Image Available: Available / Work Type: intaglio print / Width [cm]: 62

1. Perspective View of the Bridge at Sion

Creator:: Edward Rooker, 1724–1774
Date:: 1768
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 3/4 × 24 3/8 inches (47.6 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Wanstead House in Essex

Creator:: Victor Marie Picot, 1744–1805
Date:: 1775
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 × 24 5/16 inches (45.7 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Rubens' Son and Nurse

Creator:: Print made by Richard Earlom, 1743–1822
Date:: 1785
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 24 1/4 inches (51.4 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

4. Design of a Ruineous Bridge for the Garden at Sion

Creator:: Thomas Vivares, c.1735–c.1790
Date:: 1778
Materials & Techniques:: Line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 18 7/8 × 24 5/16 inches (47.9 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Deluge

Creator:: Print made by J. P. Quilley, active 1828
Date:: 1828
Materials & Techniques:: Mezzotint; first published state on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 23 1/2 × 34 inches (59.7 × 86.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Harwich

Creator:: Charles Rosenberg, active 1828–1848
Date:: 1841
Materials & Techniques:: Colored aquatint on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 9/16 × 26 1/2 inches (49.7 × 67.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Representation of the Festival for the Return of Peace

Creator:: William Johnstone White, active 1804–died c.1870
Date:: 1814
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/8 × 24 9/16 inches (51.8 × 62.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Encampment at Fornham near St. Edmund's Bury

Creator:: Peltro W. Tomkins, 1760–1840
Date:: 1782
Materials & Techniques:: Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 1/8 × 25 5/16 inches (38.4 × 64.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Cambridge University: Queens College

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1800
Materials & Techniques:: Aquatint with etched outline
Dimensions:: Sheet: 19 1/2 x 24 1/4in. (49.5 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. A Correct View of the Golden Lake Genuine Brewery

Creator:: Print made by William S. Barnard, 1774–1849
Date:: 1807
Materials & Techniques:: Mezzotint on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 19 5/8 × 24 1/2 inches (49.8 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Caligula's Palace and Bridge, Bay of Baiæ

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and engraving; engraver's proof (a) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 1/8 × 36 3/8 inches (66.4 × 92.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

Creator:: unknown artist
Date:: 1825
Materials & Techniques:: Aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 24 5/8 inches (21 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. Caligula's Palace and Bridge, Bay of Baiæ

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1842
Materials & Techniques:: Etching and engraving with chine collé; first published state on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 25 1/4 × 36 1/8 inches (64.1 × 91.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Old Téméraire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1845
Materials & Techniques:: Etching; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 3/4 × 24 1/2 inches (47.6 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. King Edward VI presenting the Charter for Bridewell to Sir George Barnes

Creator:: George Vertue, 1684–1756
Date:: 1750
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 9/16 × 25 3/4 inches (49.7 × 65.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Mother and Child X

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Color-printed etching and aquatint on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 20 1/2 × 24 3/8 inches (52.1 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Harriet Loria Popowitz

17. Mother and Child XIX

Creator:: Print made by Henry Moore, 1898–1986
Date:: 1983
Materials & Techniques:: Etching on moderately thick, moderately textured, white wove Arches paper
Dimensions:: Sheet: 20 1/2 × 24 3/8 inches (52.1 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. and Mr. Jeffrey H. Loria, Yale BA 1962, in memory of Ruth and Walter Loria

18. Garrick in the Green Room

Creator:: William Ward, 1766–1826
Date:: 1829
Materials & Techniques:: Mezzotint on moderately thick, smooth, cream wove paper mounted on canvas
Dimensions:: Sheet: 22 7/8 × 27 inches (58.1 × 68.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

19. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 20 x 24 3/8 inches (50.8 x 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. [Animals: an eagle with a dead pheasant, watched by a fox]

Creator:: Print made by John Murphy, ca. 1748–1820
Date:: 1799
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 24 1/4 inches (49.2 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

Creator:: James Pollard, 1792–1867
Date:: 1820
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 12 3/8 x 24 1/2in. (31.4 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. View of the Tuilleries and Bridge taken from the Quay D'Orsai

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 7/8 inches (41.3 × 63.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The Water Mill above the Bridge at Charenton

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 1/4 × 24 1/2 inches (41.3 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Carnarvon Castle

Creator:: William Byrne, 1743–1805
Date:: 1775
Materials & Techniques:: Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/2 x 24 1/4 inches (44.5 x 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Niobe

Creator:: Figures engraved by William Sharp, 1749–1824
Date:: 1792
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. View of Old Aberdeen, Including King's College and the Cathedral

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: 1808
Materials & Techniques:: Colored aquatint on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 21 1/4 × 28 3/8 inches (54 × 72.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Death of Abercrombie

Creator:: Print made by Edward Mitchell, active 1805–1816
Date:: 1805
Materials & Techniques:: Line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 22 5/8 × 24 1/4 inches (57.5 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Murder of James I, King of Scotland

Creator:: Thomas Ryder, 1746–1810
Date:: 1792
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 19 7/8 × 24 3/8 inches (50.5 × 61.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Reaping

Creator:: William Ward, 1766–1826
Date:: 1810
Materials & Techniques:: Mezzotint, proof before all letters
Dimensions:: Sheet: 19 x 24 1/4in. (48.3 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Riot in Broad Street on the Seventh of June 1780

Creator:: Print made by James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Etching and engraving, printed in color and hand-colored
Dimensions:: Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Distraining for Rent

Creator:: Abraham Raimbach, 1784–1868
Date:: 1828
Materials & Techniques:: Engraving with chine collé on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 5/8 × 27 7/8 inches (54.9 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Parish Beadle

Creator:: Abraham Raimbach, 1784–1868
Date:: 1834
Materials & Techniques:: Engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 18 13/16 × 24 5/16 inches (47.8 × 61.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The Riot in Broad Street on the Seventh of June 1780

Creator:: James Heath, 1757–1834
Date:: 1790
Materials & Techniques:: Colored engraving
Dimensions:: Sheet: 18 1/2 x 24 1/4in. (47 x 61.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Village Politicians

Creator:: Abraham Raimbach, 1784–1868
Date:: 1814
Materials & Techniques:: Engraving and etching
Dimensions:: Plate: 20 x 24 1/2in. (50.8 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Francis Noel Clark Mundy and His Grandson, William

Creator:: Charles Turner, 1774–1857
Date:: 1810
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 19 13/16 × 24 1/4 inches (50.3 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. View of the Port of Liverpool

Creator:: Richard Gilson Reeve, 1803–1889
Date:: 1836
Materials & Techniques:: Color printed etching and aquatint with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 21 1/4 × 27 1/8 inches (54 × 68.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Representation of the Festival for the Return of Peace

Creator:: William Johnstone White, active 1804–died c.1870
Date:: 1815
Materials & Techniques:: Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 × 24 7/16 inches (50.2 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. ...Plan of Windsor Park

Creator:: John Rocque, 1704?–1762
Date:: 1738
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 27 7/8 inches (51.8 × 70.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. View of the Pont St. Michael, taken from the Pont Neuf

Creator:: Etched by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Image: 10 x 17 7/8in. (25.4 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 5/8 inches (40 × 62.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Plate: 11 3/4 × 22 1/4 inches (29.8 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A General View of Paris, taken from Chaillot 1803.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. View of the Gate of St. Denis Taken from the Suburbs.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Views of the Pantheon, taken from the Arsenal

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Aquatint over soft ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 5/8 × 24 1/2 inches (39.7 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. View of the Village of Chaillot & C. taken from Pont de la Concorde

Creator:: Print made by Frederick Christian Lewis the Elder, 1779–1856
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. View of St. Cloud and Mt. Calvary taken from Pont de Seve

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1802
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 1/2 × 24 1/2 inches (39.4 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. John Howard, Esq. Visiting and Relieving the Miseries of a Prison

Creator:: Print made by Jacob Hogg, active 1751
Date:: 1790
Materials & Techniques:: Etching and engraving on medium, moderately textured, cream wove paper
Dimensions:: Plate: 19 1/2 × 24 1/4 inches (49.5 × 61.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Alexander

54. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Creator:: Print made by Thomas Gaugain, 1748–1812
Date:: 1796
Materials & Techniques:: Mezzotint and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 20 3/4 × 25 1/2 inches (52.7 × 64.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

55. The Sportsman's Return

Creator:: William Ward, 1766–1826
Date:: 1792 (re-issue of 1791)
Materials & Techniques:: Mezzotint, printed in color and hand colored
Dimensions:: Sheet: 19 1/2 x 24 1/2in. (49.5 x 62.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Marlow Ferry

Creator:: Print made by Robert Walker Macbeth, 1848–1910
Date:: 1880
Materials & Techniques:: Etching on thin, slightly textured, cream wove paper
Dimensions:: Image: 11 3/4 × 17 7/8 inches (29.8 × 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen

57. The Fighting Téméraire

Creator:: Print made by Henry Robert Robertson, 1839–1921
Date:: ca. 1887
Materials & Techniques:: Etching printed in brown ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 22 × 29 1/4 inches (55.9 × 74.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of David Doret, Yale BA 1968

58. Come In To Play | Use A Season Ticket

Creator:: Print made by Paul Nash, 1889–1946
Date:: 1936
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 39 1/2 x 24 1/2 inches (100.3 x 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965

59. A View of Pont Neuf, the Mint, & c.

Creator:: Print made by Thomas Girtin, 1775–1802
Date:: 1803
Materials & Techniques:: Soft-ground etching, drypoint and aquatint, published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 24 1/2 inches (40 × 62.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

Refine your search

Search Constraints

Image Available Available

Work Type intaglio print

Width [cm] 62

Search Results

1. Perspective View of the Bridge at Sion

2. Wanstead House in Essex

3. Rubens' Son and Nurse

4. Design of a Ruineous Bridge for the Garden at Sion

5. The Deluge

6. Harwich

7. Representation of the Festival for the Return of Peace

8. Encampment at Fornham near St. Edmund's Bury

9. Cambridge University: Queens College

10. A Correct View of the Golden Lake Genuine Brewery

11. Caligula's Palace and Bridge, Bay of Baiæ

12. Locomotive Engine and Train of the Birmingham and Liverpool Rail Road

13. Caligula's Palace and Bridge, Bay of Baiæ

14. The Old Téméraire

15. King Edward VI presenting the Charter for Bridewell to Sir George Barnes

16. Mother and Child X

17. Mother and Child XIX

18. Garrick in the Green Room

19. This Celebrated Ewe was Bred and Fed, by Mr. Wilcox.

20. [Animals: an eagle with a dead pheasant, watched by a fox]

21. Easter Monday. 1. Turning out the Stag at Buckits Hill, Epping Forest

22. View of the Tuilleries and Bridge taken from the Quay D'Orsai

23. View of the Tuilleries and Bridge and etc. taken from Pont de la Concorde

24. The Water Mill above the Bridge at Charenton

25. Carnarvon Castle

26. Niobe

27. View of Old Aberdeen, Including King's College and the Cathedral

28. The Death of Abercrombie

29. The Murder of James I, King of Scotland

30. Reaping

31. The Riot in Broad Street on the Seventh of June 1780

32. Distraining for Rent

33. The Parish Beadle

34. The Riot in Broad Street on the Seventh of June 1780

35. The Village Politicians

36. Francis Noel Clark Mundy and His Grandson, William

37. View of the Port of Liverpool

38. Representation of the Festival for the Return of Peace

39. ...Plan of Windsor Park

40. View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf.

41. View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde

42. View of the Pont St. Michael, taken from the Pont Neuf

43. View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations

44. View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame.

45. A General View of Paris, taken from Chaillot 1803.

46. View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802

47. View of the Gate of St. Denis Taken from the Suburbs.

48. Views of the Pantheon, taken from the Arsenal

49. View of the Village of Chaillot & C. taken from Pont de la Concorde

50. The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629

51. View of St. Cloud and Mt. Calvary taken from Pont de Seve

52. The Water Works at Marli,and St. Germain en Laye Seen in the Distance.

53. John Howard, Esq. Visiting and Relieving the Miseries of a Prison

54. Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

55. The Sportsman's Return

56. Marlow Ferry

57. The Fighting Téméraire

58. Come In To Play | Use A Season Ticket

59. A View of Pont Neuf, the Mint, & c.