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Fire in London, Seen from Hampstead
Creator:
Attributed to John Constable, 1776–1837
Date:
ca. 1826
Materials & Techniques:
Oil on paper laid on panel
Dimensions:
3 3/4 x 6 inches (9.5 x 15.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
The Thames at Westminster Stairs
Creator:
Claude de Jongh, ca. 1600–1663
Date:
1631
Materials & Techniques:
Oil on panel
Dimensions:
18 1/4 x 31 1/2 inches (46.4 x 80 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A View of Westminster Bridge
Creator:
Daniel Turner, active 1782–1805
Date:
early 19th century
Materials & Techniques:
Oil on panel
Dimensions:
4 1/2 × 6 1/4 inches (11.4 × 15.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Perspective View: the New Houses of Parliament
Creator:
Sir Charles Barry, 1795–1860
Date:
ca. 1840-1849
Materials & Techniques:
Watercolor over traces of graphite, with gouache, pen and black and brown ink on medium, smooth, weige wove paper
Dimensions:
Sheet: 15 7/8 x 30 1/8 inches (40.3 x 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Abbey, Hospital &c.
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
1842
Materials & Techniques:
Lithograph with tint on thick, slightly textured, cream card
Dimensions:
Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery
The Houses of Parliament
Creator:
Thomas Hosmer Shepherd, 1792–1864
Date:
undated
Materials & Techniques:
Watercolor, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 13/16 × 7 5/8 inches (12.2 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Westminster Showing the Coronation Route of George II
Creator:
unknown artist
Date:
ca. 1727
Materials & Techniques:
Graphite and pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 11 13/16 x 18 5/16in. (30 x 46.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Palace Yard on the day of the Coronation of His Majesty George IV
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
1821
Materials & Techniques:
Hand colored lithograph on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 17 1/2 inches (22.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist
Date:
printed 1740, drawn ca. 1760
Materials & Techniques:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Coronation Procession of George IV
Creator:
unknown artist
Date:
ca. 1821
Materials & Techniques:
Etching and aquatint, proof before letters on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 7/16 × 22 7/16 inches (34.2 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Westminster
Creator:
Print made by unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1828
Materials & Techniques:
Line engraving and graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 13/16 × 26 7/8 inches (52.9 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
Creator:
Print made by Thomas Hall, active early 19th century
Date:
1808
Materials & Techniques:
Aquatint on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 14 inches (30.5 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Section of the Court of Common Pleas and the Robery Room
Creator:
Studio of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Pen and black ink and watercolor on thin, smooth, brown wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Old Parliament Houses, Westminster
Creator:
unknown artist
Date:
1820
Materials & Techniques:
Pen and black ink, gray wash, pen and brown ink and graphite on smooth, thin, cream wove paper
Dimensions:
Sheet: 16 5/16 × 20 3/16 inches (41.5 × 51.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elevations and Plans of the Court of Kings Bench
Creator:
Print made by unknown artist
Date:
ca. 1827
Materials & Techniques:
Etching on medium, smooth, cream wove paper
Dimensions:
Sheet: 16 7/16 x 11 5/8in. (41.8 x 29.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Hall
Creator:
unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ceiling of the Star Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Westminster Hall
Creator:
unknown artist
Date:
ca. 1820
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 15/16 × 8 3/4 inches (20.1 × 22.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1845
Materials & Techniques:
Lithograph on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of Westminster Hall as Prepared for the Banquet
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 7/16 inches (39.7 × 57 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chimney piece, Star Chamber, Westminster
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1845
Materials & Techniques:
Lithograph on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 × 8 7/8 inches (28 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Longitudinal Section of Westminster Hall
Creator:
Print made by B. Winkles, active 1830–1840
Date:
ca. 1821
Materials & Techniques:
Etching on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Stephen's Chapel, Speaker's House, &c. from the River
Creator:
unknown artist
Date:
ca. 1835
Materials & Techniques:
Line engraving, proof before letters on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 13/16 × 7 7/16 inches (14.8 × 18.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cotton Garden, Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Lee's House After the Fire, House of Lords
Creator:
unknown artist
Date:
ca. 1835
Materials & Techniques:
Pen and black ink and brown wash on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 7/8 × 9 15/16 inches (20 × 25.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of the Crypt, or Chapel of St. Mary in the Vaults, and of the Cloisters
Creator:
Print made by William Francis Starling, active first half 19th century
Date:
1843
Materials & Techniques:
Line engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXVIII: Window of the Crypt of St. Stephen's Chapel, Westminster
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving, proof before letters on medium, smooth, white wove paper
Dimensions:
Sheet: 8 3/4 × 5 1/2 inches (22.2 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XI: St Stephen's Chapel
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 16 × 23 5/8 inches (40.6 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate IX: St Stephen's Chapel
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 15 5/8 × 22 1/2 inches (39.7 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Geometrical Construction of the Freeze and Battlements in the House of Commons
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 9 3/8 inches (27.9 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Half the Plan of Ceiling, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Compartment on One Side, St Stephen's Chapel
Creator:
Print made by John Le Keux, 1783–1846
Date:
1825
Materials & Techniques:
Line engraving on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 10 5/8 × 8 1/16 inches (27 × 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Inside of a Small Chapel on the West Side of the Area of the Cloisters of St Stephen's Chapel, Westminster
Creator:
Print made by James Basire, 1730–1802
Date:
1795
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 14 7/8 inches (48.3 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 5 5/8 inches (21.9 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:
Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Impost moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Details of Imposts and Bases of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
Creator:
Print made by T. Clarke, 1799–1839
Date:
1835
Materials & Techniques:
Line engraving proof on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 8 3/8 inches (14 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 5 3/4 × 4 1/2 inches (14.6 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/4 × 13 1/2 inches (26 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1836
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Oak Door Discovered in the Speaker's State Dining Room
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1806
Materials & Techniques:
Etching and line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 3/4 × 3 3/8 inches (14.6 × 8.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Grave of the Supposed William Lyndewode
Creator:
unknown artist
Date:
1852
Materials & Techniques:
Graphite, gray pen and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Office of Ordnance with the Entrance of the House of Lords
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 4 3/4 inches (17.5 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The King on his Throne in the House of Lords
Creator:
Print made by James Fittler, 1758–1835
Date:
1804
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 7 × 8 5/16 inches (17.8 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East End, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech.
Creator:
Print made by James Basire the younger, 1769–1822
Date:
1842
Materials & Techniques:
Hand colored engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 15 1/8 × 21 7/8 inches (38.4 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Hand colored engraving on smooth, moderately textured, white wove paper
Dimensions:
Sheet: 21 3/4 × 15 inches (55.2 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Guy Fawkes' Tower
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sections of Room under Painted Chamber
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/4 × 8 3/8 inches (27.3 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of Westminster Palace
Creator:
George Harley, 1791–1871
Date:
1834
Materials & Techniques:
Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views of the Four Sides of a Cellar under the Old House of Lords; East End of the Prison Chamber; South Side of the Princes Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 3/4 × 9 3/8 inches (29.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Lords, Her Majesty Opening the Session of Parliament
Creator:
Print made by Henry Melville, active 1826–1841
Date:
ca. 1837
Materials & Techniques:
Line engraving on silghtly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 × 8 15/16 inches (20.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Princes Chamber, One Pair
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East Front of Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Princes Chamber, East Side with the Old House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
South Side of Princes Chamber West
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 5 7/8 × 7 1/2 inches (14.9 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Window Detail, Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite on slightly textured, medium, white laid paper
Dimensions:
Sheet: 3 3/16 × 2 1/4 inches (8.1 × 5.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Door near Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slighthly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plate XXXV: Capital Carved in Stone of the Time of William Rufus; Part of the Ceiling of the Ancient Palace of Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1825
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 7 5/16 × 4 13/16 inches (18.6 × 12.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Old Palace Yard
Creator:
Frederick Mackenzie, 1788–1854
Date:
1809
Materials & Techniques:
Graphite on slightly textured, medium, white wove paper
Dimensions:
Sheet: 7 5/8 × 9 3/4 inches (19.4 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Exterior & Interior Views of the Painted Chamber & Old House of Lords
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/4 × 4 15/16 inches (21 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drawing Room Ceiling, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ceiling of Front Parlor House in Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 12 3/4 × 17 3/4 inches (32.4 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
Creator:
Print made by unknown artist
Date:
1834
Materials & Techniques:
Lithograph on smooth, moderately thick, brown wove paper
Dimensions:
Sheet: 17 × 19 3/4 inches (43.2 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
Creator:
Print made by T. Kearnan, active 1821–1850
Date:
ca. 1835
Materials & Techniques:
Line engraving on smooth, medium, white wove paper
Dimensions:
Sheet: 6 7/8 × 11 1/4 inches (17.5 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The North Prospect of Westminster Abbey
Creator:
Print made by John Collins, active ca. 1682
Date:
between 1680 and 1710
Materials & Techniques:
Line engraving on slightly textured, medium, white wove paper
Dimensions:
Sheet: 20 1/2 × 28 1/4 inches (52.1 × 71.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The South-East Prospect of King Henry The VII's Chapel at Westminster
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Date:
1739
Materials & Techniques:
Line engraving on moderately textured, medium, white laid paper
Dimensions:
Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Houses of Parliament
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry VII Chapel, Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, brown ink, and watercolor on smooth, medium, white wove paper
Dimensions:
Sheet: 19 1/4 × 26 3/4 inches (48.9 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the East End of Henry VIIth Chapel as Restored in 1813
Creator:
Print made by George Hawkins, active 1795–1810
Date:
1814
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 23 1/2 × 17 5/8 inches (59.7 × 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
Creator:
Print made by Augustus Charles Pugin, 1762–1832
Date:
undated
Materials & Techniques:
Etched and aquatinted engraving, proof before letters on smooth, medium, white wove paper
Dimensions:
Sheet: 11 1/8 × 8 1/8 inches (28.3 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry the Seventh's Chapel, North Side
Creator:
Print made by Charles J. Hullmandel, 1789–1850
Date:
undated
Materials & Techniques:
Lithograph on slightly textured, medium, white wove paper
Dimensions:
Sheet: 23 7/8 × 33 1/2 inches (60.6 × 85.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Buildings on East Side of Dean's Yard
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1806 and 1815
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 35 1/4 inches (28.6 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Westminster Bridge from Lambeth. 1. Westminster Abby. 2. St. Margaret's Church. 3. Westminster Hall. 4. St. Martin's Church
Creator:
unknown artist
Materials & Techniques:
Hand-colored engraving on wove paper
Dimensions:
Sheet: 60 1/2in. (153.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
North side of the Star Chamber, Westminster
Creator:
Print made by Day & Co., 1824–1913
Date:
ca. 1845
Materials & Techniques:
Lithograph on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
East View of Modern Buildings in Continuation from St Stephen's Chapel
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 17 3/8 inches (13 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four Illustrations of Westminster
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1804
Materials & Techniques:
Etching on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 × 9 1/2 inches (30.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of the Star Chamber, Westminster
Creator:
Print made by John Woods, active 1836–1860
Date:
1848
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Stephen's Chapel, Speaker's House, & c. From the River as Before the Fire on Oct. 16th 1834
Creator:
Print made by Andrew Picken, 1815–1845
Date:
ca. 1835
Materials & Techniques:
Lithograph on smooth, thin, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 5/8 inches (16 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Section of the House of Commons as it is at Present
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Lithograph on smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 8 3/4 × 13 11/16 inches (22.2 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection