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Height [cm] 35

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La Cava, 19 July 1838
Creator:
Edward Lear, 1812–1888
Date:
1838
Materials & Techniques:
Graphite on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 13 15/16 x 10 inches (35.4 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Creator:
Jacob More, 1740–1793
Date:
1783
Materials & Techniques:
Gray wash, watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 13 9/16 x 17 11/16 inches (34.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple of Minerva Medica, Rome
Creator:
Richard Wilson, 1713/4–1782
Date:
1754
Materials & Techniques:
Black chalk and white chalk on moderately thick, rough, blue laid paper
Dimensions:
Sheet: 11 5/16 x 16 9/16 inches (28.7 x 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Larici

Larici
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
1782
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Mount: 13 15/16 × 19 3/8 inches (35.4 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Villa Medici, Rome
Creator:
John Warwick Smith, 1749–1831
Date:
1784
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 x 20 1/4 inches (34.6 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hercules before the Temple of Janus
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 3/16 × 10 11/16 inches (36 × 27.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund