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101. Totnes, on the River Dart

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1823 to 1827
Materials & Techniques:: Mezzotint; engraver's proof (b) on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/2 × 17 inches (29.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. Single Hermaphrodite Brig, Bow Forward

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 15 1/16 × 17 inches (38.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

103. Profile of Man with Large Nose Wearing Hat

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Pen and brown ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 14 3/8 × 16 3/4 inches (36.5 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

104. Junk Ship Employed Against Gibralter..Single Junk Ship

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1782
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 13 3/16 × 16 15/16 inches (33.5 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

105. Single Corvette. Bow Forward

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 1/8 × 17 inches (33.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

106. The Revolutionaire: Single Corvette

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 14 7/8 × 16 7/8 inches (37.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

107. Single Brig with Union Jack and Three Figures

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1821
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 1/16 × 16 13/16 inches (30.6 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

108. Side View of Single Barque

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on thick, rough, beige wove paper
Dimensions:: Mount: 10 15/16 × 16 3/4 inches (27.8 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

109. Side View of Battleship Surrounded by Several Others in Heavy Seas

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and gray ink, brown ink, gray wash, brown wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 7 5/8 × 16 7/8 inches (19.4 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

110. Single Brig (?) Another Sailing Vessel Against Outline of City on Background

Creator:: Joseph Cartwright, c.1789–1829
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 8 1/8 × 16 15/16 inches (20.6 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

111. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 3/4 inches (38.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

112. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 1/2 inches (38.4 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

113. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 15 1/8 × 20 13/16 inches (38.4 × 52.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

114. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Mount: 15 5/16 × 20 1/2 inches (38.9 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

115. Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen, and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 5/8 × 17 inches (24.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

116. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, brown ink, red ink and graphite on medium, moderately textured, cream laid paper
Dimensions:: Mount: 14 11/16 × 20 11/16 inches (37.3 × 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

117. Labourers

Creator:: Richard Earlom, 1743–1822
Date:: 1790
Materials & Techniques:: Mezzotint, printed in color on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 x 26 inches (43.5 x 66 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. The Return of the Fleet to Great Yarmouth in 1797

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. The Monument and the Pool of London from Southwark

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 15/16 × 20 1/16 inches (35.4 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. George, Duke of Marlborough

Creator:: Print made by John Jones, ca. 1745–1797
Date:: 1786
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 17 inches (67.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

121. Her Grace the Duchess of Devonshire

Creator:: Print made by William Whiston Barney, active 1805–1817
Date:: 1808
Materials & Techniques:: Mezzotint on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 28 1/4 × 18 3/4 inches (71.8 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

122. Interior of a Cottage

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1809
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 23 1/8 × 17 1/16 inches (58.7 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

123. Charlotte Countess Cholmondeley and her Son the Honorable Henry Cholmondeley

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1805
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 26 × 16 3/4 inches (66 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

124. Margaret Caroline, Countess of Carlisle

Creator:: Print made by James Watson, 1740–1790
Date:: 1776
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 23 7/16 × 17 1/16 inches (59.5 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

125. Lady Catherine Pelham Clinton

Creator:: Print made by John Raphael Smith, 1752–1812
Date:: 1782
Materials & Techniques:: Mezzotint (first state) on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 21 11/16 × 16 7/8 inches (55.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

126. Lady Heathcote

Creator:: Print made by James Ward, 1769–1859
Date:: 1804
Materials & Techniques:: Mezzotint (second state) on thick, rough, cream wove paper
Dimensions:: Sheet: 26 5/8 × 17 1/2 inches (67.6 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

127. Mrs. Stratton

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1833
Materials & Techniques:: Mezzotint (third state, private plate) on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 29 5/16 × 19 1/8 inches (74.5 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

128. Henry Callender

Creator:: Print made by William Ward, 1766–1826
Date:: 1812
Materials & Techniques:: Mezzotint (second state) on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 33 7/16 × 23 3/8 inches (84.9 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

129. Here Poor Boy

Creator:: Print made by Charles Wilkin, 1750–1814
Date:: 1796
Materials & Techniques:: Etching and stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 1/2 × 16 3/4 inches (52.1 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

130. George Spencer, Earl of Sunderland, and Lord Charles Spencer

Creator:: Print made by William Whiston Barney, active 1805–1817
Date:: 1805
Materials & Techniques:: Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 22 1/8 × 17 inches (56.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

131. Flower Piece

Creator:: Print made by Jonathan Peter Pichler, 1765–1807
Date:: 1806
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 1/4 × 16 7/8 inches (59.1 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

132. Fruit Piece

Creator:: Print made by Jonathan Peter Pichler, 1765–1807
Date:: 1806
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 23 × 16 3/4 inches (58.4 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

133. George Marquess of Buckingham

Creator:: Print made by William Ward, 1766–1826
Date:: after 1813
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 3/8 × 16 7/8 inches (67 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

134. Marchioness of Townshend and Child

Creator:: Print made by Thomas Cheesman, 1760–1834/35
Date:: 1792
Materials & Techniques:: Stipple engraving and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 21 × 16 3/4 inches (53.3 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

135. A Jewish Rabbi

Creator:: Print made by William Pether, ca. 1738–1821
Date:: 1775
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/4 × 17 3/8 inches (48.9 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

136. De Geboorten

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/4 × 20 7/8 inches (66.7 × 53 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

137. De Begraving

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 26 3/8 × 20 1/2 inches (67 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

138. De Hemelvaart

Creator:: Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:: ca. 1820
Materials & Techniques:: Mezzotint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 26 1/2 × 21 inches (67.3 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

139. Coach Horses

Creator:: Print made by Edward Dayes, 1763–1804
Date:: 1780s
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 20 1/4 × 28 inches (51.4 × 71.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

140. Aretino

Creator:: Print made by Charles Waltner, 1846–1925
Date:: 1905
Materials & Techniques:: Etching (artist's proof) on vellum
Dimensions:: Sheet: 25 1/16 × 20 inches (63.7 × 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

141. Two Small Birds

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 17 inches (29.8 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite, squared for transfer on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 16 7/8 inches (26 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. View in Oheitepeha Bay, Otaheite

Creator:: John Webber, 1752–1793
Date:: 1791
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 7/8 inches (29.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. View of the Harbour of Taloo in the Island of Eimeo

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Graphite, squared for transfer; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 17 inches (28.6 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine

Creator:: John Webber, 1752–1793
Date:: 1789
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite; verso: transferred soft ground on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

148. View in the Island of Pulo Condore

Creator:: John Webber, 1752–1793
Date:: 1792
Materials & Techniques:: Graphite, squared for transfer on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/4 × 16 3/4 inches (28.6 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. Le Ete - Der Sommer

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 19 1/4 inches (40.3 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

150. Le Printemps - Der Fruhling

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint on thin, slightly textured, beige laid paper
Dimensions:: Sheet: 16 × 19 3/8 inches (40.6 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

151. Der Keusche Joseph - Joseph Castus

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 19 3/4 inches (40.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

152. Die Unschuldige Susana - Susanna Innocens

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint printed in blue ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 19 1/2 inches (40.6 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

153. L'Automne - Der Herbst

Creator:: Print made by Johann Philip Koch, ca. 1716–1796
Date:: undated
Materials & Techniques:: Mezzotint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 × 19 1/2 inches (40.6 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

154. Campos sur les bords du Rio das Velhas

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 12 13/16 x 16 3/4 inches (32.6 x 42.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. South East View of Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Fort Marlborough from Old Bencoolen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Bencooler Bay, Small Road & Wharf, Fort Marlborough, Sumakra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Padre's Rock and Sugar Loaf Mountain from Bencooler, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. King's Cliff and Rat Island, Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Soongey Lamou Hills Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Government House & Council House, Fort Marlborough, Benkulen, Sumatra, 1799

Creator:: Joseph Constantine Stadler, active 1780–1812
Date:: 1799
Materials & Techniques:: Aquatint
Dimensions:: Sheet: 11 3/4 x 16 3/4in. (29.8 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Horatio, Lord Viscount Nelson, Duke of Bronte, K.B., Vice-Admiral of the White

Creator:: Edward Bell, active 1794–1847
Date:: 1806
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 26 3/4 x 17in. (67.9 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. J. Richardson Dilworth

164. Sir Richard Steele's Cottage

Creator:: Print made by David Lucas, 1802–1881
Date:: 1845
Materials & Techniques:: Mezzotint and drypoint on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. The Wave

Creator:: C. R. W. Nevinson, 1889–1946
Date:: 1917
Materials & Techniques:: Lithograph on medium, slightly textured, white wove paper
Dimensions:: Sheet: 17 3/4 × 21 inches (45.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

166. Leeds

Creator:: Print made by James Duffield Harding, 1798–1863
Date:: 1823
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 11 3/4 x 17in. (29.8 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Robert Banks Jenkinson, 2nd Earl of Liverpool

Creator:: Print made by Charles Turner, 1774–1857
Date:: 1827
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 22 1/2 × 17 inches (57.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Transporting Cows

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 17in. (26.3 x 43.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

169. Second Dudley Lord North

Creator:: Rivers, active 1799–1804
Date:: undated
Materials & Techniques:: Engraving on medium, moderately textured, beige wove paper
Dimensions:: Mount: 23 7/8 × 17 1/16 inches (60.6 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830

Creator:: after Richard Sawyer, active 1820–1830
Date:: 1830
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/16 inches (61 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Edward IV King of England and France, Lord of Ireland

Creator:: George Vertue, 1684–1756
Date:: 1732
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 1/16 inches (61 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Philip II King of Spain

Creator:: George Vertue, 1684–1756
Date:: 1735
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 24 × 17 inches (61 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Lancelot Brown Esq.

Creator:: John Keyse Sherwin, c.1751–1790
Date:: ca. 1769
Materials & Techniques:: Line and stipple engraving on medium, slightly textured, beige laid paper
Dimensions:: Mount: 24 × 17 1/16 inches (61 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Edward III, King of England and France

Creator:: George Vertue, 1684–1756
Date:: 1732
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Mount: 23 7/8 × 17 1/16 inches (60.6 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. A View Taken near Mr. Smith's House at Battersea, Looking up the Thames

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Engraving on Moderately textured, moderately thick, white wove paper
Dimensions:: Sheet: 13 5/8 × 20 1/8 inches (34.6 × 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. A View taken near Battersea Church looking towards Chelsea

Creator:: John Boydell, 1720–1804
Date:: 1752
Materials & Techniques:: Engraving on moderately textured, moderately thick, white laid paper
Dimensions:: Sheet: 11 3/4 × 18 1/8 inches (29.8 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. The Suspension Bridge at Chelsea

Creator:: Thomas Abiel Prior, 1809–1886
Date:: 1852
Materials & Techniques:: Engraving
Dimensions:: Sheet: 8 5/8 x 17in. (21.9 x 43.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. A Perspective View of Covent Garden

Creator:: John Maurer, active 1713–1761
Date:: 1796
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 9 7/8 x 16 3/4in. (25.1 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. London Bridge--- Demolition

Creator:: Edward William Cooke, 1811–1880
Date:: 1832
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 x 16 3/4in. (33 x 42.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Two Dogs in a Landscape

Creator:: Henry Hulsberg, active 1700s–died 1729
Materials & Techniques:: Etching
Dimensions:: Sheet: 12 13/16 x 16 15/16in. (32.5 x 43cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Frances Teresa Stewart, Duchess of Richmond and Lennox

Creator:: Thomas Watson, 1743–1781
Date:: 1779
Materials & Techniques:: Engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 3/8 × 16 3/4 inches (49.2 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. The Old Téméraire

Creator:: Print made by James Tibbits Willmore, 1800–1863
Date:: 1845
Materials & Techniques:: Etching and engraving; engraver's proof (a) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 17 inches (33.7 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Ehrenbreitstein

Creator:: Print made by John Pye, 1782–1874
Date:: 1845
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 23 3/4 × 34 1/2 inches (60.3 × 87.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. The Resurrection

Creator:: John Jones, ca. 1745–1797
Date:: 1796
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 25 7/8 × 19 1/8 inches (65.7 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Remains of an Ancient Amphitheatre Near Corinth

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor, graphite, pen and gray ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. The Ruins of the Temple of Jupiter in the Plains of Nemea

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/8 × 16 3/4 inches (28.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Plains of Sparta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 16 7/8 inches (30.5 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Ruins of Sparta

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash, blue wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Ruins of Messenia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 16 15/16 inches (30.5 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Ruins of Messenia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Blue wash, gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

191. North View of the Plains of Olympia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802 to 1804
Materials & Techniques:: Brown wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 11/16 × 17 1/16 inches (29.7 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

192. Remains of a Temple at Corinth

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Watercolor, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 5/16 × 16 15/16 inches (28.7 × 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

193. Landscape With Mountains in the Horizon

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Gray wash and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 12 × 17 inches (30.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

194. Architectural Drawing of a Temple Near Ancient Phigalia

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1802-1804
Materials & Techniques:: Graphite, gray wash, pen and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 16 15/16in. (29.8 x 43.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

195. North Porch of the Erectheion, Athens

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1804
Materials & Techniques:: Gray wash, graphite, pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 11 7/8 × 17 inches (30.2 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

196. Sitting Up and Taking Nourishment

Creator:: Sir David Low, 1891–1963
Date:: undated
Materials & Techniques:: Pen and black ink, blue chalk and graphite on moderately thick, slightly textured, cream wove paper, mounted on card
Dimensions:: Mount: 14 1/8 × 19 1/8 inches (35.9 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Anthony Monaghan

197. Dismantling of the Temple of Jupiter, Aegina

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1835
Materials & Techniques:: Etching and engraving with chine collé; engraver's proof on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 × 17 inches (29.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

198. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 9/16 x 16 3/4 inches (49.7 x 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

199. One of Eleven Designs for Houses and Shops

Creator:: unknown artist
Date:: ca. 1800
Materials & Techniques:: Graphite, pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/16 x 22 1/2 inches (48.7 x 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

200. Royal Exchange, London

Creator:: John Maurer, active 1713–1761
Date:: 1741
Materials & Techniques:: Engraving on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 1/8 × 18 15/16 inches (43.5 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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101. Totnes, on the River Dart

102. Single Hermaphrodite Brig, Bow Forward

103. Profile of Man with Large Nose Wearing Hat

104. Junk Ship Employed Against Gibralter..Single Junk Ship

105. Single Corvette. Bow Forward

106. The Revolutionaire: Single Corvette

107. Single Brig with Union Jack and Three Figures

108. Side View of Single Barque

109. Side View of Battleship Surrounded by Several Others in Heavy Seas

110. Single Brig (?) Another Sailing Vessel Against Outline of City on Background

111. Le Port de Brest: Dessiné du Point, A, Marqué sur La Carte De La Rade

112. Le Port Vieux de Toulon: Dessiné du Point C Marqué sur le Plan

113. Le Port De Brest: Dessiné Du Point F Marqué sur Le Plan

114. Le Port de Brest: Dessiné du Point I Marqué sur Le Plan

115. Le Pont de Brest/ Definne du Point H. Marque fur la Plan: Dock Scene with Laborers employed on Various Aspects of Ship Construction

116. Faux-Bourg de St. Serran: Dessine du Point C. Marque sur Le Plan

117. Labourers

118. The Return of the Fleet to Great Yarmouth in 1797

119. The Monument and the Pool of London from Southwark

120. George, Duke of Marlborough

121. Her Grace the Duchess of Devonshire

122. Interior of a Cottage

123. Charlotte Countess Cholmondeley and her Son the Honorable Henry Cholmondeley

124. Margaret Caroline, Countess of Carlisle

125. Lady Catherine Pelham Clinton

126. Lady Heathcote

127. Mrs. Stratton

128. Henry Callender

129. Here Poor Boy

130. George Spencer, Earl of Sunderland, and Lord Charles Spencer

131. Flower Piece

132. Fruit Piece

133. George Marquess of Buckingham

134. Marchioness of Townshend and Child

135. A Jewish Rabbi

136. De Geboorten

137. De Begraving

138. De Hemelvaart

139. Coach Horses

140. Aretino

141. Two Small Birds

142. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

143. The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance

144. View in Oheitepeha Bay, Otaheite

145. View of the Harbour of Taloo in the Island of Eimeo

146. A Toopapapoo of a Chief, with a Priest Making his Offering to the Morai, in Huoheine

147. View in the Island of Pulo Condore

148. View in the Island of Pulo Condore

149. Le Ete - Der Sommer

150. Le Printemps - Der Fruhling

151. Der Keusche Joseph - Joseph Castus

152. Die Unschuldige Susana - Susanna Innocens

153. L'Automne - Der Herbst

154. Campos sur les bords du Rio das Velhas

155. Fort Marlborough, Benkulen, Sumatra, 1799

156. South East View of Fort Marlborough, Benkulen, Sumatra, 1799

157. Fort Marlborough from Old Bencoolen, Sumatra, 1799

158. Bencooler Bay, Small Road & Wharf, Fort Marlborough, Sumakra, 1799

159. Padre's Rock and Sugar Loaf Mountain from Bencooler, Sumatra, 1799

160. King's Cliff and Rat Island, Fort Marlborough, Benkulen, Sumatra, 1799

161. Soongey Lamou Hills Fort Marlborough, Benkulen, Sumatra, 1799

162. Government House & Council House, Fort Marlborough, Benkulen, Sumatra, 1799

163. Horatio, Lord Viscount Nelson, Duke of Bronte, K.B., Vice-Admiral of the White

164. Sir Richard Steele's Cottage

165. The Wave

166. Leeds

167. Robert Banks Jenkinson, 2nd Earl of Liverpool

168. Transporting Cows

169. Second Dudley Lord North

170. The Lively Portraiture of John Felton who Most Miserably Kild [sic] the Right Hon. George Villiers of Buckingham. August ye 23, 1628. 1830

171. Edward IV King of England and France, Lord of Ireland

172. Philip II King of Spain

173. Lancelot Brown Esq.

174. Edward III, King of England and France