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1
- Study of an Ash Tree
- between 1801 and 1803 or between 1810 and 1830
- Not on view
2
- Osmington Village
- 1816 to 1817
- Not on view
3
- Horse Attacked by a Lion (Episode C)
- between 1768 and 1769
- Not on view
4
- Calais Jetty, France
- ca. 1824
- On view at YUAG
5
- Zagori, Greece
- 1860
- Not on view
6
- Procession of Boats on the River Cam below Clare College, Cambridge
- early 19th century
- Not on view
7
- Castel Sant'Angelo, Rome
- 1776
- Not on view
8
- The Colosseum
- 1776
- Not on view
9
- Two Menhirs
- ca. 1950
- Not on view
10
- Brick Wall
- undated
- Not on view
11
- Landscape with Wheatfield
- ca. 1850s
- Not on view
12
- Study of an Ash Tree
- ca. 1851
- Not on view
13
- Self-Portrait
- ca. 1830s
- Not on view
14
- Portrait of a Young Man with Long Hair
- ca. 1915
- Not on view
15
- A Harbor Scene in the Isle of Wight, Looking Towards the Needles
- 1824
- Not on view
16
- The Squire's Door
- ca. 1790
- Not on view
17
- The City from Near the Terrace of Somerset House
- ca. 1750
- Not on view
18
- Westminster from Near the Terrace of Somerset House
- ca. 1750
- Not on view
19
- Taking out the Hounds
- undated
- Not on view
20
- Brick Piece 1
- 1974
- Not on view
21
- Paul Mellon
- 1986
- Not on view
22
- Running Bird
- 1958
- Not on view
23
- George III Irish Silver: George Chinnery Palette, presented to the Artist by the Artists of Dublin, July 27, 1801
- 1801
- Not on view
24
- Tiger Skeleton, Lateral View (Study for the key figure to Table IV)
- 1795 to 1806
25
- Tiger, Lateral View (Outline Study of the Surface Blood Supply, Prepared for the Key Figure to Table IX)
- between 1795 and 1806
26
- Tiger Body, Lateral View (Outline drawing for a key figure)
- 1795 to 1806
27
- Owl Standing, Anterior View
- 1795 to 1806
28
- The First Stage of Cruelty
- ca. 1750
29
- The Second Stage of Cruelty: Coachman Beating a Fallen Horse
- 1751, printed 1790
30
- The Third Stage of Cruelty: Cruelty in Perfection - The Murder
- 1751, printed 1790
31
- The First Stage of Cruelty: Children Torturing Animals
- 1751, printed 1790
32
- The Fourth Stage of Cruelty: The Reward of Cruelty
- 1751, printed 1790
33
- Study for the Foundlings
- ca. 1739
34
- Marriage à la Mode, Plate 6
- 1745
35
- Simon Lord Lovat
- 1746
36
- John Wilkes, Esq
- 1763
37
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
38
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
39
- Ship Aground Brighton
- 1830
40
- Weymouth
- ca. 1811
41
- A Sea Piece - A Rough Sea with a Fishing Boat
- 1820 to 1830
42
- Winchelsea, Sussex
- 1812
43
- John Henderson as Falstaff
- 1780
44
- Miranda, Prospero, and Caliban: The Tempest
- undated
45
- Sketches of a Prostrate Woman
- undated
46
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
47
- Europe. A Prophecy, 1793 (printed 1795)
- 1793, printed 1795
48
- Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
- 1797
49
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
50
- Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
- 1797
51
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
52
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
53
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- ca. 1797
54
- Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
- ca. 1797
55
- Illustrations of The Book of Job, Title Page
- 1825
56
- Book of Job, Plate 1, Job and His Family
- 1825
57
- Book of Job, Plate 6, Satan Smiting Job with Boils
- 1825
58
- Book of Job, Plate 21, Job and His Family Restored to Prosperity
- 1825
59
- Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
- 1797
60
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
61
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
62
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
63
- Europe. A Prophecy, Plate 2, Title Page
- 1794
64
- Europe. A Prophecy, Plate 4, "Unwilling I look up . . . . " (Bentley 5)
- 1794
65
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
66
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
67
- Europe. A Prophecy, Plate 13 (Bentley 10)
- 1794
68
- Europe. A Prophecy, Plate 15, "The red limb'd Angel . . . . " (Bentley 16)
- 1794
![William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]](https://media.collections.yale.edu/thumbnail/ycba/2377c317-1278-492a-94c3-bda0566322ac)
69
- Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,'Hell; Canto xxv. line 45.]
- 1827
![William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]](https://media.collections.yale.edu/thumbnail/ycba/7f5ea7d3-2e50-4064-bf5d-a66c163c0237)
70
- Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
71
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
72
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
73
- Europe. A Prophecy, Plate 10, "Enitharmon slept . . . . " (Bentley 12)
- 1794
74
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
75
- Europe. A Prophecy, Plate 14, "And the clouds & fires . . . . " (Bentley 15)
- 1794
76
- Europe. A Prophecy, Plate 16, "Ethinthus queen of waters . . . . " (Bentley 17)
- 1794
77
- Europe. A Prophecy, Plate 17, "Shot from the heights . . . . " (Bentley 18)
- 1794
78
- Europe. A Prophecy, Plate 6, "The shrill winds wake . . . . " (Bentley 7)
- 1794
79
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
80
- Europe. A Prophecy, Plate 9, "Arise O Rintrah . . . ." (Bentley 11)
- 1794
81
- Europe. A Prophecy, Plate 8 (Bentley 9)
- 1794
82
- Architectural Drawing of the Temple of Concordia
- 1802-1804
83
- Architectural Drawing
- 1802-1804
84
- Sketches of Ornamental Designs, For Oil Lamps and Pouring Vessels
- 1802-1804
85
- Sheep in Twilight
- 1922
86
- Paulus Pontius
- ca. 1635
87
- Noon
- 1753
88
- A Calm
- 1754
89
- Hadleigh Castle, Large Plate
- 1830 to 1832
90
- Charles Saunders Esq
- 1748
91
- The Nautch Dancers
- ca. 1925
92
- Returning from a Review...Paris
- 1802
93
- Breakfast at Breteuil
- 1801
94
- Cowdray Ruins
- 1824
95
- Elevation of Amphitheatre of El Djem entitled "Isrus"
- undated
96
- Plan of one quarter of the amphitheatre at El Djem showing seating tiers
- undated
97
- Plan of three quarters of the amphitheatre at El Djem with descriptive notes
- undated
98
- Plan of one quarter of the Amphitheatre at El Djem showing outer corridors
- undated
99
- Detailed and Measured drawing of Column from Pedestal to Entablature of a Temple at Baalbec
- undated
100
- XIVI Theatre at Ain Tunga Thignica
- undated