Eucomis Punctata, Plate 208 from Les Liliacées, volume 4, Paris, 1802-1816
undated
204
Pierre-Joseph Redouté, 1759–1840
Crocus Luteus (Crocus Aureus or Golden Crocus) and Safran Jaune, Plate 196 from Les Liliacées, volume 4, Paris, 1802-1816
between 1802 and 1816
205
Constance Stuart Larrabee, 1914–2000
Pigs, near Santa Fe, 1983
1983
206
Charles Reginald Aston, 1832–1908
Bathing Place, Anstey's Cove
undated
207
Charles Reginald Aston, 1832–1908
Warwick Castle
undated
208
unknown artist
Aquatic Landscape; Men with Boats and Fishtraps
1860s
209
Linnaeus Tripe, 1822–1902
Sculpture from Elliot Marble Group, India, plate 30
1859
210
Charles Reginald Aston, 1832–1908
Landscape with Sheep
undated
211
John Buckler FSA, 1770–1851
North Front of Castle Ashby, Northamptonshire; The Seat of the Marquis of Northampton
1815
212
Print made by Robert Brandard, 1805–1862
Rietz near Saumur
1833
213
Print made by John Doyle ('H.B.'), 1797–1868
The Seven Bold Swabians - Who Sallied forth with One Spear, Vide Fairy Ring
1847
214
Print made by John Doyle ('H.B.'), 1797–1868
The State Wagon in Difficulties
1847
215
Print made by John Doyle ('H.B.'), 1797–1868
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
1847
216
Print made by John Doyle ('H.B.'), 1797–1868
A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"
1847
217
Print made by John Doyle ('H.B.'), 1797–1868
Unhappy Ghosts Wandering on the Banks of Styx, while Charon in his Boat Ferries over the Elect to the Elysian Fields
1847
218
Print made by John Doyle ('H.B.'), 1797–1868
Another Saint Sebastian, Shot at by Cruel Archers
1847
219
Print made by John Doyle ('H.B.'), 1797–1868
The Old Donkey Turned Restive at Last
1848
220
Print made by John Doyle ('H.B.'), 1797–1868
A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant
1847
221
unknown artist
Various Engravings of York Cathedral
1813
222
unknown artist
Various Engravings of York Cathedral
1813
223
unknown artist
Various Engravings of York Cathedral
1813
224
unknown artist
Various Engravings of York Cathedral
1813
225
unknown artist
Various Engravings of York Cathedral
1813
226
unknown artist
Various Engravings of York Cathedral
1813
227
Print made by Nicolas Beatrizet, 1507 or 1515–ca. 1565
Pantheum Romanum nunc Mariae Cognomento
between 1546 and 1590
228
Thomas Sutherland, ca. 1785–1838
Two of a set of four: The Royal Hunt. 2. Taking the Stag
1826
229
Edward Dayes, 1763–1804
Haweswater, Westmoreland
ca. 1795
230
Richard Parkes Bonington, 1802–1828
Mademoiselle Rose Nue, Vue de Dos
1820
231
Gainsborough Dupont, 1754–1797
Landscape: Figure riding a donkey
undated
232
Graham Sutherland, 1903–1980
Hybrid
1973
233
Rev. William Gilpin, 1724–1804
View in Barnscliff, near Scarborough, when Overflowed by the Derwent
undated
234
Henry Edridge, 1769–1821
The Hon. George Pryse Cambell (1793-1858), as a Midshipman
1805
235
Attributed to John Sanderson, active 1730; died 1774
Unidentified Country House: Front Elevation
undated
236
Joseph Farington, 1747–1821
Stepping Stones on the River Duddon, Lake District
undated
237
after Henry Edridge, 1769–1821
Singer's Farm, Bushey, Hertfordshire
undated
238
Print made by Sir Muirhead Bone, 1876–1953
The Indian Theatre
1901
239
Mary Hoare, 1744–1820
Prospero and Miranda
1781
240
Capt. Francis Grose, 1731–1791
Porchester Castle, Hampshire
undated
241
Rev. Lansdown Guilding, 1798–1831
A View of the Old Crater of Morne Soufriere, St. Vincent
undated
242
Mary Hoare, 1744–1820
Ophelia's Death
ca. 1781
243
Sir Richard Colt Hoare, 1758–1838
Ardea di Cesarini
undated
244
William Ellis, 1747–1810
A River Scene
1831
245
William Ward, 1766–1826
The Daughters of Sir Thomas Frankland Bart
1797
246
Henry Edridge, 1769–1821
The Porch of the Halle of the Haute Vielle Tour, Rouen
1819
247
John Foster, ca. 1787–1846
Smyrna
ca. 1812
248
Thomas Gainsborough, 1727–1788
Wooded Landscape with Herdsman and Cows
undated
249
Sir David Low, 1891–1963
Sorry, Boys, I can't go both ways at once
undated
250
Print made by Sir Muirhead Bone, 1876–1953
The Piazza
1901
251
Print made by Sir Muirhead Bone, 1876–1953
From the West
1901
252
Print made by Sir Muirhead Bone, 1876–1953
The Garden Front
1901
253
Print made by Sir Muirhead Bone, 1876–1953
The Art Gallery
1901
254
Mary Hoare, 1744–1820
Lear and Cordelia
ca. 1781
255
Rev. John Gardnor, 1729–1808
Carrig Cennen Castle, Carmarthenshire
undated
256
Print made by Charles J. Hullmandel, 1789–1850
View of Palace Yard on the day of the Coronation of His Majesty George IV
1821
257
Print made by unknown artist
Destruction of the Houses of Parliament, Oct 16th, 1834, as Seen from Henry VIIth's Chapel
undated
258
Print made by George Hawkins, active 1795–1810
View of the East End of Henry VIIth Chapel as Restored in 1813
1814
259
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Before the Magistrates
undated
260
James Pollard, 1792–1867
Cottager's Hospitality to Travellers of The Coach Broke Down
1819
261
Thomas Sunderland, 1744–1828
Myles Sandys' Hounds and Huntsmen Starting a Hare
undated
262
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Longitudinal Section
undated
263
William Ward, 1766–1826
[Shooting]: Setters
1806
264
Richard Gilson Reeve, 1803–1889
One Mile from Gretna, Our Governor in Sight, --with a screw loose!
1836
265
Frederick Rosenberg, active 1816–1832
Opposition Coaches at Speed
1832
266
Richard Gilson Reeve, 1803–1889
A False Alarm on the Road to Gretna 'tis only the Mail!
1838
267
Richard Gilson Reeve, 1803–1889
Coaching: The Taglioni Windsor Coach
1837
268
unknown artist
Coaching: Four in Hand
1835
269
John Hassell, 1767–1825
Racing [set of four]: The High Mettled Racer. 1. The Racehorse
1789
270
James Seymour, 1702–1752
Racing: Sedbury was for the justness of Shape the most Beautiful and ...the Best Horse of His Size at that time
ca. 1745
271
George Hunt, active 1820–1840
The Cover
1823
272
George Hunt, active 1820–1840
Full Cry
1823
273
George Hunt, active 1820–1840
Breaking Cover
1823
274
George Hunt, active 1820–1840
The Death
1823
275
George Hunt, active 1820–1840
The Toast
1824
276
Peter DeWint, 1784–1849
Threshing Corn
ca. 1845-1849
277
Francis Towne, 1740–1816
Oakhampton Castle
1772
278
Print made by James T. Willmore, 1800–1863
Lillebonne, Château
1834
279
Henry Thomas Alken, 1785–1851
Three Racehorses with Jockeys Up Galloping in a Group to Left
undated
280
C. Blake, active 1825–1826
"The Poacher's Progress:" Poachers Scuffling with the Constables in the Skittle Ground
undated
281
Sawrey Gilpin, 1733–1807
Three Tigers in a Rocky Landscape
undated
282
Samuel Howitt, 1756–1822
Foxhunting: At Fault
undated
283
Samuel Howitt, 1756–1822
Foxhunting: Stopping Hounds That Have Changed
undated
284
Samuel Howitt, 1756–1822
Foxhunting: The Chase
undated
285
Samuel Howitt, 1756–1822
Foxhunting: Going to Cover
undated
286
Thomas Rowlandson, 1756–1827
Travelling in France
between 1785 and 1789
287
Thomas Sunderland, 1744–1828
Myles Sandys' Hounds and Huntsmen Scenting a Hare
undated
288
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Stalking for Partridges'
undated
289
Thomas Rowlandson, 1756–1827
The Stable of an Inn
ca. 1790
290
Lewis Vulliamy, 1791–1871
Design for a Chapel at Enfield: Transverse Sections, East and West End
undated
291
Charles Turner, 1774–1857
James Gillray
1819
292
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
293
Print made by James Basire the younger, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
294
Mary Nimmo Moran, 1842–1899
"Tween the Gloamin' and the Mirk, When the Kye Come Hame"
1883
295
John Buckler FSA, 1770–1851
West View of the Ruins of Cowdray House, Sussex; from the Court
1825
296
John Buckler FSA, 1770–1851
South East View of Castle Ashby, Northamptonshire; the Seat of the Marquis of Northampton
1815
297
John Buckler FSA, 1770–1851
South East View of Hatfield House, The Seat of the Marquis of Salisbury
1812
298
Thomas Girtin, 1775–1802
View of the Thuilleries and Bridge taken f rom the Quai d'Orsai
1802
299
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf
1802
300
Thomas Girtin, 1775–1802
View of the Louvre & Bridge of the Thuilleries taken from Pont Neuf