Associated Places: Rome / Image Use: Free to Use - YCBA Collections Search Search Results

201. Near Terracina between Rome and Naples, October 1777

Creator:: John Robert Cozens, 1752–1797
Date:: undated
Materials & Techniques:: Graphite on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 x 9 1/2 inches (20.3 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. The Opening of the Carnival at Rome

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 1/8 x 22 1/4 inches (38.4 x 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. The Horse Race at Rome During the Carnival

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Mount:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. The Victor Conducted in Triumph

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 15 9/16 x 22 3/8 inches (39.6 x 56.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Ancient Italy - Ovid Banished from Rome

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1842
Materials & Techniques:: Etching and line engraving; engraver's proof (II, Moon's Impressions) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 36 1/8 inches (66.4 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. The Body of Lucretia Exposed to the Romans

Creator:: James Jefferys, 1751–1784
Date:: between 1777 and 1778
Materials & Techniques:: Pen and black ink, pen and brown ink, gray wash and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 24 7/8 x 37 inches (63.2 x 94 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

207. Villa Quintilii

Creator:: Print made by William Walcot, 1874–1943
Date:: 1921
Materials & Techniques:: Etching, aquatint, roulette, and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 × 14 3/8 inches (30.5 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

208. The Castle of St. Angelo

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832
Materials & Techniques:: Etching and engraving, third state on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 × 8 3/16 inches (27.9 × 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. View Across the Campo Vaccino, Rome

Creator:: Richard Cooper the Younger, 1740–1814
Date:: ca. 1790
Materials & Techniques:: Conterproof of an etching, with brown wash on laid paper
Dimensions:: Image: 13 13/16 x 18 13/16in. (35.1 x 47.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. At the Monte Cavallo at Rome

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/4 x 5 13/16 inches (22.3 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. At the Villa Ludovisi at Rome

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 13/16 x 5 13/16 inches (22.4 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. At Rome

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/4 x 5 13/16 inches (22.3 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. At the Villa Aldobrandini at Rome

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 3/4 x 5 13/16 inches (22.2 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. At Rome

Creator:: Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 5 13/16 x 8 11/16 inches (14.8 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. At the Minerva at Rome

Creator:: Print made by Placido Columbani, born ca. 1744, active 1801
Date:: undated
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 8 11/16 x 5 13/16 inches (22.1 x 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Antique Seat of White marble / from the Original at Rome

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite, pen and ink, and gray wash on medium, slightly textured, white wove paper
Dimensions:: Sheet: 7 1/4 x 4 1/2 inches (18.4 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Study of Pines, Villa Borghese, Rome, 1871

Creator:: Walter Crane, 1845–1915
Date:: 1871
Materials & Techniques:: Graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Schaff, Yale BA 1965

218. A view of Rome with adjacent hills

Creator:: Richard Cooper the Elder, 1701–1764
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 1/2 x 20in. (36.8 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Roman General / from the arch of Constantine at Rome

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Graphite, pen and ink, and gray wash on medium, slightly textured, white wove paper
Dimensions:: Sheet: 7 1/8 x 4 9/16 inches (18.1 x 11.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

221. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 1/8 x 15 1/2in. (25.7 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

222. The Gate Settimiana, Near which was formerly plac'd 12 statues the symbols of the Months

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

223. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 10 x 15 1/2in. (25.4 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

224. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 7/8 x 15 7/16in. (25.1 x 39.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

225. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 9 15/16 x 15 1/2in. (25.2 x 39.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

226. A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

Creator:: unknown artist
Materials & Techniques:: Engraving
Dimensions:: Sheet: 7 5/8 x 9 9/16in. (19.4 x 24.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

227. View of the Ruins of the Temple of Peace

Creator:: Richard Cooper the Elder, 1701–1764
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 14 1/2 x 20 1/8in. (36.8 x 51.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. The Horse Race at Rome During the Carnival

Creator:: Thomas Sandby, 1721–1798
Date:: ca. 1781
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper mounted on medium, moderately textured, cream wove paper
Dimensions:: Mount: 15 3/8 x 22 5/16 inches (39.1 x 56.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Paoletti impronte.

Date:: [circa 1865?]
Physical Description:: 226 plaster cameos ; in 9 cases 26 x 16 x 5 cm
Collection:: Rare Books and Manuscripts

230. Polymetis: or, An enquiry concerning the agreement between the works of the Roman poets, and the remains of the antient artists. Being an attempt to illustrate them mutually from one another. By the Rev.d Mr. Spence.

Polymetis: or, An enquiry concerning the agreement between the works of the Roman poets, and the remains of the antient artists. Being an attempt to illustrate them mutually from one another. By the Rev.d Mr. Spence.

Creator:: Spence, Joseph, 1699–1768
Date:: 1747
Physical Description:: xii, 361, [1] p. front. (port.) illus., XLI pl. (part fold.) 42 cm.
Collection:: Rare Books and Manuscripts

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201. Near Terracina between Rome and Naples, October 1777

202. The Opening of the Carnival at Rome

203. The Horse Race at Rome During the Carnival

204. The Victor Conducted in Triumph

205. Ancient Italy - Ovid Banished from Rome

206. The Body of Lucretia Exposed to the Romans

207. Villa Quintilii

208. The Castle of St. Angelo

209. View Across the Campo Vaccino, Rome

210. At the Monte Cavallo at Rome

211. At the Villa Ludovisi at Rome

212. At Rome

213. At the Villa Aldobrandini at Rome

214. At Rome

215. At the Minerva at Rome

216. Antique Seat of White marble / from the Original at Rome

217. Study of Pines, Villa Borghese, Rome, 1871

218. A view of Rome with adjacent hills

219. Roman General / from the arch of Constantine at Rome

220. The Gate of St. Pancrass formerly Janiculensis: 1. the Vitellia road which leads to the Sea Coast 2. the Aurelian Way to Antient Gaul of France

221. A View of the Angelick Gate: 1. the Summer House Belvedere 2. the Gallery of Communiation between the Vatian Palace and the Summer House

222. The Gate Settimiana, Near which was formerly plac'd 12 statues the symbols of the Months

223. The Gate Portese formerly Portuensis: 1. the Apostolick office of St. Michael 2. the Custom house on the Grand Quay 3. the Priory of the Knights of Jerusalem 4. the Marble Wharf.

224. A View of Castle Gate: 1. the Castle of Angels 2. the Gallery of Communication from thence to the Vaticein Palace

225. A View of the Gate Fabrica: 1. St. Peters Church 2. the Quarters of the Light Horse Guards 3. the Mount of Honour

226. A View of St. Pauls Gate formerly call'd Trigemina: 1. the Monument of Caus Cestus

227. View of the Ruins of the Temple of Peace

228. The Horse Race at Rome During the Carnival

229. Paoletti impronte.

230. Polymetis: or, An enquiry concerning the agreement between the works of the Roman poets, and the remains of the antient artists. Being an attempt to illustrate them mutually from one another. By the Rev.d Mr. Spence.