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John and Elizabeth Jeffreys and Their Children
Creator:
William Hogarth, 1697–1764
Date:
1730
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/4 x 35 3/4 inches (71.8 x 90.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Lake Avernus: Aeneas and the Cumaean Sibyl
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
between 1814 and 1815
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/4 x 38 1/4 inches (71.8 x 97.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Winter Landscape with Figures
Creator:
George Morland, 1763–1804
Date:
ca. 1785
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/2 x 36 1/2 inches (72.4 x 92.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Pulteney Bridge, Bath
Creator:
Walter Richard Sickert, 1860–1942
Date:
between 1916 and 1917
Materials & Techniques:
Oil on canvas
Dimensions:
28 1/2 x 45 1/4 inches (72.4 x 114.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Allegory of Fortune
Creator:
Balthazar Nebot, active 1730–1762
Date:
ca. 1730
Materials & Techniques:
Oil on canvas
Dimensions:
28 5/16 x 35 1/8 inches (71.9 x 89.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
An Elderly Woman
Creator:
Archibald Skirving, 1749–1819
Date:
1803
Materials & Techniques:
Pastel on vellum
Dimensions:
Frame: 39 × 34 1/4 × 4 1/4 inches (99.1 × 87 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Enchantress
Creator:
Print made by Richard Earlom, 1743–1822
Date:
1786
Materials & Techniques:
Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund