Racing: Blue Bonnet. The Winner of the great St. Leger Stakes at Doncaster 1842
1842
303
Charles Hunt, 1803–1877
Shooting [A Pair]: 1. The Sportsman's Visit
1829
304
James Pollard, 1792–1867
The Ceremony of the Procession ad Montem
305
John Wood, 1728–1781
Racing: Sir Charles Sedley's Bay Gelding "True Blue" / He won Two Subscription Plates for Hunters of 60 Guineas each at Nottingham ..
1753
306
Print made by Axel Herman Haig, 1835–1921
Gefaler Cathedral
1901
307
Lewis Morley, 1925–2013
Ray Davies and Thom Keyes
1960s
308
Print made by William Wynne Ryland, 1732–1783
A Hawking Party
1765
309
Augustus Edwin John, 1878–1961
Figure Study
undated
310
Print made by John Russell, 1745–1806
Lunar Planisphere, Flat Light
1805
311
Augustus Edwin John, 1878–1961
Figure Study
undated
312
Augustus Edwin John, 1878–1961
Figure Study
undated
313
Augustus Edwin John, 1878–1961
Figure Study
undated
314
Augustus Edwin John, 1878–1961
Figure Study
undated
315
Augustus Edwin John, 1878–1961
Figure Study
undated
316
Augustus Edwin John, 1878–1961
Figure Study
undated
317
Augustus Edwin John, 1878–1961
Figure Study
undated
318
Augustus Edwin John, 1878–1961
Figure Study
undated
319
Augustus Edwin John, 1878–1961
Figure Study
undated
320
Michael Childers, born 1944
David Hockney with Polaroid Joiners in his Montcalm Studio, Los Angeles
1982
321
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
322
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
323
Conroy Ronald Maddox, 1912–2005
Listener
1953
324
Print made by James Caldwall, 1739–1819
The Blue Passion Flower, 1800, from Robert John Thornton, 'The Temple of Flora', London, 1799-1812
1800
325
Print made by Joseph Pennell, 1860–1926
The Gun Shop
1917
326
Print made by Joseph Pennell, 1860–1926
Laying the Floor of Pedro Miguel Lock
1912
327
Print made by Joseph Pennell, 1860–1926
The Choir or The Nave, Washington Cathedral
1923
328
unknown artist
View of the Coronation Procession of George IV
ca. 1821
329
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
330
Francis Jukes, 1747–1812
Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States
1800
331
Charles Hunt, 1803–1877
Shooting [A Pair]: 2. The Sportsman Preparing
1829
332
Sir Jeffry Wyatville, 1766–1840
Lilleshall, Shropshire: View of the North Entrance and of the West Front
1826
333
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
334
John Coney, 1786–1833
North East View of Henry VII Chapel Westminster
1813
335
Thomas Hartley Cromek, 1809–1873
Le Colonnacce, Rome: Remains of the Inner Walls of the Forum of Nerva
ca. 1840
336
John Webber, 1752–1793
View on the Lake, Como
1787
337
John Webber, 1752–1793
Pliny's Villa, belonging to the Marquis Canarizi near Como
1787
338
Print made by Day & Co., 1824–1913
The High Street, Southampton
1828
339
Francis Towne, 1740–1816
On the Dee
undated
340
John Harris, 1811–1865
Coaching: The Early Delivery
1863
341
John Harris, 1811–1865
Coaching: The Right Sort
1863
342
John Harris, 1811–1865
Coaching: The Last Change Down
1863
343
Frederick Landseer Maur Griggs, 1876–1938
Rue Peyrollerie, Avignon
1922
344
unknown artist
The Earl of Lonsdale's Hound Van arriving at a Meet of the Cottesmore Hunt, March 22, 1809
1809
345
Samuel Howitt, 1756–1822
Leopards at Play Among Fallen Trees and Rocks
ca. 1807
346
Francis Bedford, 1816–1894
Gibeon, El Jib, Palestine
1862
347
James Gillray, 1756–1815
The Injured Countess
1786-1788
348
James Gillray, 1756–1815
Junction of Parties
1783
349
James Gillray, 1756–1815
Sawney in the Bog-House
1779
350
James Gillray, 1756–1815
Wouski
1788
351
James Gillray, 1756–1815
The Balance of Power. - OR - "The Posterity of the Immortal Chatham, Turn'd Posture Master." - Vide Sheridan's Speech -
1791
352
James Gillray, 1756–1815
Sir Richard Worse-than-sly, Exposing his Wifes Bottom; O Fye!
1782
353
James Gillray, 1756–1815
The Minister endeavouring to eke out Dr. Pr*ty***n's Bisho-Prick
1787
354
James Gillray, 1756–1815
The Castle in the Moon
1782
355
James Gillray, 1756–1815
The Royal Joke or Black Jacks Delight
1788
356
James Gillray, 1756–1815
The Fall of Phaeton
1788
357
James Gillray, 1756–1815
The Bolgna Sausages or Opposition Flux'd
1788
358
James Gillray, 1756–1815
The Monster going to take his Afternoons Luncheon
1790
359
James Gillray, 1756–1815
Westminster School. - or - Dr. Busby Settling Accounts with Master-Billy and his Playmates
1785
360
James Gillray, 1756–1815
Swearing to the Cutting Monster or A Scene in Bow Street
1790
361
James Gillray, 1756–1815
The Siege of Blenheim - or - The New System of Gunning Discoverd -
1791
362
James Gillray, 1756–1815
Fashionable Contrasts - or The Duchess's little shoe yielding to the Magnitude of the Duke's Foot
1792
363
James Gillray, 1756–1815
Patience on a Monument
1791
364
James Gillray, 1756–1815
The Coming-on of the Monsoons; - or - The Retreat from Seringapatam
1791
365
James Gillray, 1756–1815
The Devil to Pay; The Wife Metamorphos'd or Neptune reposing after Fording the Jordan
1791
366
James Gillray, 1756–1815
Brisk Cathartic
1804
367
James Gillray, 1756–1815
Wha Wants Me?
1792
368
James Gillray, 1756–1815
Lubber's Hole - alias - The Crack'd Jordan
1791
369
James Gillray, 1756–1815
National Conveniences
1796
370
James Gillray, 1756–1815
The Physick; - or - The News of Shooting the King of Sweden
1792
371
James Gillray, 1756–1815
Nature display'd, shewing the Effect of the change of the Seasons on the Ladies garden
1797
372
James Gillray, 1756–1815
Going to London, through "Epping Forest"
1802
373
James Gillray, 1756–1815
Ladies Dress, as it soon will be
1796
374
James Gillray, 1756–1815
A View in Perspective. The Zenith of French Glory. The Pinnacle of Liberty
1793
375
James Gillray, 1756–1815
Fashionable Jockeyship
1796
376
James Gillray, 1756–1815
The Jersey Smuggler detected; - or - Good Cause for Seperation [scored through and replaced by] Discontent
1796
377
James Gillray, 1756–1815
The Grand - Signior retiring
1796
378
James Gillray, 1756–1815
Enchantments lately seen upon the Mountains of Wales, - or - Shon-ap-Morgan's Reconcilement to the Fairy Princess
1796
379
James Gillray, 1756–1815
The French Invasion; or John Bull, bombarding the Bum Boats
1793
380
James Gillray, 1756–1815
The Orangerie; - or - the Dutch Cupid reposing after the fatigues of Planting
1796
381
James Gillray, 1756–1815
Ci-devant Occupations - or - Madame Talian and the Empress Josephine dancing Naked before Barrass in the Winter of 1797
1805
382
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
383
James Gillray, 1756–1815
Presentation of the Mahometan Credentials - or - The Final resource of French Atheists
1793
384
James Gillray, 1756–1815
Evacuation of Malta
1803
385
James Gillray, 1756–1815
Duke William's Ghost
1799
386
James Gillray, 1756–1815
Playing in Parts
1801
387
James Gillray, 1756–1815
The Man of Feeling, in search of Indispensibles
1800
388
James Gillray, 1756–1815
Palemon and Lavinia
1805
389
James Gillray, 1756–1815
- "and would'st thou turn the vile Reproach on me?"
1807
390
James Gillray, 1756–1815
Miss, I have a Monstrous Crow to pluck with you!!
1794
391
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
392
Thomas Rowlandson, 1756–1827
A Village Scene with Girls Spinning
undated
393
Thomas Rowlandson, 1756–1827
Vauxhall Gardens
ca. 1784
394
Carlo Labruzzi, 1748–1817
Sepulchre on the Via Nomentana in the Roman Campagna