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1. Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach

Allegory of the Power of Great Britain by Land, design for a decorative panel for George I's ceremonial coach
Creator:
Attributed to Sir James Thornhill, 1675–1734
Date:
ca. 1718
Materials & Techniques:
Oil on panel
Dimensions:
18 x 21 inches (45.7 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach

Allegory of the Power of Great Britain by Sea, design for a decorative panel for George I's ceremonial coach
Creator:
Attributed to Sir James Thornhill, 1675–1734
Date:
ca. 1720
Materials & Techniques:
Oil on panel
Dimensions:
18 x 21 inches (45.7 x 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

3. Plate VIII, Human Body, Posterior View

Plate VIII, Human Body, Posterior View
Creator:
Print made after George Stubbs, 1724–1806
Date:
1804
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 26 3/4 × 20 inches (67.9 × 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of George and Olga Kenney

4. Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)

Human Skeleton, Lateral View (Outline of the skeleton for the key figure to Table III)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite, squared for transfer on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 18 x 14 1/2 inches (45.7 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Human Skeleton, Posterior View

Human Skeleton, Posterior View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/4 x 10 3/8 inches (43.8 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Human Skeleton, Lateral View

Human Skeleton, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Pen with iron gall ink, and graphite; verso: ink stain from another drawing on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/2 x 10 inches (41.9 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Standing Classical Male Figure with Spear

Standing Classical Male Figure with Spear
Creator:
John Opie, 1761–1807
Date:
undated
Materials & Techniques:
Black and red chalk with touches of white chalk on thin, slightly textured, beige wove paper
Dimensions:
Sheet: 18 x 11 1/2in. (45.7 x 29.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert B. Simon

8. Standing Classical Female Figure

Standing Classical Female Figure
Creator:
John Opie, 1761–1807
Date:
undated
Materials & Techniques:
Black chalk, white chalk, and red chalk on medium, slightly textured, brown laid paper
Dimensions:
Sheet: 18 1/8 x 9 1/8in. (46 x 23.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert B. Simon

9. Susanna and the Elders

Susanna and the Elders
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1769
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 18 1/16 x 14 3/16 inches (45.9 x 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

10. Rinaldo and Armida

Rinaldo and Armida
Creator:
Valentine Green, 1739–1813
Date:
1775
Materials & Techniques:
Mezzotint on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 7/8 x 14 15/16 inches (53 x 38 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection