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Half-size Sketch for The Opening of Waterloo Bridge (“Whitehall Stairs, June 18, 1817”)
Creator:
John Constable, 1776–1837
Date:
1829 to 1831
Materials & Techniques:
Oil on canvas
Dimensions:
24 × 39 inches (61 × 99.1 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
A Review on Epson Downs
Creator:
John Nixon, ca. 1760–1818
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/2 × 8 7/8 inches (8.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Palace of the Stuarts
Creator:
Sir David Young Cameron, 1865–1945
Date:
1898
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

4. L'Adieu

L'Adieu
Creator:
Print made by Michael Hanhart, active 1841–1852
Date:
ca. 1858
Materials & Techniques:
Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:
Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
Merton College, Oxford
Creator:
William Alfred Delamotte, 1775–1863
Date:
undated
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 11 inches (21.3 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Exeter College Eight on the Isis, Oxford
Creator:
William Turner of Oxford, 1789–1862
Date:
1824
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 × 21 7/16 inches (28.6 × 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for Dinner in Mote Park, Maidstone after the Royal Review of the Kentish Volunteers on 1st August 1799
Creator:
William Alexander, 1767–1816
Date:
undated
Materials & Techniques:
Brown ink over graphite on thick, smooth, beige wove paper
Dimensions:
Sheet: 8 1/2 x 14 inches (21.6 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Dining Hall, Asylum
Creator:
John Hill, 1770–1850
Date:
1808
Materials & Techniques:
Aquatint with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 12 11/16 inches (24.2 × 32.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker
Cumberland Terrace, Regent's Park: A View Looking Toward Gloucester Gate, a Troop of Life Guards Exercising to the Right
Creator:
Thomas Shotter Boys, 1803–1874
Date:
ca. 1840
Materials & Techniques:
Watercolor with gouache and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 4 1/2 x 14 inches (11.5 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection