Exterior & Interior Views of the Painted Chamber & Old House of Lords
1823
3802
Attributed to John Carter, 1748–1817
South Side of Princes Chamber West
between 1800 and 1807
3803
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
3804
Print made by Charles Burton, active 1830–1840
View of the King's Entrance &c. From the South-West
1835
3805
Frederick Mackenzie, 1788–1854
Old Palace Yard
1809
3806
Print made by Miss Mary Byrne, 1776–1846
The Houses of Lords and Commons
1815
3807
Charles James Richardson, 1806–1871
Ceiling to Boudoir House in Old Palace Yard
1871
3808
Print made by William Deeble, active 1814–1849
The Parliament House, from Old Palace Yard, Westminster
1829
3809
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
3810
Print made by William Deeble, active 1814–1849
The King's Entrance to the House of Lords, From Poets Corner
1829
3811
Charles James Richardson, 1806–1871
Drawing Room Ceiling, No. 3 Old Palace Yard
1871
3812
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
3813
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
3814
Print made by unknown artist
Chance. The London Firemen's Dog
1834
3815
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
1871
3816
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
3817
Print made by M. Gauci, 1810–1846
The Destruction by Fire of the Houses of Parliament
after 1834
3818
Print made by R.C. Roffe, active in London 1806–1835
A View of the Range of Building Adjoining Westminster Hall, and Fronting the River Thames; Including a Space of 750 Feet
1827
3819
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Buildings Connected with the Houses of Parliament and Courts of Law &c. &c., and Showing the Alterations Suggested by Colonel Trench
1827
3820
Print made by unknown artist
Ruins of the Houses of Parliament as they Appeared on the Morning after the Conflagration
1834
3821
Print made by unknown artist
Houses of Parliament
undated
3822
Print made by T. Kearnan, active 1821–1850
New Houses of Parliament, View of the Adopted Design as the Building Would Appear from the Surrey End of Westminster Bridge
ca. 1835
3823
Print made by R.C. Roffe, active in London 1806–1835
Perspective View of the North & East Fronts of the Building Connected with the Houses of Parliament and Courts of Law, &c. &c
1827
3824
unknown artist
Henry VII Chapel, Westminster Abbey
undated
3825
Print made by John Collins, active ca. 1682
The North Prospect of Westminster Abbey
between 1680 and 1710
3826
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
3827
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
3828
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
3829
Print made by Charles J. Hullmandel, 1789–1850
Henry the Seventh's Chapel, North Side
undated
3830
Print made by unknown artist
North East View of Henry VII Chapel Westminster
ca. 1813
3831
Print made by Augustus Charles Pugin, 1762–1832
Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
3832
Print made by Thomas Sutherland, ca. 1785–1838
Fragments & Parts of the Exterior of Henry the Seventh Chapel, Westminster Abbey
1811
3833
Print made by George Barret Jr., 1767–1842
Marriage of Henry the seventh
1796
3834
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
3835
Print made by George Hawkins, active 1795–1810
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
3836
Print made by unknown artist
Henry VII Chapel (Exterior)
ca. 1890
3837
Print made by Herbert Railton, 1857–1910
Henry VII's Shrine
ca. 1890
3838
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
3839
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
3840
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
3841
Attributed to John Carter, 1748–1817
Continuation of the Preceeding Ornaments
1793
3842
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
3843
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
3844
John Phillipps Emslie, 1839–1913
Houses Adjacent to Westminster Abbey in the Process of Demolition
1896
3845
Attributed to John Carter, 1748–1817
South West View of the Remains of the Crypt under the Dormitory in Dean's Yard Discovered in June
1815
3846
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
3847
Attributed to John Carter, 1748–1817
Part of the Old Dormitory
1815
3848
Attributed to John Carter, 1748–1817
Springing of groins
1815
3849
Attributed to Sir Charles Barry, 1795–1860
Doorway, Dean's Yard, Westminster
1837
3850
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
3851
Print made by James Basire II, 1769–1822
The North-East View of the Old Dormitory, in 1758; North-East View of the Remains of Part of the Crypt of the Old Dormitory, discovered in 1815; Plans and Elevations of the Remains
1815
3852
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
3853
Attributed to John Carter, 1748–1817
Line of Buildings on East Side, Dean's Yard
between 1806 and 1815
3854
Attributed to John Carter, 1748–1817
Buildings on North Side, Dean's Yard
between 1806 and 1815
3855
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
3856
Attributed to John Carter, 1748–1817
Detail for Preceding Elevations
between 1806 and 1815
3857
Attributed to John Carter, 1748–1817
Continuation of Details
between 1806 and 1815
3858
Attributed to John Carter, 1748–1817
Buildings on East Side of Dean's Yard
between 1806 and 1815
3859
Attributed to John Carter, 1748–1817
Window, Dean's Yard
between 1806 and 1815
3860
Print made by unknown artist
Plate I. Memorials of the Commissioners for Improving Westminster, 1811
1811
3861
Attributed to John Carter, 1748–1817
Continuation of Detail
between 1806 and 1815
3862
Thomas Rowlandson, 1756–1827
The London Citizen
undated
3863
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
3864
Print made by Richard Samuel Chattock, 1825–1906
Footbridge over the Wiley
1884
3865
Print made by James Dobie, 1849–1911
Fishing Boats at Hastings
1882
3866
Thomas Rowlandson, 1756–1827
Doctor Syntax loses his Money on the Race Ground at York
1820
3867
Thomas Rowlandson, 1756–1827
Valley of Stones, Lynton, Devon
undated
3868
Thomas Rowlandson, 1756–1827
The Departure from Wakefield
ca. 1817
3869
Thomas Rowlandson, 1756–1827
The Welcome
ca. 1817
3870
Thomas Rowlandson, 1756–1827
The Vicar of Wakefield: Frontispiece
1817
3871
Thomas Rowlandson, 1756–1827
The Esquire's Intrusion
ca. 1817
3872
Thomas Rowlandson, 1756–1827
Fortune-Telling
ca. 1817
3873
Thomas Rowlandson, 1756–1827
The Dance
ca. 1817
3874
Thomas Rowlandson, 1756–1827
The Vicar's Family on the Road to Church
ca. 1817
3875
Thomas Rowlandson, 1756–1827
The Surprise
ca. 1817
3876
Thomas Rowlandson, 1756–1827
The Fair Penitent
ca. 1817
3877
Thomas Rowlandson, 1756–1827
Attendance on a Nobleman
ca. 1817
3878
Thomas Rowlandson, 1756–1827
The Family Picture
1817
3879
Thomas Rowlandson, 1756–1827
The Scold, with News of Olivia
ca. 1817
3880
Thomas Rowlandson, 1756–1827
The Vicar Preaching to the Prisoners
ca. 1817
3881
Thomas Rowlandson, 1756–1827
Embarkation at Southampton, June 20th 1794
1794
3882
Thomas Rowlandson, 1756–1827
Comforts of Bath: Gouty Gourmands at Dinner
1798
3883
Thomas Rowlandson, 1756–1827
Rag Fair or Rosemary Lane
undated
3884
James McNeill Whistler, 1834–1903
Title Page of "A Series of Sixteen Etchings of Scenes of the Thames and Other Subjects"
1871
3885
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Concert
1798
3886
James McNeill Whistler, 1834–1903
Battersea Reach
1863
3887
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Pump Room
1798
3888
Thomas Rowlandson, 1756–1827
Comforts of Bath: The Music Master
1798
3889
James McNeill Whistler, 1834–1903
The "Adam and Eve," Old Chelsea
1879
3890
attributed to Peter DeWint, 1784–1849
View of the Thames at Kingston
1809
3891
attributed to Peter DeWint, 1784–1849
Houses at Kingston on the Thames
undated
3892
attributed to Peter DeWint, 1784–1849
Houses at Teddington on the Thames
1809
3893
Thomas Rowlandson, 1756–1827
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
1817
3894
Thomas Rowlandson, 1756–1827
Plymouth Dock
1817
3895
Thomas Rowlandson, 1756–1827
Norwich Market Place
undated
3896
Print made by Henry Robert Robertson, 1839–1921
The Fighting Téméraire
ca. 1887
3897
Thomas Rowlandson, 1756–1827
The Bookmaker and his Client outside the Ram Inn, Newmarket