<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Associated Places Italy

Remove constraint Associated Places: Italy

Width [cm] 53

Remove constraint Width [cm]: 53

Subject Terms buildings

Remove constraint Subject Terms: buildings

Search Results

Lago d'Agnano with the Grotta del Cane
Creator:
Richard Wilson, 1713/4–1782
Date:
between 1770 and 1775
Materials & Techniques:
Oil on canvas
Dimensions:
17 1/2 × 21 inches (44.5 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
An Imaginary Italianate Landscape with Classical Figures and a Waterfall
Creator:
Thomas Jones, 1742–1803
Date:
ca. 1773
Materials & Techniques:
Oil on canvas
Dimensions:
14 3/16 x 20 7/8 inches (36 x 53 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Turin, Italy
Creator:
Edward Lear, 1812–1888
Date:
after 1872
Materials & Techniques:
Pen in brown ink with brown wash over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bay of Naples from Capodimonte
Creator:
John Robert Cozens, 1752–1797
Date:
1790
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured wove paper
Dimensions:
Mount: 17 7/8 x 24 1/4 inches (45.4 x 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Tivoli

Tivoli
Creator:
John Robert Cozens, 1752–1797
Date:
1778
Materials & Techniques:
Pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Mount: 14 5/8 x 21 inches (37.1 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection