A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
undated
6
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
7
William Blake, 1757–1827
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
between 1797 and 1798
8
Print made by William Blake, 1757–1827
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
9
William Blake, 1757–1827
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
between 1797 and 1798
10
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
11
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
12
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
13
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
1797
15
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
16
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
17
George Bryant Campion, 1796–1870
Dedham
undated
18
Thomas Shotter Boys, 1803–1874
Street Scene at Stratford by Bow
undated
19
John Hassell, 1767–1825
The Entrance to King John's Palace, Eltham, Kent
ca. 1812
20
Attributed to unknown artist
A Soldier on Horseback
undated
21
Samuel Howitt, 1756–1822
A Boar and a Ram
undated
22
Cornelius Varley, 1781–1873
View near Tal-y-Llyn
ca. 1805
23
unknown artist
Brighton Town and Church
ca. 1780
24
Paul Sandby, 1731–1809
The Gypsy Fortune-Teller
ca. 1758
25
Samuel Wale, 1721–1786
Murder in the Carriage (Probably a Design for The Tyburn Chronicle)
undated
26
Paul Sandby, 1731–1809
Halfway House, Sadler's Wells
1780
27
Conrad Gessner, 1764–1826
A Horse, Dog and Figures outside a Cottage
undated
28
Thomas Gainsborough, 1727–1788
Hilly Landscape with Figures Approaching a Bridge
ca. 1763
29
George Lothian Hall, 1825–1888
Casemates
1843
30
James Duffield Harding, 1798–1863
Fording the Stream in a Mountain Valley
undated
31
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
32
William Henry Harriott, active 1811, died 1839
Fish Market, Hastings
1824
33
Samuel Howitt, 1756–1822
Horses and Wagon Outside a Cottage
undated
34
Henry William Bunbury, 1750–1811
Carter Filling his Pipe
undated
35
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
36
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
37
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
38
Abraham Louis Rodolphe Ducros, 1748–1810
Ruins of the Basilica of Maxentius in the Roman Forum
1779
39
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
40
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
41
Hablot Knight Browne, 1815–1882
One of eighteen designs for a series of plates illustrating Venus and Adonis
undated
42
Nicholas Pocock, 1740–1821
The River Avon: with Passing Vessels
1785
43
George Shepheard, ca. 1770–1842
The Village of Aldbury, Hertfordshire
1816
44
William Henry Hunt, 1790–1864
Dagnall Lane, St. Albans
ca. 1820
45
Attributed to John Martin, 1789–1854
The Conversion of Saul
undated
46
Frederick Nash, 1782–1856
Apsley House and Piccadilly ... from Hyde Park Corner
undated
47
Julius Caesar Ibbetson, 1759–1817
Study of a Woman Seated on a Horse
undated
48
Julius Caesar Ibbetson, 1759–1817
Title page for "The Guardian"
undated
49
William P. Sherlock, c.1780–1850
The Rape of Persephone
undated
50
Paul Sandby, 1731–1809
A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill
1802
51
Sir David Wilkie, 1785–1841
The Chelsea Pensioners Reading the Waterloo Dispatch
before 1822
52
William Henry Hunt, 1790–1864
Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro
ca. 1822
53
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
54
Frederick Calvert, ca. 1785–1845
Undercliff, Isle of Wight
undated
55
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
56
attributed to Michael "Angelo" Rooker, 1746–1801
Carisbrooke Castle, Isle of Wight
undated
57
Sir James Thornhill, 1675–1734
Design for Ceiling Walls and Staircase
between 1712 and 1713
58
Henry Morton, ca. 1807–1825
Strand Gateway, Winchelsea
undated
59
Edward Blore, 1787–1879
Design for a Park Gateway
undated
60
John Varley, 1778–1842
View of New Street, near London Bridge
undated
61
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
62
Thomas Hosmer Shepherd, 1792–1864
The Vine Inn, Vine Yard, Aldersgate in the City of London
undated
63
unknown artist
King Charles's Statue, Whitehall
ca. 1815
64
Thomas Rowlandson, 1756–1827
A Road by a Farm
undated
65
Thomas Rowlandson, 1756–1827
Entrance to Festiniog, Wales
1797
66
Thomas Rowlandson, 1756–1827
A Village Scene outside a Church
undated
67
Thomas Rowlandson, 1756–1827
Harvesters Setting Out
undated
68
Thomas Rowlandson, 1756–1827
The Market Place, Brackley, Northamptonshire
undated
69
Sawrey Gilpin, 1733–1807
Farm horse being held by a stable lad
undated
70
Sawrey Gilpin, 1733–1807
Studies of facial features of a horse
undated
71
Thomas Girtin, 1775–1802
The Old Bridge in Devon
between 1797 and 1801
72
unknown artist
The Watermill Above the Bridge at Charenton
undated
73
David Roberts, 1796–1864
The Great Temple of Amon Karnak, The Hypostyle Hall
1838
74
Jan Wyck, ca. 1645–1700
A Race Meeting at Newmarket Heath
ca. 1671
75
unknown artist
Lancier d'Orleans
undated
76
Thomas Shotter Boys, 1803–1874
Courtyard of an Inn on the Thames
undated
77
Thomas Shotter Boys, 1803–1874
Landscape with Windmills
undated
78
Alfred Diston, active 1818–1829
Tenerife - Woman of Tacoronte
1828
79
unknown artist
Gluttony - Oh! What a Dismal Sight!
undated
80
unknown artist
When Swift They Saw John Gilpin Ride, Bare-Headed as Before
undated
81
Daniel Thomas Egerton, c.1800–1842
Mexican Street Scene - Aquas Caliente
ca. 1840
82
John Flaxman, 1755–1826
Two Women and a Child
undated
83
Thomas Gainsborough, 1727–1788
Wooded Landscape with Country Cart and Figures
between 1785 and 1788
84
Thomas Gainsborough, 1727–1788
Wooded Landscape with Country Cart and Figures Walking down a Lane
ca. 1760
85
Joseph Farington, 1747–1821
The Farm House
after 1813
86
William Ashford, 1746–1824
Phoenix Park, Dublin
1905
87
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
undated
88
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
89
unknown artist
The Pottery Shop
undated
90
David Cox, 1783–1859
The Poplar Avenue, after Hobbema
ca. 1835
91
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
92
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
93
Sawrey Gilpin, 1733–1807
Man With a Horse Harnessed to a Roller
undated
94
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
95
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
96
Samuel Howitt, 1756–1822
Going Home
undated
97
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
98
Peter Tillemans, 1684–1734
The Duke of Somerset on Horseback
undated
99
Francis Barlow, 1622–1704
Hare Hunting
undated
100
Thomas Stothard, 1755–1834
August 1st: She Wrote Her Own Line (Vol. 2, p. 141) August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)