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The Accusation of Susanna by the Elders
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Pen and brown ink with graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 17 1/2 inches (30.5 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
The Accusation of Susanna
Creator:
George Romney, 1734–1802
Date:
ca. 1773
Materials & Techniques:
Graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Aesacus and Hesperie
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 17 1/8 inches (31.1 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Pan and Syrinx
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Etching, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 inches (30.8 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Narcissus and Echo
Creator:
Print made by Sir Frank Short, 1857–1945
Date:
1896
Materials & Techniques:
Soft-ground etching printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Frame:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Peter
Creator:
Print made by Abraham Blooteling, 1640–1690
Date:
between 1680 and 1690
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 × 9 5/8 inches (33 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Hugh Boulter, Archbishop of Armagh
Creator:
Thomas Beard, op. 1728?
Date:
1728
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 1/2 × 10 1/4 inches (36.8 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Ceiling in the Banqueting House at Whitehall
Creator:
Print made by Simon Gribelin, 1662–1733
Date:
ca. 1720
Materials & Techniques:
Line engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/16 × 18 5/16 inches (31.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Church
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 13 5/8 × 10 1/2 inches (34.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Benjamin Hoadly, Bishop of Winchester
Creator:
Print made by James Basire, 1730–1802
Date:
1771
Materials & Techniques:
Etching and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 15/16 × 8 1/4 inches (32.9 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr. Thomas Sherlock, Lord Bishop of London
Creator:
James McArdell, ca. 1729–1765
Date:
1757
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/16 × 10 1/16 inches (36 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shiva Slaying Andhaka, Relief Sculpture at Elephanta
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 × 19 3/4 inches (30.5 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Stele with Seated Figure in Bhumisparsa Gesture
Creator:
Robert Mabon, died 1798
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 19 3/4 inches (30.5 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for, Agony in the Garden
Creator:
Benjamin Robert Haydon, 1786–1846
Date:
undated
Materials & Techniques:
Pen and brown ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 7 7/8 inches (31.4 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. John in the Wilderness
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/16 × 8 9/16 inches (31 × 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Abraham's Servant Presenteth Rebekah
Creator:
Print made by John Simon, 1675–1751
Date:
between 1700 and 1725
Materials & Techniques:
Mezzotint on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 12 3/16 × 8 15/16 inches (31 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Devout
Creator:
Print made by John Simon, 1675–1751
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 3/4 × 10 7/16 inches (37.5 × 26.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Annunciatio Beatae Mariae Virginis
Creator:
Print made by John Smith, the mezzotinter, 1652–1743
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 9 inches (30.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Reverend Hugh Blair, D.D.
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1801
Materials & Techniques:
Stipple engraving and line engraving on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 15 1/4 × 11 15/16 inches (38.7 × 30.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Martin Bucer
Creator:
Gerard Valck, 1651/2–1726
Date:
undated
Materials & Techniques:
Engraving on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 12 × 7 1/8 inches (30.5 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sancta Maria Magdalena
Creator:
Print made by William Faithorne the Younger, ca. 1669–1703
Date:
between 1686 and 1703
Materials & Techniques:
Mezzotint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 8 15/16 inches (30.7 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
St. Cecilia
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1784
Materials & Techniques:
Mezzotint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 1/8 x 8 15/16 inches (30.8 x 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Phryne Going to the Bath as Venus
Creator:
Print made by James Baylis Allen, 1803–1876
Date:
between 1859 and 1861
Materials & Techniques:
Etching and engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/4 × 8 3/4 inches (31.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sensibility
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1789
Materials & Techniques:
Color-printed stipple engraving and etching with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 9 5/8 inches (31.5 × 24.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perseus Flying to the Rescue of Andromeda
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 5/16 inches (31 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Telemachus and Mentor
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/8 x 17 5/16 inches (30.8 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. The Fates

The Fates
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Tinted lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 3/8 inches (31 x 44.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.6 x 44.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Another Saint Sebastian, Shot at by Cruel Archers
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Harpies Attacking the Daughters of Pandarus
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1848
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 18 1/8 inches (30.5 x 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Nymphs Bathing in a Wooded Glade
Creator:
William Taverner, 1703–1772
Date:
ca. 1765-1770
Materials & Techniques:
Watercolor, gouache and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 15 1/4 inches (30.5 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (aa) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Raphael's Visit to Adam and Eve, from Milton's Paradise
Creator:
John Vanderbank, 1694–1739
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/8 × 8 inches (31.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Fry Print Collection, transfer from the Yale University Art Gallery and the Yale University Medical Library
Design for a Wall Panel
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash over graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 7 1/8 inches (23.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Archangel Gabriel Awaiting Night
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor and brown wash over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 1/16 x 9 7/8 inches (30.6 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Monument to the Memory of Michaelangelo
Creator:
Giovanni Battista Cipriani, 1727–1785
Date:
undated
Materials & Techniques:
Pen and black ink, brown and gray wash, graphite on paper laid down on heavy laid paper with brown wash border
Dimensions:
Sheet: 12 × 13 15/16 inches (30.5 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Venus and Mars
Creator:
Richard Cosway, 1742–1821
Date:
ca. 1790
Materials & Techniques:
Brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 7/8 x 7 1/8 inches (22.5 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Selling of Cupids
Creator:
Henry Fuseli, 1741–1825
Date:
between 1775 and 1776
Materials & Techniques:
Black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/4 x 19 inches (31.1 x 48.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Design for an Engraving: Battle of Troy with the Trojan Horse
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Pen and ink, red chalk, graphite, and watercolor on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 12 1/8 × 11 inches (30.8 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection