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1. Dumblain Abbey, Scotland

Dumblain Abbey, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Dumblain Abbey, Scotland

Dumblain Abbey, Scotland
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink Third state on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Road Scene, Trowse Hall, near Norwich

Road Scene, Trowse Hall, near Norwich
Creator:
Print made by John Crome, 1768–1821
Date:
1813
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/4 x 12 1/16 inches (23.5 x 30.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Back of the New Mills, Norwich

Back of the New Mills, Norwich
Creator:
Print made by John Crome, 1768–1821
Date:
1812
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 16 3/4 inches (31.5 x 42.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Beeston Priory, Beeston Regis

Beeston Priory, Beeston Regis
Creator:
Robert Dixon, 1780–1815
Date:
between 1810 and 1811
Materials & Techniques:
Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 x 8 3/16 inches (27.1 x 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, smooth, beige wove paper, with beige chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Dartmoor; Source of the Tamar and the Torridge

Dartmoor; Source of the Tamar and the Torridge
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 3/4 × 21 1/2 inches (37.5 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving, finished state on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 5/8 × 21 7/8 inches (37.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 12 3/16 × 17 9/16 inches (31 × 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Orfordness

Orfordness
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/16 × 14 5/16 inches (28.1 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Church Tower at Stretton, Leicestershire

Church Tower at Stretton, Leicestershire
Creator:
Print made by Robert Sargent Austin, 1895–1973
Date:
1915
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/8 x 8 3/4 inches (28.3 x 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

12. Glasgow Cathedral

Glasgow Cathedral
Creator:
Sir David Young Cameron, 1865–1945
Date:
1889
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/8 × 12 1/2 inches (21.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

13. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1812
Materials & Techniques:
Line engraving and etching, engraver's proof on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Torbay from Brixham

Torbay from Brixham
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving; first published state india paper on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 1/2 × 19 inches (34.3 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Open etching on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 1/16 × 11 1/8 inches (20.5 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof (touched) on moderately thick, smooth, cream wove paper, with cream chine collé
Dimensions:
Sheet: 15 9/16 × 20 1/8 inches (39.5 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. St. Agatha's Abbey, Easby

St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1818-1823
Materials & Techniques:
Line engraving and etching, engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 5/8 inches (28.6 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. West Hill in Surrey, the Seat of D. H. Rucker Esqr.

West Hill in Surrey, the Seat of D. H. Rucker Esqr.
Creator:
Print made by William Angus, 1752–1821
Date:
1810
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Grantham Church

Grantham Church
Creator:
Print made by Bartholomew Howlett, 1767–1827
Date:
1797
Materials & Techniques:
Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 3/8 inches (24.1 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Shanklin Castle

Shanklin Castle
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 14 7/8 × 22 inches (37.8 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Cowes

Cowes
Creator:
Print made by John Landseer, 1769–1852
Date:
1799
Materials & Techniques:
Line engraving, Bohn reprint on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 15 × 21 7/8 inches (38.1 × 55.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Christ Church from the Meadows

Christ Church from the Meadows
Creator:
Print made by Joseph Skelton, active 1820–1850
Date:
between 1820 and 1823
Materials & Techniques:
Line engraving; proof before letters on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 12 5/8 × 16 1/8 inches (32.1 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Winchester Cross

Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, engraver's proof on medium, smooth, cream laid paper
Dimensions:
Sheet: 14 5/8 × 10 1/2 inches (37.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Winchester Cross

Winchester Cross
Creator:
Print made by Joseph Powell, 1780–1834
Date:
1800
Materials & Techniques:
Line engraving, published state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 10 3/4 inches (37.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Lulworth Cove, Dorset

Lulworth Cove, Dorset
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1811-1812
Materials & Techniques:
Line engraving etching and white gouache, engraver's proof (touched) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 3/4 inches (20.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Fowey, Cornwall

Fowey, Cornwall
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1820
Materials & Techniques:
Etching and line engraving; first published state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/8 × 17 3/8 inches (28.9 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Coombe-Martin, Devonshire

Coombe-Martin, Devonshire
Creator:
Print made by William Miller, 1796–1882
Date:
1814 to 1826
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 16 inches (29.5 × 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching; open etching on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 3/4 × 11 inches (42.5 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Dr. John Fothergill

Dr. John Fothergill
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving in brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/16 x 6 7/16 inches (23.6 x 16.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. St. Sepulchres, The Round Church

St. Sepulchres, The Round Church
Creator:
John Hill, 1770–1850
Date:
1814
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 x 13 9/16 inches (27.2 x 34.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Rev. Peter Rodgers

31. Part of Westminster

Part of Westminster
Creator:
Print made by unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 5/16 inches (20.5 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Westminster Hall

Westminster Hall
Creator:
unknown artist
Date:
ca. 1850
Materials & Techniques:
Line engraving on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/16 × 10 1/4 inches (20.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Ceiling of the Star Chamber

Ceiling of the Star Chamber
Creator:
Print made by John Thomas Smith, 1766–1833
Date:
1805
Materials & Techniques:
Line engraving on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 8 3/8 × 9 15/16 inches (21.3 × 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Exterior & Interior Views of the Painted Chamber & Old House of Lords

Exterior & Interior Views of the Painted Chamber & Old House of Lords
Creator:
Print made by unknown artist
Date:
1823
Materials & Techniques:
Line engraving on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 8 1/4 × 4 15/16 inches (21 × 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. The Lower Lobby, House of Commons

The Lower Lobby, House of Commons
Creator:
Print made by James Sands, active 1813–1846
Date:
1815
Materials & Techniques:
Line engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 1/8 × 5 1/2 inches (20.6 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster

Plate XI: Elevation, Section and Plan, of One Compartment (of Three) of the Screen, St. Stephen's Chapel, Westminster
Creator:
Print made by Robert William Billings, 1813–1874
Date:
1835
Materials & Techniques:
Line engraving, proof before imprint on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 3/8 × 5 inches (21.3 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. George Fox Comes to London After the Great Fire

George Fox Comes to London After the Great Fire
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 x 18 7/16 inches (29.7 x 46.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

38. Kensington Gardens, no. 1 (small plate)

Kensington Gardens, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 1/8 x 5 11/16 inches (20.6 x 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna, B.A. 1910

39. Kensington Gardens, no. 1 (small plate)

Kensington Gardens, no. 1 (small plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, smooth, cream Asian paper
Dimensions:
Sheet: 8 1/8 x 5 13/16 inches (20.6 x 14.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

40. Kew

Kew
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1864
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 1/4 x 6 1/8 inches (21 x 15.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

41. Wareham Bridge

Wareham Bridge
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/16 x 10 7/8 inches (20.8 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

42. Windmill Hill, no. 1

Windmill Hill, no. 1
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/8 x 11 7/8 inches (20.6 x 30.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

43. Windmill Hill, no. 2

Windmill Hill, no. 2
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1877
Materials & Techniques:
Etching and drypoint, with plate tone on medium, moderately textured, cream antique laid paper
Dimensions:
Sheet: 8 1/8 x 12 5/8 inches (20.6 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

44. Ashwell

Ashwell
Creator:
Printed by Frederick Landseer Maur Griggs, 1876–1938
Date:
1914
Materials & Techniques:
Etching; 2nd state on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 9 1/4 inches (38.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

45. The Lark at Heaven's Gate Sings

The Lark at Heaven's Gate Sings
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1859
Materials & Techniques:
Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 x 13 3/16 inches (21 x 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

46. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream antique laid paper
Dimensions:
Sheet: 8 1/4 x 13 7/8 inches (20.9 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Yale Stevens from her father's (Richard Sharpe V, B.S. 1873) Collection

47. Shere Mill Pond, no. 2 (large plate)

Shere Mill Pond, no. 2 (large plate)
Creator:
Sir Francis Seymour Haden, 1818–1910
Date:
1860
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream Asian paper
Dimensions:
Sheet: 8 5/16 x 14 1/16 inches (21.1 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

48. Wakefield

Wakefield
Creator:
Print made by James Walker, 1748–1808
Date:
1798
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 × 10 3/8 inches (20.6 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Dunwich, Suffolk

Dunwich, Suffolk
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1819-1826
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 14 3/4 inches (27.9 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Dunwich

Dunwich
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1819-1826
Materials & Techniques:
Line engraving and etching, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 1/16 × 13 11/16 inches (25.6 × 34.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Aldborough

Aldborough
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching and line engraing, 1st state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 10 × 13 3/4 inches (25.4 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Little Missenden Church from the Southeast

Little Missenden Church from the Southeast
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/16 x 17 1/8 inches (29 x 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

53. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving; early engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 13 3/4 × 9 3/4 inches (34.9 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Dunwich, Suffolk

Dunwich, Suffolk
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Line engraving and etching on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 17 1/8 inches (29.8 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'

Fingal's Cave, Staffa - from XLVII 'Scott's Poetical Works'
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 6 7/8 inches (25.4 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Folkestone, Harbour, and Coast to Dover, Kent

Folkestone, Harbour, and Coast to Dover, Kent
Creator:
Print made by John Horsburgh, 1791–1869
Date:
1831
Materials & Techniques:
Line engraving and etching, 2nd state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 8 3/8 × 11 1/8 inches (21.3 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. The Cathedral Church of Worcester

The Cathedral Church of Worcester
Creator:
John Harris, 1811–1865
Date:
undated
Materials & Techniques:
Etching on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 8 1/4 x 12 9/16 inches (20.9 x 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Fingal's Cave, Staffa

Fingal's Cave, Staffa
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1833
Materials & Techniques:
Etching and line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens
Creator:
Print made by Jacob Bonneau, 1741–1786
Date:
1751
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 11 5/16 x 15 1/2 inches (28.8 x 39.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Blockley Church

Blockley Church
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
ca. 1793
Materials & Techniques:
Line engraving with etching on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 11/16 inches (21.1 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Hagley Hall

Hagley Hall
Creator:
Print made by James Caldwall, 1739–1819
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 11 7/16 inches (21.3 x 29.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Manse and Church of Cults, the Birthplace of Wilkie

Manse and Church of Cults, the Birthplace of Wilkie
Creator:
John Cousen, 1804–1880
Date:
undated
Materials & Techniques:
Etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 8 11/16 inches (20.6 × 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. The Kirkstone Pass

No cover image available
Creator:
Print made by Oliver Hall, 1869–1957
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 8 5/16 x 8 11/16 inches (21.1 x 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

64. Priory Pond, Stroud

No cover image available
Creator:
Print made by Stanley Roy Badmin, 1906–1989
Date:
1932
Materials & Techniques:
Etching on moderately thick, smooth, white wove paper
Dimensions:
Sheet: 8 3/16 x 9 13/16 inches (20.8 x 24.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

65. Stanford, the Seat of Sir Edward Winnington, Baronet

No cover image available
Creator:
Print made by Thomas Bonnor, ca. 1740–ca. 1812
Date:
undated
Materials & Techniques:
Etching with stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 x 17 13/16 inches (28.8 x 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Mousehold Heath, Norwich

No cover image available
Creator:
Print made by John Crome, 1768–1821
Date:
between 1810 and 1811
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 9 1/8 x 11 15/16 inches (23.1 x 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection