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Returning from a Review...Paris
Creator:
unknown artist
Date:
1802
Materials & Techniques:
Aquatint, hand-colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 18 11/16 × 25 inches (47.5 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Country Churchyard. Verse from Gray's Elegy
Creator:
Marie C. Prestel, 1747–1794
Date:
1790
Materials & Techniques:
Aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 26 7/8 inches (54.6 × 68.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
...Plan of Windsor Park
Creator:
John Rocque, 1704?–1762
Date:
1738
Materials & Techniques:
Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 27 7/8 inches (51.8 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Oxford from the Abingdon Road
Creator:
Print made by John Pye, 1782–1874
Date:
1818
Materials & Techniques:
Etching and line engraving; first published state on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 23 1/8 × 34 7/8 inches (58.7 × 88.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
Creator:
Print made by Robert Thew, 1758–1802
Date:
1801
Materials & Techniques:
Stipple engraving and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/8 × 29 1/2 inches (51.1 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Thuilleries and Bridge, etc., taken from Pont de la Concorde
Creator:
Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Aquatint with soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/4 x 26 1/4 inches (46.4 x 66.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Creator:
Print made by Peter Simon, 1750–1810
Date:
1791
Materials & Techniques:
Stipple engraving, etching, and aquatint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/8 × 29 3/8 inches (51.1 × 74.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Edward VI and His Court
Creator:
George Vertue, 1684–1756
Date:
1750
Materials & Techniques:
Etching on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 1/8 × 34 1/2 inches (58.7 × 87.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, In Memory of Jeanne and Paul Rapoport
Camouflage I (Second State)
Creator:
Print made by Jane Dixon, born 1963
Date:
2004
Materials & Techniques:
Etching on Hahnemuhle wove paper
Dimensions:
Sheet: 24 3/4 × 30 inches (62.9 × 76.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Driek and Michael Zirinsky in honor of Michael's parents, Edith Silker Zirinisky and Nahman Zirinsky
Sigismonda
Creator:
Print made by Benjamin Smith, 1775–1833
Date:
1795
Materials & Techniques:
Etching with aquatint
Dimensions:
Sheet: 19 × 25 inches (48.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art,Gift of Suzanne and William H. Speaker
Interior of the Church of the Gesù, Rome
Creator:
Print made by William Walcot, 1874–1943
Date:
1925
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 25 1/4 inches (52.1 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse
The Lodge and Garden from the Great Lake
Creator:
Francois Vivares, 1709–1780
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 5/8 × 25 1/4 inches (42.2 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Moat Island
Creator:
Francois Vivares, 1709–1780
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 5/8 × 25 inches (42.2 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mercury and Argus
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1841
Materials & Techniques:
Etching and line engraving; first published state on thick, moderately textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 33 × 25 1/4 inches (83.8 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Edward VI presenting the Charter for Bridewell to Sir George Barnes
Creator:
George Vertue, 1684–1756
Date:
1750
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 19 9/16 × 25 3/4 inches (49.7 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
"King Lear", Act V, Scene III
Creator:
Francis Legat, 1755–1809
Date:
1792
Materials & Techniques:
Engraving on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 13/16 × 28 inches (55.4 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Taming Of The Shrew, Act III, Scene II
Creator:
Peter Simon, 1750–1810
Date:
1795
Materials & Techniques:
Line engraving and stipple engraving on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 22 7/8 × 28 13/16 inches (58.1 × 73.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Joseph Sold by his Brethren
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1782
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 3/8 × 25 inches (54.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
John Howard, Esq. Visiting and Relieving the Miseries of a Prison
Creator:
Print made by Jacob Hogg, active 1751
Date:
1790
Materials & Techniques:
Etching and engraving on medium, moderately textured, cream wove paper
Dimensions:
Plate: 19 1/2 × 24 1/4 inches (49.5 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Alexander
Duke of Gloucester Taken into the Water Gate of Calais, 1380
Creator:
David Scott, 1806–1849
Date:
1841
Materials & Techniques:
Etching and roulette on moderately thick, smooth, beige wove paper mounted on canvas
Dimensions:
Sheet: 22 1/4 × 29 1/2 inches (56.5 × 74.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman
The Battle at La Hogue
Creator:
William Woollett, 1735–1785
Date:
1781
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 19 3/4 × 25 1/16 inches (50.2 × 63.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
Sunday Morning, A Cottage Family Going to Church
Creator:
William Nutter, 1754–1802
Date:
1795
Materials & Techniques:
Stipple engraving, colored on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Modern Italy
Creator:
Print made by William Miller, 1796–1882
Date:
1842
Materials & Techniques:
Etching and line engraving; earliest engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 3/8 × 25 1/8 inches (46.7 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Murder of James First, King of Scotland
Creator:
Thomas Ryder, 1746–1810
Date:
1792
Materials & Techniques:
Etching and stipple engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 × 25 inches (53 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Boats of His Majesty's Sloop 'Procris' Attacking and Capturing off the Coast of Java on 31st of July 1837
Creator:
Print made by Charles Rosenberg, active 1828–1848
Date:
1837
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 18 9/16 × 25 5/16 inches (47.1 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Boy Employed in Burning Weeds
Creator:
James Ward, 1769–1859
Date:
1799
Materials & Techniques:
Mezzotint on moderately thick, moderataly textured, cream laid paper
Dimensions:
Sheet: 20 3/8 × 25 3/16 inches (51.8 × 64 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sailors Carousing
Creator:
William Ward, 1766–1826
Date:
1807
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/4 × 25 inches (51.4 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Encampment at Fornham near St. Edmund's Bury
Creator:
Peltro W. Tomkins, 1760–1840
Date:
1782
Materials & Techniques:
Aquatint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/8 × 25 5/16 inches (38.4 × 64.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Distress'd Situation of the Dutton East Indiaman
Creator:
Print made by Robert Pollard, 1755–1838
Date:
1796
Materials & Techniques:
Etching, aquatint, and line engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 19 7/8 × 26 1/2 inches (50.5 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Lodge and Stables, &c. at Windsor Great Park
Creator:
James Mason, 1710–1783
Date:
1772
Materials & Techniques:
Hand colored engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 16 7/8 × 25 1/8 inches (42.9 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hay Makers
Creator:
William Ward, 1766–1826
Date:
1793
Materials & Techniques:
Colored mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 1/16 × 25 1/4 inches (51 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Vegetable Market
Creator:
William Ward, 1766–1826
Date:
1803
Materials & Techniques:
Colored mezzotint on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 1/2 × 25 1/8 inches (49.5 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Encampment at Brighton
Creator:
John Murphy, ca. 1748–1820
Date:
1797
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 23 7/8 × 31 1/2 inches (60.6 × 80 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Winter's Tale, Act III, Scene III
Creator:
Samuel Middiman, ca. 1750–1831
Date:
1794
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 5/16 × 27 3/8 inches (54.1 × 69.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery
The Death of the Stag
Creator:
Print made by Andrew Lawrence, 1708–1747
Date:
1753
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 24 1/4 × 31 5/8 inches (61.6 × 80.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Encampment at Farnham near St. Edmund's Bury
Creator:
Charles Tomkins, 1757–1823
Date:
1782
Materials & Techniques:
Colored aquatint on thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 26 1/2 inches (42.2 × 67.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Geometrical plan of his Majesty's Dockyard near Portsmouth
Creator:
Print made by Pierre Charles Canot, ca. 1710–1777
Date:
1754
Materials & Techniques:
Line engraving on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 3/4 x 25 1/4in. (47.6 x 64.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed
Creator:
J. Wellis, active 1799
Date:
1799
Materials & Techniques:
Colored aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/2 × 25 1/4 inches (52.1 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shakespeare's Tempest Act IV Scene I. Prospero's Cell.
Creator:
Robert Thew, 1758–1802
Date:
1800
Materials & Techniques:
Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 21 1/2 × 26 9/16 inches (54.6 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shakespeare's Winter Tale Act III Scene III
Creator:
Samuel Middiman, ca. 1750–1831
Date:
1794
Materials & Techniques:
Etching and line engraving on thick, rough, cream laid paper
Dimensions:
Sheet: 21 3/8 × 26 9/16 inches (54.3 × 67.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Count Ugolino della Gherardesca and His Sons in Prison
Creator:
Print made by John Dixon, ca. 1740–1811
Date:
1774
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/2 × 25 1/4 inches (52.1 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shakespeare, Macbeth Act IV, Scene I
Creator:
Robert Thew, 1758–1802
Date:
1802
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 15/16 × 25 1/16 inches (50.6 × 63.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Palace and Village of Choisi on the Banks of the Seine
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View from Palace Terrace at St. German en Laye, The Aquaduct of Marli seen in the distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Water Works at Marli and St. German en Laye seen in the distance
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 5 7/8 × 18 3/8 inches (14.9 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arc de Triomphe, Paris
Creator:
Print made by William Walcot, 1874–1943
Date:
1918
Materials & Techniques:
Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 25 1/4 inches (76.2 × 64.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 5/8 × 25 1/8 inches (39.7 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of Pont Neuf, the Mint and etc.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont Neuf, part of the Louvre and the College of Four Nations
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper.
Dimensions:
Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont de la Tournelle and Notre Dame taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 5 7/8 × 17 1/2 inches (14.9 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Pantheon taken from the Arsenal
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 6 × 17 1/2 inches (15.2 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of St. Cloud and Mount Cavalary taken from Pont de Seve
Creator:
Print made by Thomas Girtin, 1775–1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 5 × 18 7/8 inches (12.7 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On the Banks of the Marne below the Bridge at Charenton
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Volunteers of the City and County of Dublin
Creator:
Print made by Joseph Collyer, 1748–1827
Date:
1784
Materials & Techniques:
Etching and engraving, printed in color and hand-colored
Dimensions:
Image: 16 1/2 x 25in. (41.9 x 63.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Distraining for Rent
Creator:
Abraham Raimbach, 1784–1868
Date:
1828
Materials & Techniques:
Engraving on thick, moderately textured, cream laid paper with cream chine-collé
Dimensions:
Sheet: 21 5/8 × 27 7/8 inches (54.9 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont au Change, The City Theatre, Pont Neuf, Conceiergerie Prison and etc. taken from Pont Notre Dame.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Image: 9 × 19 3/8 inches (22.9 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Pont St. Michael taken from Pont Neuf
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of Belle Vue and Pont de Seve taken from the Terrace near Pont St. Cloud
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1802
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 25 inches (41.3 × 63.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View of the Village of Chaillot and etc. taken from Pont de la Concorde.
Creator:
Print made by Thomas Girtin, 1775–1802
Date:
1803
Materials & Techniques:
Etching and aquatint on medium, slight textured, cream wove paper
Dimensions:
Image: 5 × 19 inches (12.7 × 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection