed to Sir Nicholas Hawksmoor, ca. 1662–1736
Date:
ca. 1690
Materials & Techniques:
Pen and brown ink with brown and gray wash over graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 14 3/16 × 20 1/8 inches (36 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1797. The Banishment of Aristides

The Banishment of Aristides
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 7 5/8 inches (20 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1798. Welsh Landscape

Welsh Landscape
Creator:
Attributed to William Havell, 1782–1857
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 4 1/2 × 6 inches (11.4 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1799. Crater of Vesuvius

Crater of Vesuvius
Creator:
William Haygarth, active 1810–1816
Date:
1816
Materials & Techniques:
Brown wash, pen and brown ink, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 13 1/8 × 21 1/8 inches (33.3 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1800. Chelsea Bridge with Men in a Barge

Chelsea Bridge with Men in a Barge
Creator:
Walter Greaves, 1846–1930
Date:
1860
Materials & Techniques:
Graphite, pen and black ink on smooth, thick, beige card
Dimensions:
Sheet: 5 3/8 × 9 1/2 inches (13.7 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection