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The Horse Mart
Creator:
Robert Polhill Bevan, 1865–1925
Date:
ca. 1917
Materials & Techniques:
Black chalk and charcoal on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 3/4 × 17 1/16 inches (34.9 × 43.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for Mare and Foal, Lytchetts, Clayhidon
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1917
Materials & Techniques:
Black chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 17 inches (34.4 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Salisbury Cathedral From the Meadows
Creator:
John Constable, 1776–1837
Date:
1829
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper mounted on card
Dimensions:
Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Italian Hill Town
Creator:
Samuel Palmer, 1805–1881
Date:
after 1838
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 1/4 x 12 5/8 inches (23.5 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Underriver Hills, near Sevenoaks, Kent, from the Grounds of J. Herries, Esq.
Creator:
Samuel Palmer, 1805–1881
Date:
ca. 1840
Materials & Techniques:
Watercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 1/16 inches (24.4 x 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Boxhill

Boxhill
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
1868
Materials & Techniques:
Gray wash, green wash, brown wash, black chalk, and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/2 x 12 1/8 inches (24.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Rock Slip near Boscastle
Creator:
Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Gouache, black chalk, yellow chalk, and blue chalk on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 9 1/2 x 10 5/8 inches (24.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Foxhound on the Scent
Creator:
George Stubbs, 1724–1806
Date:
1788
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 3 5/8 × 4 inches (9.2 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral view (Study of the muscles exposed at the third stage of dissection)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper; squared in graphite for transfer
Dimensions:
Sheet: 9 3/8 x 12 1/4 inches (23.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger, Recumbent, Viewed Ventrally
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: black chalk, with evidence of black print media, possibly ink or soft ground on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 13 1/8 inches (23.5 x 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leopard Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 14 inches (23.5 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Grindelwald
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor, graphite, blue wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with Barn
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1795
Materials & Techniques:
Graphite and watercolor on medium, slightly textured, cream wove paper, mounted on thick, smooth, wove paper
Dimensions:
Mount: 9 3/4 x 15 1/4 inches (24.8 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Richard L. Purdy
Calder Bridge
Creator:
Edward Lear, 1812–1888
Date:
1836
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 9 1/2 x 13 9/16 inches (24.1 x 34.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Oasis Village
Creator:
Edward Lear, 1812–1888
Date:
1854
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 x 17 inches (24.4 x 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Toske

Toske
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/16 x 12 1/2 inches (23.7 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, rough, beige wove paper
Dimensions:
Sheet: 9 1/2 × 13 3/4 inches (24.1 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Rocky Valley of Mosta, Malta
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, graphite, gouache, pen and brown ink on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/4 x 13 7/16 inches (23.5 x 34.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George E. Dix, B.A. 1934, M.A. 1942

19. Albogasio

Albogasio
Creator:
Edward Lear, 1812–1888
Date:
1837
Materials & Techniques:
Graphite and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 9 5/8 x 13 13/16 inches (24.4 x 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Rocky Valley of Mosta, Malta, 2:15 p.m. (April 3, 1866)
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 14 1/4 inches (24.4 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
Creator:
Edward Lear, 1812–1888
Date:
1866
Materials & Techniques:
Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 x 13 7/8 inches (24.1 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
The Pontine Marshes above Terracina
Creator:
Edward Lear, 1812–1888
Date:
ca. 1880
Materials & Techniques:
Pen in brown ink with brown wash over graphite on very thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/8 x 12 7/16 inches (23.8 x 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Seated Figure
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 5 5/8 inches (23.5 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
Iphigenia Kneeling over an Altar
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 7 1/8 inches (23.8 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
Satan Approaching the Court of Chaos
Creator:
William Blake, 1757–1827
Date:
1784 to 1785
Materials & Techniques:
Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Frontispiece Proof Impression
Creator:
Print made by William Blake, 1757–1827
Date:
ca. 1820
Materials & Techniques:
Relief etching prined in brown ink; verso: color printed relief etching, pen and black ink, and gray ink; proof on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 10, "The Terror Answered...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 14, "So Cried He...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 16, "In the Flames Stood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 17, "On Albions Angels...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 18, "Over the Hills...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 × 10 3/8 inches (34.3 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 7, "Albions Angel stood...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in blue ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
America. A Prophecy, Plate 8, "The Morning Comes...."
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 13 (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 3, "Preludium"
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper inlaid to size
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Europe. A Prophecy, Plate 8 (Bentley 9)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape of a Village
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, blue wash, and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 9 7/16 × 15 inches (24 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mount Parnassus
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash, blue wash, graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 15 1/16 inches (24.4 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inscriptions in Greek Alphabet
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash, graphite, pen and brown ink on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 7/16 × 7 9/16 inches (24 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Raised Carving of a Sundial on a Wall
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Brown wash and graphite on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 9 9/16 × 7 9/16 inches (24.3 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Monte delle Beatitudini
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 15/16 x 21 7/16 inches (38 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plan of Lake Tiberias
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Black ink with gray wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 7/16 inches (37.7 x 54.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Ruined Theater of Aezani at Tjaden
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 13/16 x 21 9/16 inches (37.6 x 54.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Source of the Lycus River (Nahr el-Kelb)
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1751
Materials & Techniques:
Gray wash black ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 x 21 1/2 inches (37.5 x 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Ruined Baths at Hadrian's Villa at Tivoli
Creator:
Giovanni Battista Borra, 1713–1770
Date:
ca. 1750
Materials & Techniques:
Gray wash with black and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 x 21 5/16 inches (38.1 x 54.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carisbrooke Castle, 9 May 1826
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carisbrooke
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Needles and Freshwater Cliffs, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 13 inches (24.1 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ventnor Down, 19 August 1826
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 1/2 inches (23.5 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shalcombe Down, 19 August 1826
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Blackgang Chine, 19 August 1826
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 inches (23.8 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Ventnor Down, 19 August 1826
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 12 3/4 inches (24.1 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Near Ventnor Cove, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 12 3/4 inches (23.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Landslip over Niton, 13 August 1829
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1829
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Archery Ground, Carisbrooke, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1829
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 inches (23.5 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Freshwater Bay, 12 August 1829
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1829
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 13 1/4 inches (23.8 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wootton Bridge, 17 August 1826
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1826
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 13 1/4 inches (23.5 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Carisbrooke Castle, Isle of Wight
Creator:
Capt. Thomas Hastings, 1778–1854
Date:
1829
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 × 13 1/4 inches (24.1 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Diospyros mespiliformis
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/4 x 7 3/4 inches (23.5 x 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Cascine Near Florence
Creator:
Henry Swinburne, 1743–1803
Date:
1787
Materials & Techniques:
Watercolor, with pen and black ink, gray ink, gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 9 5/16 × 16 5/16 inches (23.7 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mountainous Landscape, with a Small Village in its Valley
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Bertrand, France
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Pen and brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Section Piece From The Lions Court at Alahambra
Creator:
Henry Swinburne, 1743–1803
Date:
1775 to 1776
Materials & Techniques:
Pen and gray ink, gray wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 9 5/16 × 16 1/4 inches (23.7 × 41.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landcape View of a Watermill
Creator:
Henry Swinburne, 1743–1803
Date:
undated
Materials & Techniques:
Graphite on medium, moderately textured, cream wove paper
Dimensions:
Mount: 11 1/16 × 16 5/16 inches (28.1 × 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Gibara

Gibara
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 7 7/8 inches (24.1 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Gibara

Gibara
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 7 1/2 inches (24.1 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Angua (Boswellia papyifera)
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 7 1/4 inches (23.5 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Kummel (Mimsuops kummel)
Creator:
Luigi Balugani, 1737–1770
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 6 5/8 inches (23.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Part of Brind Gill in Ligburthwaite
Creator:
Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 6 1/4 inches (23.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man Asleep in a Long Blue Coat
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, beige laid paper mounted to medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 1/2 x 5in. (19.1 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of Richbro' Castle, Isle of Thanet
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Gray wash and brown wash over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 x 13 7/8 inches (24.4 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Beached Fishing Vessel
Creator:
Thomas Miles Richardson Sr., 1784–1848
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/2 × 6 inches (24.1 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cobham Hall, Kent: Plan for Servant's Quarters
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 15 inches (24.1 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies for Shylock
Creator:
Richard Parkes Bonington, 1802–1828
Date:
1825
Materials & Techniques:
Pen and brown ink on thin, slightly textured, cream laid paper joined to thin, slightly textured, cream laid paper, mounted on card
Dimensions:
Mount: 15 × 18 7/8 inches (38.1 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Temple at Baalbec: Three Temples amongst other Ruins
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash on medium thick, slightly textured, white laid paper
Dimensions:
Sheet: 9 1/2 × 15 3/8 inches (24.1 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Wolf

Wolf
Creator:
James Bruce, 1730–1794
Date:
1764
Materials & Techniques:
Watercolor, gouache, graphite, pen and black ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/8 × 7 5/8 inches (23.8 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Studies of Warriors on Horseback
Creator:
James Bruce, 1730–1794
Date:
undated
Materials & Techniques:
Graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 1/4 × 14 3/8 inches (23.5 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Huskies
Creator:
Samuel Howitt, 1756–1822
Date:
ca. 1817
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fire on the Thames
Creator:
George Jones, 1786–1869
Date:
ca. 1808
Materials & Techniques:
Watercolor, gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 9 1/4 × 14 5/8 inches (23.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chinese Flower Seller
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 9 5/8 × 7 1/2 inches (24.4 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Seated Woman
Creator:
attributed to James Ward, 1769–1859
Date:
1787
Materials & Techniques:
Gray wash over graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 9 1/2 x 7 1/8 inches (24.1 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cascade of Buffalora
Creator:
John Warwick Smith, 1749–1831
Date:
undated
Materials & Techniques:
Gray wash, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/2 x 14 5/8 inches (24.1 x 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection