Newmarket Heath, with the King's stables rubbing house at the finish of the Beacon Course
ca. 1765
Not on view
4
Joseph Mallord William Turner, 1775–1851
Off the Nore
between 1840 and 1845
Not on view
5
John Martin, 1789–1854
Kensington Gardens
1815
Not on view
6
William Daniell, 1769–1837
Westminster Bridge and Abbey
1813
Not on view
7
John Martin, 1789–1854
Kensington Gardens
1815
Not on view
8
Thomas Woodward, 1801–1852
Horses in a Thunderstorm
1823
Not on view
9
Peter Monamy, 1681–1749
An Evening Calm
undated, between 1696 and 1749
Not on view
10
Attributed to William Mulready, 1786–1863
Lock gate
undated
Not on view
11
Balthazar Nebot, active 1730–1762
Fishmonger's stall
1737
Not on view
12
Sebastian Pether, 1790–1844
River Scene
1840
Not on view
13
Alexander Marshal, active 1651–died 1682
Flowers in a Delft Jar
1663
Not on view
14
Thomas Webster, 1800–1886
Ring O' Roses
ca. 1850
Not on view
15
George Morland, 1763–1804
Portrait of a Girl in a Garden
between 1786 and 1788
Not on view
16
James Pollard, 1792–1867
Outside the Pike and Anchor Inn at Ponders End, Middlesex
1834
Not on view
17
Edward Duncan, 1803–1882
Pheasant Shooting
1830
Not on view
18
Agostino Brunias, 1728–1796
Free West Indian Creoles in Elegant Dress
ca. 1780
Not on view
19
Agostino Brunias, 1728–1796
West Indian Man of Color, Directing Two Carib Women with a Child
ca. 1780
Not on view
20
Agostino Brunias, 1728–1796
Planter and his Wife, with a Servant
ca. 1780
Not on view
21
John Berney Ladbrooke, 1803–1879
Crown Point, Whitlingham, near Norwich
1855
Not on view
22
Agostino Brunias, 1728–1796
A Leeward Islands Carib family outside a Hut
ca. 1780
Not on view
23
Agostino Brunias, 1728–1796
A West Indian Creole Woman Attended by her Black Servant
ca. 1780
Not on view
24
Agostino Brunias, 1728–1796
West Indian Women of Color, with a Child and Black Servant
ca. 1780
Not on view
25
Edward William Cooke, 1811–1880
Toulon (?)
1845 or after 1863
Not on view
26
unknown artist
Canal under construction, possibly the Bude Canal
ca. 1840
Not on view
27
Attributed to Philippe-Jacques de Loutherbourg, 1740–1812
Falstaff with the Body of Hotspur
ca. 1786
Not on view
28
unknown artist
Procession of Characters from Shakespeare's Plays
ca. 1840
Not on view
29
George Chinnery, 1774–1852
Josiah Andrew Hudleston (1799-1865)
1832
Not on view
30
unknown artist
A View of Lambeth
ca. 1770
Not on view
31
Joseph Francis Nollekens, 1702–1748
Portrait of Two Boys, probably Joseph and John Joseph Nollekens
ca. 1745
Not on view
32
William Jones, active 1832–1836
Fishing: Playing a Fish
ca. 1830
Not on view
33
George Morland, 1763–1804
Foxhunting in Hilly Country
1792
Not on view
34
James Seymour, 1702–1752
A Bay Racehorse with Jockey Up
ca. 1730
Not on view
35
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse with Jockey Up: walking to the left; jockey in buff-yellow jacket
ca. 1730
Not on view
36
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Horse (? Old Partner) held by a Groom: standing facing right, wearing blue saddle-cloth edged with gold; the groom in blue..
ca. 1730
Not on view
37
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Red Coat: galloping to the left, the horse wearing white sweat covers on head, neck and body
ca. 1730
Not on view
38
James Pollard, 1792–1867
Epsom Races: The Race Over
1834 to 1835
Not on view
39
Attributed to James Seymour, 1702–1752
One of Four Portraits of Horses - a Chestnut Racehorse Exercised by a Trainer in a Blue Coat: galloping to the left, the horse wearing blue sweat cover and saddle-cloth edged with gold
ca. 1730
Not on view
40
James Ward, 1769–1859
A Border Leicester Ewe
between 1795 and 1800
Not on view
41
William Jones, active 1832–1836
Fishing: Bottom Fishing
ca. 1830
Not on view
42
James Pollard, 1792–1867
Epsom Races: Settling Day at Tattersalls
1834 to 1835
Not on view
43
James Pollard, 1792–1867
Epsom Races: Preparing to Start
1834 to 1835
Not on view
44
James Pollard, 1792–1867
Epsom Races: The Betting Post
1834 to 1835
Not on view
45
Benjamin West, 1738–1820
Gentlemen Fishing
1794
Not on view
46
Edmund Bristow, 1787–1876
The Rat Trap
early to mid-nineteenth century
Not on view
47
Peter DeWint, 1784–1849
Landscape with Chestnut Tree
ca. 1835
Not on view
48
Edward Duncan, 1803–1882
Partridge Shooting
1830
Not on view
49
Peter Gaspar Scheemakers, 1691–1781
Cleopatra
ca. 1723
Not on view
50
unknown artist
Sir Thomas Lawrence, P.R.A., (1769-1830)
ca. 1830
Not on view
51
Francis Danby, 1793–1861
A Lake in Norway
ca. 1825
52
Francis Danby, 1793–1861
Sunset over a River Landscape
early 1840s
53
Robert Polhill Bevan, 1865–1925
Study of a Woman Sewing
undated
54
Robert Polhill Bevan, 1865–1925
A Village in the Sussex Downs
undated
55
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
56
Print made by John Constable, 1776–1837
The Ruins of Netley Abbey
1826
57
Samuel Palmer, 1805–1881
The Cypresses at the Villa d'Este, Tivoli
1838
58
George Stubbs, 1724–1806
Study for the Self-portrait in Enamel
ca. 1781
59
George Stubbs, 1724–1806
Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
1795 to 1806
60
William Hogarth, 1697–1764
Lewis Theobald: Detail of the Poet
61
William Hogarth, 1697–1764
A Rake's Progress, Plate II: His Levee
1735
62
William Hogarth, 1697–1764
A Rake's Progress, Plate III: He Revels
1735
63
William Hogarth, 1697–1764
A Rake's Progress, Plate IV: Goes to Court
1735
64
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate VII: In Fleet Street Prison
1735
65
William Hogarth, 1697–1764
A Rake's Progress, Plate VI: He Gambles
1735
66
William Hogarth, 1697–1764
The Distrest(ed) Poet
1740
67
William Hogarth, 1697–1764
A Rake's Progress, Plate VIII: In Bedlam
1735
68
William Hogarth, 1697–1764
The Bench
1758
69
Etched and engraved by Joseph Mallord William Turner, 1775–1851
Entrance of Calais Harbour
1816
70
Etched by Joseph Mallord William Turner, 1775–1851
The Stork and Aqueduct
between 1813 and 1823
71
Joseph Mallord William Turner, 1775–1851
Barnard Castle
ca. 1825
72
Joseph Mallord William Turner, 1775–1851
Newark - upon - Trent
ca. 1796
73
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
74
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
75
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
76
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
77
Etched by Joseph Mallord William Turner, 1775–1851
Sheep-Washing, Windsor
1813 to 1823
78
Etched by Joseph Mallord William Turner, 1775–1851
Scene in the Campagna
1812
79
Edward Lear, 1812–1888
Parham, Sept. 30, 1834
1834
80
Edward Lear, 1812–1888
Valmontone, from Views in Rome and its Environs, 1841
1841
81
Edward Lear, 1812–1888
Leonessa, 3 October 1844
1844
82
Edward Lear, 1812–1888
Corfu
ca. 1856
83
Edward Lear, 1812–1888
Ballianeh
1867
84
George Romney, 1734–1802
The Accusation of Susanna by the Elders
undated
85
George Romney, 1734–1802
The Accusation of Susanna
ca. 1773
86
George Romney, 1734–1802
Two Nude Children
undated
87
George Romney, 1734–1802
Figures Mourning at the Bier of a Woman
undated
88
George Romney, 1734–1802
Lear Awakened by Cordelia
between 1774 and 1775
89
Print made by William Blake, 1757–1827
Romeo and Juliet, Act IV, Scene V
1799
90
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
91
Print made by William Blake, 1757–1827
The Book of Thel, Plate 2, Title Page
1789
92
Print made by William Blake, 1757–1827
The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
1789
93
Print made by William Blake, 1757–1827
The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
1789
94
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
95
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
96
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
97
Print made by William Blake, 1757–1827
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."