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1
- The Liberation of St Peter
- 1617
- Not on view
2
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
3
- An Angel with a Trumpet
- between 1805 and 1808
4
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
5
- Satan Approaching the Court of Chaos
- 1784 to 1785
6
- Songs of Innocence and of Experience
- 1789-1794
7
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
12
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
13
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
14
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
15
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
16
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
17
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
18
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
19
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
20
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
21
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
22
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
23
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
25
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
26
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
27
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
28
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
29
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
30
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
31
- For Children. The Gates of Paradise, Title Page; Plate 2
- 1793
32
- At Length for Hatching Ripe He Breaks the Shell; Plate 8
- 1793
33
- Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
- ca. 1797
34
- Aged Ignorance; Plate 13
- 1793
35
- Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
- 1789
36
- Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
- 1794
37
- Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
- 1789
38
- Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
- 1794
39
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
40
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
41
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
42
- Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
- 1797
43
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
44
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
45
- Tobias and the Angel
- ca. 1685
46
- Allegory of Sea Trades
- undated
![Sir David Young Cameron Notre Dame, Dinant [Belgian Set: No. 8]](https://media.collections.yale.edu/thumbnail/ycba/49ba2771-60ca-4132-93a1-53388679a50e)
47
- Notre Dame, Dinant [Belgian Set: No. 8]
- 1907
48
- An Angel
- undated
49
- Design for the Brass Eagle Lectern Base
- 1846
50
- Brass Chrism of Constance Bownell and her Baby from Heston Church
- 1796-1811
51
- Doorhead of the Palazzo Contarini della Porta di Ferro
- undated
52
- From the Dome
- 1901
53
- Frontispiece: The Progress of a Midshipman
- 1820
54
- Cupid and Psyche
- ca. 1870
55
- Time raising Truth, after Rubens’s “The Triumph of Truth”
- undated
56
- Flight into Egypt
- undated
57
- School of St. Rocco, Venice, Study of Curved Decoration
- ca. 1835
58
- Two Designs for Ecclesiastical Niches
- undated
59
- The Archangel Gabriel Awaiting Night
- ca. 1799
60
- Glasgow Exhibition: From the Dome
- 1901
61
- Annunciatio Beatae Mariae Virginis
- undated
62
- Tobit and the Angel
- undated
63
- Madonna, Child, and Angel
- undated
64
- Madonna, Child, and Angel
- undated
65
- Tobit and the Angel
- undated
66
- Peter Delivered out of Prison by an Angel
- undated
67
- Tobit and the Angel
- undated
68
- S. Matthaus
- undated
![Robert Smirke Scenes from an Eastern Romance [Arabian Nights]](https://media.collections.yale.edu/thumbnail/ycba/95364f08-fc87-4e6e-901b-6a2cbe751cea)
69
- Scenes from an Eastern Romance [Arabian Nights]
- undated
70
- Christus Crucifixus
- undated
71
- The Death of the Good Old Man
- 1808, published 1813
72
- West Window of the Chapel, New College Oxford, Angel Contemplating the Mystery of the Cross
- 1785
73
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
74
- Annuciation
- undated
75
- The Angel and Tobias (Number 7)
- 1815
76
- Winged Figure Slaying a Bull
- undated
77
- Tobit and the Angel
- undated
78
- Joshua and the Angel (Joshua 5:13)
- before 1835
79
- Pandemonium
- 1831
80
- James Beattie, LL.D
- 1805
81
- The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
- 1799
82
- Garrick Reading the Ode at the Shakespeare Jubilee
- 1784
83
- Geometrical Plan of his Majesty's Dockyard, near Plymouth
- 1756
84
- The Pool of Bethesda
- 1772
85
- Venus and Cupid
- undated
86
- St. Nil
- 1762