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1901. Quay at Straddon Point, near Plymouth

Quay at Straddon Point, near Plymouth
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 1/4 inches (16.2 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1902. Bovisand, near Plymouth

Bovisand, near Plymouth
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1903. Freshwater Bay, Isle of Wight

Freshwater Bay, Isle of Wight
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1904. Lyme Regis, from Charmouth, Dorset

Lyme Regis, from Charmouth, Dorset
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 3/8 inches (16.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1905. The Reculvers

The Reculvers
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1906. Pier at Margate

Pier at Margate
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1907. Sidmouth, Devon

Sidmouth, Devon
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 3/8 inches (16.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1908. North Foreland Light House

North Foreland Light House
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 1/2 inches (16.5 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1909. Shakespears Cliff

Shakespears Cliff
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 x 9 3/8 inches (16.2 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1910. View from Mount Edgecumbe

View from Mount Edgecumbe
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 1/4 inches (16.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1911. Dover, from Shakespears Cliff

Dover, from Shakespears Cliff
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1912. Sherness

Sherness
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1913. View on Puffin Island, near Anglesea

View on Puffin Island, near Anglesea
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1914. Torbay, Devon

Torbay, Devon
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1915. Lulworth Cove

Lulworth Cove
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1916. West Front of Thornbury Catle, Gloucestershire

West Front of Thornbury Catle, Gloucestershire
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1917. North East View of Harlaxton Manor House, Lincolnshire

North East View of Harlaxton Manor House, Lincolnshire
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1918. The Citadel, Plymouth

The Citadel, Plymouth
Creator:
unknown artist
Date:
after 1814
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/2 x 9 1/4 inches (16.5 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1919. North View of Thornbury Castle, Gloucestershire

North View of Thornbury Castle, Gloucestershire
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1920. South View of Thornbury Castle, Gloucestershire

South View of Thornbury Castle, Gloucestershire
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1921. South West View of Thornbury Castle, Gloucestershire

South West View of Thornbury Castle, Gloucestershire
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1922. Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart.

Interior View of Rufford Hall, Lancashire, belonging to Sir Thomas Hesketh Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1923. Samlesbury hall; Lancashire

Samlesbury hall; Lancashire
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1924. Interior of a Rom in Samlesbury Hall; Lancashire

Interior of a Rom in Samlesbury Hall; Lancashire
Creator:
John Buckler FSA, 1770–1851
Date:
1814
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1925. North West View of Harlaxton Manor House, Lincolnshire

North West View of Harlaxton Manor House, Lincolnshire
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1926. North East View of Samlesbury Hall, Lancashire

North East View of Samlesbury Hall, Lancashire
Creator:
John Buckler FSA, 1770–1851
Date:
1814
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1927. West View of the Ruins of Cowdray House, Sussex; from the Court

West View of the Ruins of Cowdray House, Sussex; from the Court
Creator:
John Buckler FSA, 1770–1851
Date:
1825
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 12 7/8 × 19 3/4 inches (32.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1928. South East View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton

South East View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1828
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1929. South West View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton

South West View of Compton Winyate, Warwickshire; belonging to the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1930. West view of the Ruins of Cowdray House, Sussex

West view of the Ruins of Cowdray House, Sussex
Creator:
John Buckler FSA, 1770–1851
Date:
1825
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1931. South East View of Samlesbury Hall, Lancashire

South East View of Samlesbury Hall, Lancashire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1932. South East View of Blithfield, Staffordshire; the Seat of the Right Honourable Lord Bagot

South East View of Blithfield, Staffordshire; the Seat of the Right Honourable Lord Bagot
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1933. South West View of Blithfield

South West View of Blithfield
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1934. View in the Court of Compton Winyate, Warwickshire

View in the Court of Compton Winyate, Warwickshire
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1935. The Hall of Blithfield

The Hall of Blithfield
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1936. North West View of Blithfield; Staffordshire, the Seat of the Right Hon'ble, Lord Bagot

North West View of Blithfield; Staffordshire, the Seat of the Right Hon'ble, Lord Bagot
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1937. The Court at Blithfield

The Court at Blithfield
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1938. North West View of Eastbury House, Essex

North West View of Eastbury House, Essex
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 13 1/4 × 19 3/4 inches (33.7 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1939. North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.

North West View of Montacute House, Somersetshire, The Seat of John Phelips Esqr.
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1940. South West View of Eastbury House, Essex

South West View of Eastbury House, Essex
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 13 3/8 × 19 3/4 inches (34 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1941. a. Doorway in one of the Rooms at Montacute House / b.Door of Library at Montacute House

a. Doorway in one of the Rooms at Montacute House / b.Door of Library at Montacute House
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1942. South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby

South View of Sherbone Castle, Dorsetshire The Seat of the Earl of Digby
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1943. North East View of Sherborne Castle

North East View of Sherborne Castle
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1944. South View of Montacute House

South View of Montacute House
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1945. Staircase at Blithfield

Staircase at Blithfield
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1946. South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton

South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1947. North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton

North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1948. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1949. Ground Plan of Cobham Hall, Kent; The Seat of the Right Honourable the Earl of Darnley

Ground Plan of Cobham Hall, Kent; The Seat of the Right Honourable the Earl of Darnley
Creator:
John Buckler FSA, 1770–1851
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1950. South West View of Bourn Hall, Cambridgeshire; the Seat of the Right hon'ble, Earl Delawarr

South West View of Bourn Hall, Cambridgeshire; the Seat of the Right hon'ble, Earl Delawarr
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1951. South West View of Old Burleigh Hall near Stamford, Lincolnshire

South West View of Old Burleigh Hall near Stamford, Lincolnshire
Creator:
John Buckler FSA, 1770–1851
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1952. South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr

South East View of Bourn Hall, Cambridgeshire, the Seat of the Right Hon'ble Earl DeLawarr
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1953. The Entrance to Burleigh park near Stamford

The Entrance to Burleigh park near Stamford
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1954. North West view of Burleigh House The Seat of the Marquis of Exeter

North West view of Burleigh House The Seat of the Marquis of Exeter
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1955. South West View of Burleigh House

South West View of Burleigh House
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1956. South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot

South West View of Ingestre, Staffordshire; the Seat of the Right Honourable Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1957. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1958. Rochester Castle

Rochester Castle
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 7/8 x 4 5/8 inches (14.9 x 11.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1959. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1960. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 4 7/16 × 3 1/8 inches (11.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1961. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1962. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1963. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1964. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper
Dimensions:
Sheet: 6 3/8 × 3 13/16 inches (16.2 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1965. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/4 × 5 1/2 inches (17.1 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1966. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 1/2 inches (16.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1967. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 4 1/8 inches (14.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1968. View through the South East Window of the Crypt beneath St Stephen's, Westminster

View through the South East Window of the Crypt beneath St Stephen's, Westminster
Creator:
George Johann Scharf, 1788–1860
Date:
1852
Materials & Techniques:
Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1969. Grave of the Supposed William Lyndewode

Grave of the Supposed William Lyndewode
Creator:
unknown artist
Date:
1852
Materials & Techniques:
Graphite, gray pen and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1970. Entrance to the House of Lords

Entrance to the House of Lords
Creator:
Attributed to William Capon, 1757–1827
Date:
1796
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1971. Parts in Stone Underhouse of Lords

Parts in Stone Underhouse of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1972. View in Basement Story under House of Lords

View in Basement Story under House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1973. Plan of the Basement Story under the House of Lords

Plan of the Basement Story under the House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1974. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1975. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1976. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/2 × 10 1/8 inches (34.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1977. Elevation of the Basement Story, House of Lords

Elevation of the Basement Story, House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1978. Peers' Entrance

Peers' Entrance
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1979. Survey view of a lobby, Palace of Westminster

Survey view of a lobby, Palace of Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 10 1/8 × 8 11/16 inches (25.7 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1980. Plan of the Ground Floor, House of Lords

Plan of the Ground Floor, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink, watercolor, graphite on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 20 1/8 × 20 1/8 inches (51.1 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1981. Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords

Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
ca. 1794
Materials & Techniques:
Graphite, pen and black ink, watercolor on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 19 5/8 × 16 1/8 inches (49.8 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1982. Plan of the Upper Floor of Lord Committee Rooms

Plan of the Upper Floor of Lord Committee Rooms
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink and watercolor on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 3/4 × 14 1/4 inches (24.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1983. New Rooms at Westminster for the Bishops

New Rooms at Westminster for the Bishops
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite on thin, smooth, brown wove paper
Dimensions:
Sheet: 12 3/4 × 9 3/8 inches (32.4 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1984. Plan of Painted Chamber

Plan of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1985. Palace at Westminster

Palace at Westminster
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1986. Side Window, North, Painted Chamber

Side Window, North, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1987. North Side, Painted Chamber

North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1988. East End, Painted Chamber

East End, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1989. Door on South Side of Painted Chamber

Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1990. Wall Paintings

Wall Paintings
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1991. Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber

Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 5 5/8 × 7 7/8 inches (14.3 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1992. Details of Capitals and Arches, Painted Chamber

Details of Capitals and Arches, Painted Chamber
Creator:
unknown artist
Date:
between 1793 and 1799
Materials & Techniques:
Graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 5 3/4 × 5 1/16 inches (14.6 × 12.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1993. Paintings on the Wall by H in Plan

Paintings on the Wall by H in Plan
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1994. Details of one of the Figures

Details of one of the Figures
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1795
Materials & Techniques:
Graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 4 1/4 × 2 3/8 inches (10.8 × 6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1995. Ruins of Westminster Palace

Ruins of Westminster Palace
Creator:
George Harley, 1791–1871
Date:
1834
Materials & Techniques:
Graphite and brown wash on slightly textured, medium, white wove paper
Dimensions:
Sheet: 9 9/16 × 6 1/4 inches (24.3 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1996. Sections of Room under Painted Chamber

Sections of Room under Painted Chamber
Creator:
Charles James Richardson, 1806–1871
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1997. View of Guy Fawkes' Tower

View of Guy Fawkes' Tower
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 11 × 8 1/4 inches (27.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1998. East Front of Princes Chamber

East Front of Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 12 1/4 × 7 3/4 inches (31.1 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

1999. Plan and View of Room under the Painted Chamber

Plan and View of Room under the Painted Chamber
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 13/16 × 8 3/16 inches (27.5 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2000. Princes Chamber, East Side with the Old House of Lords

Princes Chamber, East Side with the Old House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection