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1. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
Date:
1802
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Bords de la Seine

Bords de la Seine
Creator:
Print made by Louis Francais, 1814–1897
Date:
between 1849 and 1862
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 3/8 x 17 5/8 inches (31.4 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Rouen, looking up the River

Rouen, looking up the River
Creator:
Print made by Sigismond Himely, 1801–1872
Date:
undated
Materials & Techniques:
Lithography, colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft ground etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 x 26 1/2 inches (42.5 x 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Rouen, looking up the River

Rouen, looking up the River
Creator:
Print made by Sigismond Himely, 1801–1872
Date:
undated
Materials & Techniques:
Lithographi, plain
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Quilleboeuf

Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving and etching, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Havre

Havre
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1832
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Havre

Havre
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Havre, Tower of Francis I

Havre, Tower of Francis I
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 inches (16.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Harfleur

Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Etching and line engraving with scratching out; touched engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Light Towers of the Heve

Light Towers of the Heve
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 13 1/2 × 10 1/2 inches (34.3 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Caudebec

Caudebec
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Lillebonne, Château

Lillebonne, Château
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. La Chaise de Gargantua near Duclair

La Chaise de Gargantua near Duclair
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Jumièges

Jumièges
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Rouen, looking down the river

Rouen, looking down the river
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Rouen, looking up the river

Rouen, looking up the river
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Vernon

Vernon
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Pont de l'Arche

Pont de l'Arche
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. View on the Seine between Mantes and Vernon

View on the Seine between Mantes and Vernon
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. St. Germains

St. Germains
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Napoleon's Logement, Quai Conti

Napoleon's Logement, Quai Conti
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834-1836
Materials & Techniques:
Etching and engraving (Engraver's Proof)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. St. Cloud

St. Cloud
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Etching and engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Château de Tancarville with Town of Quilleboeuf

Château de Tancarville with Town of Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Tancarville

Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance

The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Watercolor over soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 11/16 x 18 1/8 inches (14.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Notre Dame

Notre Dame
Creator:
Print made by Andrew Fairbairn Affleck, 1874/7–1936
Date:
1908
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 11/16 x 15 inches (52.5 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

30. View of the Pantheon, Paris

View of the Pantheon, Paris
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:
Mount: 9 3/8 x 21 inches (23.8 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Château de la Mailleraie

Château de la Mailleraie
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. The Lanterne of St. Cloud

The Lanterne of St. Cloud
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Napoleon's Logement, Quai Conti

Napoleon's Logement, Quai Conti
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1834
Materials & Techniques:
Etching and engraving, first published state
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof (touched) on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 8 3/4 × 11 1/16 inches (22.2 × 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Palace of La Belle Gabrielle

Palace of La Belle Gabrielle
Creator:
Print made by William Miller, 1796–1882
Date:
1828-1837
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 17 inches (28.9 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Palace of La Belle Gabrielle

Palace of La Belle Gabrielle
Creator:
Print made by William Miller, 1796–1882
Date:
1828-1837
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 13 1/2 inches (21.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Confluence of the Seine and Marne

Confluence of the Seine and Marne
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1835
Materials & Techniques:
Etching and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Troyes

Troyes
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Melun

Melun
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Troyes

Troyes
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving on steel
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Rouen, looking up the river

Rouen, looking up the river
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderatly thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Rouen, looking up the river

Rouen, looking up the river
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paerp with cream chine collé
Dimensions:
Sheet: 8 3/4 × 11 1/8 inches (22.2 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. View of St. Cloud and Mount Calvary taken from Pont de Seve

View of St. Cloud and Mount Calvary taken from Pont de Seve
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving, 1st state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 7/8 × 16 1/4 inches (27.6 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. St. Germain-en-Laye

St. Germain-en-Laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826-1837
Materials & Techniques:
Line engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 4 3/4 × 7 3/8 inches (12.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. View of the City with the Louvre &c., taken from Pont Marie

View of the City with the Louvre &c., taken from Pont Marie
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. A General View of Paris taken from Chaillot

A General View of Paris taken from Chaillot
Creator:
etching by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching and aquatint, printed in brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/8 inches (46.4 x 66.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. A View of Pont Neuf, the Mint, &c.

A View of Pont Neuf, the Mint, &c.
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame

View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, &c., taken from Pont Notre Dame
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. View of the Pantheon taken from the Arsenal

View of the Pantheon taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. View of Pont de la Tournelle and Notre Dame taken from the Arsenal

View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. The Waterworks at Marli; and St. Germain en Laye seen in the distance

The Waterworks at Marli; and St. Germain en Laye seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. View of the Palace and Village of Choisi on the Banks of the Seine

View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etched outline on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance

View from Palace Terrace at St. Germain en Laye; The Aquaduct of Marli, seen in the distance
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Castle at Tancarville

Castle at Tancarville
Creator:
Print made by John Sell Cotman, 1782–1842
Date:
1821
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/16 x 20 1/8 inches (36.1 x 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell

66. Paris from the Barriere de Passy

Paris from the Barriere de Passy
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Pont-Neuf, Paris

Pont-Neuf, Paris
Creator:
Print made by William Miller, 1796–1882
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. St. Germain-en-laye

St. Germain-en-laye
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1831
Materials & Techniques:
Line engraving on medium, smooth, beige wove paper
Dimensions:
Sheet: 5 5/16 × 9 inches (13.5 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Hotel de Ville and Pont d'Arcole

Hotel de Ville and Pont d'Arcole
Creator:
Print made by Thomas Jeavons, ca. 1800–1867
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched, (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Marche aux Fleurs and Pont-au-Change

Marche aux Fleurs and Pont-au-Change
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof, touched (early)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Caudebec

Caudebec
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 9 × 13 1/4 inches (22.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Caudebec

Caudebec
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Caudebec

Caudebec
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, touched
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Caudebec

Caudebec
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Île de la Cité, Paris

Île de la Cité, Paris
Creator:
James McNeill Whistler, 1834–1903
Date:
1859
Materials & Techniques:
Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 11 1/2 inches (20.3 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

76. Harfleur

Harfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving (2nd state)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Château de Tancarville with Town of Quilleboeuf

Château de Tancarville with Town of Quilleboeuf
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 × 16 1/4 inches (27.9 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Tancarville

Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 8 1/4 inches (13 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Lillebonne, Château

Lillebonne, Château
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Jumièges

Jumièges
Creator:
James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, Engraver's proof on moderately textured, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal

A View of the Pont de la Tournelle and Notre Dame Taken From the Arsenal
Creator:
Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Soft ground etching with gray, green, and yellow wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 17 5/16 inches (14.9 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Light Towers of the Heve, vignette for title page

Light Towers of the Heve, vignette for title page
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, (Second State)
Dimensions:
Sheet: 16 1/4 × 10 7/8 inches (41.3 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Havre

Havre
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 1/8 × 8 1/4 inches (13 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. The Waterworks at Marli; and St. German en Laye seen in the distance

The Waterworks at Marli; and St. German en Laye seen in the distance
Creator:
Richard Banks Harraden, 1778–1862
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 inches (46.4 x 66 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. A View of Pont Neuf, the Mint, & c.

A View of Pont Neuf, the Mint, & c.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Light Towers of the Heve

Light Towers of the Heve
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Havre, Tower of Francis I

Havre, Tower of Francis I
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Etching
Dimensions:
Sheet: 5 3/4 × 8 1/2 inches (14.6 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Havre

Havre
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (touched) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 10 7/8 inches (22.2 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Havre, Tower of Francis I

Havre, Tower of Francis I
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Havre, Tower of Francis I

Havre, Tower of Francis I
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Tancarville

Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 5/8 × 18 inches (32.1 × 45.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Tancarville

Tancarville
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, touched on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 1/2 inches (14 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Lillebonne, Château

Lillebonne, Château
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Jumièges

Jumièges
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Jumièges

Jumièges
Creator:
Print made by James Charles Armytage, 1802–1897
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Between Quilleboeuf and Villequier

Between Quilleboeuf and Villequier
Creator:
Print made by Robert Brandard, 1805–1862
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Honfleur

Honfleur
Creator:
Print made by John Cousen, 1804–1880
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Château Gaillard, from the South (Vignette)

Château Gaillard, from the South (Vignette)
Creator:
Print made by John Cousen, 1804–1880
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Vernon

Vernon
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, Open etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection