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1. Reapers

Creator:: George Stubbs, 1724–1806
Date:: 1795
Materials & Techniques:: Enamel on Wedgwood biscuit earthenware
Dimensions:: 30 1/4 x 40 1/2 inches (76.8 x 102.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Extensive Landscape with Grey Clouds

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper on panel
Dimensions:: 7 5/8 x 11 inches (19.4 x 27.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Summer - Evening Landscape

Creator:: Attributed to John Constable, 1776–1837
Date:: ca. 1825
Materials & Techniques:: Oil on paper laid to canvas
Dimensions:: 6 11/16 x 8 3/4 inches (17 x 22.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Plymouth

Creator:: Hendrik Danckerts, ca. 1625–1680
Date:: 1673
Materials & Techniques:: Oil on canvas
Dimensions:: 40 × 68 inches (101.6 × 172.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Richmond Castle, Yorkshire

Creator:: Alexander Keirincx, 1600–1652
Date:: 1639
Materials & Techniques:: Oil on panel
Dimensions:: 18 x 27 inches (45.7 x 68.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

6. Bachelor's Hall: Full Cry

Creator:: Francis Calcraft Turner, active 1782–1846
Date:: 1835 to 1836
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. South Prospect of Hampton Court, Herefordshire

Creator:: Jan Stevens, died 1722
Date:: ca. 1705
Materials & Techniques:: oil on canvas
Dimensions:: 82 x 94 inches (208.3 x 238.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. A Hunter in a Landscape

Creator:: James Ward, 1769–1859
Date:: 1810
Materials & Techniques:: Oil on panel
Dimensions:: 27 7/8 x 35 7/8 inches (70.8 x 91.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. The Hermitage

Creator:: unknown artist
Date:: ca. 1772
Materials & Techniques:: Oil on canvas
Dimensions:: 32 1/2 x 51 3/8 inches (82.6 x 130.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. The Reverend Jemmet Browne at a meet of foxhounds

Creator:: Peter Tillemans, 1684–1734
Date:: 1730 to 1732
Materials & Techniques:: Oil on canvas
Dimensions:: 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Landscape with Cottages

Creator:: James Ward, 1769–1859
Date:: between 1802 and 1827
Materials & Techniques:: Oil on panel
Dimensions:: 9 1/2 x 17 1/4 inches (24.1 x 43.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. George I at Newmarket, 4 or 5 October, 1717

Creator:: John Wootton, 1682–1764
Date:: ca. 1717
Materials & Techniques:: Oil on canvas
Dimensions:: 50 1/8 × 67 1/16 inches (127.3 × 170.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. A View at Girgenti in Sicily with the Temple of Concord and Juno

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: ca. 1818
Materials & Techniques:: Oil on paper mounted on canvas
Dimensions:: 8 1/4 × 11 3/4 inches (21 × 29.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

14. Bifrons Park, Kent

Creator:: Perhaps Jan van der Vaart, 1647–1721
Date:: between 1695 and 1705
Materials & Techniques:: Oil on canvas
Dimensions:: 61 1/2 x 91 1/2 inches (156.2 x 232.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. The Reverend Thomas Levett and Favourite Dogs, Cock-shooting

Creator:: James Ward, 1769–1859
Date:: 1811
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/8 x 36 1/8 inches (71.4 x 91.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Hackwood Park, Hampshire

Creator:: Paul Sandby, 1731–1809
Date:: undated, exhibited 1764
Materials & Techniques:: Oil on canvas
Dimensions:: 40 3/16 x 50 1/4 inches (102.1 x 127.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

17. Landscape

Creator:: Lionel Constable, 1828–1887
Date:: between 1849 and 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 8 1/2 × 13 1/2 inches (21.6 × 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Box Hill, Surrey, with Dorking in the distance

Creator:: George Lambert, 1700–1765
Date:: 1733
Materials & Techniques:: Oil on canvas
Dimensions:: 35 11/16 x 53 9/16 inches (90.6 x 136 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Landscape with Figures in the Foreground

Creator:: Sir George Howland Beaumont seventh Baronet, 1753–1827
Date:: between 1800 and 1810
Materials & Techniques:: Oil on board
Dimensions:: 10 7/8 x 17 3/8 inches (27.6 x 44.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Cornfield at sunset

Creator:: John William Inchbold, 1830–1888
Date:: 1860
Materials & Techniques:: Oil on canvas
Dimensions:: 14 1/2 x 21 3/4 inches (36.8 x 55.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

21. Landscape at Hampstead, with Harrow in the Distance

Creator:: Lionel Constable, 1828–1887
Date:: between 1849 and 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Landscape with Haymakers and a Distant View of a Georgian House

Creator:: William Ashford, 1746–1824
Date:: ca. 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 42 inches (76.2 x 106.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. A Country House in a River Landscape, Previously Identified as Oatlands

Creator:: unknown artist
Date:: ca. 1805
Materials & Techniques:: Oil on canvas
Dimensions:: 34 1/2 x 45 1/2 inches (87.6 x 115.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. A Finished Study for 'Reaping'

Creator:: John Linnell, 1792–1882
Date:: 1858
Materials & Techniques:: Oil on panel
Dimensions:: 8 1/4 x 13 inches (21 x 33 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. The North Prospect of Hampton Court, Herefordshire

Creator:: Leonard Knyff, 1650–1721
Date:: ca. 1699
Materials & Techniques:: Oil on canvas
Dimensions:: 58 3/8 x 84 3/8 inches (148.3 x 214.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Kidbrooke Park, Kent

Creator:: unknown artist
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 45 1/4 inches (76.2 x 114.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. A Highland Landscape

Creator:: Sir Edwin Henry Landseer, 1802–1873
Date:: ca. 1830
Materials & Techniques:: Oil on board
Dimensions:: 8 × 10 inches (20.3 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Landscape with Three Trees

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 10 x 13 7/16 inches (25.4 x 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

29. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 8 9/16 inches (30 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint with chine collé on thick, smooth, cream wove paper
Dimensions:: Sheet: 4 13/16 x 4 1/16 inches (12.2 x 10.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Sleeping Shepherd

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1857
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/16 x 7 inches (21.1 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

32. The Weald of Kent

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Watercolor and gouache on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 3/8 x 10 5/8 inches (18.7 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. At Hailsham, Sussex: a Storm Approaching

Creator:: Samuel Palmer, 1805–1881
Date:: 1821
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Illustrations of Imitation of Eclogue I, Page 15

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Milkmaid and Dog in a Landscape

Creator:: circle of Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 7 7/8 inches (16.8 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

Creator:: William Turner of Oxford, 1789–1862
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 18 1/2 inches (26.4 x 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Choquer

Creator:: Print made by George Arnald, 1763–1841
Date:: 1821
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 11 1/8 inches (22 × 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

39. Vale of Health - Hampstead

Creator:: John Thomas Smith, 1766–1833
Date:: 1830
Materials & Techniques:: Watercolor, graphite, black ink, and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Cascades de Thiers, Auvergne

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 17 7/8 x 13 11/16 inches (45.4 x 34.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Château Vilain sur la Riviere Dain, Franche Comte

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph with chine collé on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/4 x 17 5/16 inches (29.9 x 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Royal Horse Artillery, 1843

Creator:: John Grant, Died 1873
Date:: 1843
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 18 inches (35.3 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Rocket Practice in the Marshes

Creator:: John Grant, Died 1873
Date:: 1845
Materials & Techniques:: Aquatint with stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/8 x 17 11/16 inches (35.3 x 45 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Royal Artillery Repository Exercises, 1844

Creator:: John Grant, Died 1873
Date:: 1844
Materials & Techniques:: Aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 15/16 x 18 inches (35.4 x 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Clifton Spring and Woods near Maidenhead

Creator:: Robert Havell, 1769–1832
Date:: 1818
Materials & Techniques:: Aquatint, hand-colored on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 14 × 19 1/2 inches (35.6 × 49.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh

Creator:: William John Chamberlayne, 1821–1910
Date:: undated
Materials & Techniques:: Graphite and watercolor with scratching out on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Windy Day

Creator:: John Linnell, 1792–1882
Date:: 1815
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 9 inches (15.6 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830

Creator:: John Linnell, 1792–1882
Date:: 1830
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 5 3/4 x 7 3/8 inches (14.6 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Winchelsea Castle

Creator:: Henry Morton, ca. 1807–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 7 inches (12.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Cathedrals in England

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 6 15/16 x 5 3/16 inches (17.7 x 13.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Ely Cathedral

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1903
Materials & Techniques:: Drypoint and etching on moderately thick, slightly textured, greened white Asian paper
Dimensions:: Sheet: 7 3/16 x 16 1/8 inches (18.3 x 40.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

52. The Solent

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1920
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 13/16 x 15 3/8 inches (25 x 39 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

53. Craigievar

Creator:: Print made by Sir David Young Cameron, 1865–1945
Date:: 1908
Materials & Techniques:: Etching on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

54. The City of Bath taken from the London Road

Creator:: Print made by John Robert Cozens, 1752–1797
Date:: 1773
Materials & Techniques:: Etching, hand colored with gray wash on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 1/16 × 15 inches (28.1 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Landscape with an Abbey

Creator:: Jonathan Girtin, ca.1780–aft.1820
Date:: 1805
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream laid paper, laid on contemporary mount made of thick, slightly textured, cream card
Dimensions:: Mount: 12 3/4 x 21 1/2 inches (32.4 x 54.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Belfast from Bunker's Hill / On the Road to Hollywood

Creator:: John O'Connor, 1830–1889
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and brown ink and black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 7 1/4 × 11 5/16 inches (18.4 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Kielder Castle, Northumberland

Creator:: William Beilby, 1740–1819
Date:: undated
Materials & Techniques:: Watercolor on slightly textured, medium, beige laid paper
Dimensions:: Sheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Cerco de Paro, Lima

Creator:: Godfrey Thomas Vigne, 1801–1863
Date:: ca. 1855
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 7/8 × 19 1/4 inches (27.6 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Windsor Castle, Berkshire

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: ca. 1823
Materials & Techniques:: Watercolor over graphite and pen on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. View of Sion House from the Banks of the Thames

Creator:: John Hassell, 1767–1825
Date:: 1799
Materials & Techniques:: Aquatint and etching, with stipple engraving, hand-colored on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 9/16 x 20 1/8 inches (39.6 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. A View of the Fens

Creator:: John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 9 x 12 3/8 inches (22.9 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Landscape with Trees; a River in the Background

Creator:: David Charles Read, 1790–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, rough, beige wove paper
Dimensions:: Sheet: 3 7/8 × 6 11/16 inches (9.8 × 17 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Foxhunting: Full Cry

Creator:: George Alken, 1794–active 1837
Date:: between 1827 and 1837
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 10 3/16 inches (16.7 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Foxhunting: Drawing Covert

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 7/8 inches (16.7 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:: Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 7 11/16 inches (12.1 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor over etched outline, with gouache, and pen in black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 11/16 × 7 3/4 inches (11.9 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "Doing the Thing: and the Thing Done:" Doing it Somehow

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and black ink, brown ink and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1818
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 6 1/16 × 9 3/16 inches (15.4 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 9/16 × 10 11/16 inches (19.2 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1848 and 1851
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Two Pointers, Facing Right with a Sportsman

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on thick, smooth, cream wove paper
Dimensions:: Sheet: 9 3/16 × 11 inches (23.3 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Dosing a Racehorse

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, graphite, gray wash and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:: Mount: 12 1/8 × 12 15/16 inches (30.8 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. "You're Not Going to Follow, Belle, Are You?"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. The Sporting Parson: "He Then Goes in For Baptism"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Sporting Parson: "D-n -- I Mean Conf-d That is 'Bless the Pigs! They're Mad - The Devil's in 'em' "

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 11/16 × 14 7/8 inches (27.1 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 10 7/8 inches (20.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Foxhunting: Rider and a Couple of Hounds Entering a Covert

Creator:: Samuel Alken, 1756–1815
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 15 3/4 inches (25.1 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Le Coup de Maitre

Creator:: James Gillray, 1756–1815
Date:: 1797
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 × 14 3/16 inches (26.4 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. The Leicestershire Hunt - The First Ten Minutes - Shaking off the Cocktails

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 × 22 1/8 inches (22.9 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. The Leicestershire Hunt - A Struggle for the Start

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, black ink, and gray ink on thick, moderately textured, beige wove paper
Dimensions:: Sheet: 9 1/4 × 22 7/16 inches (23.5 × 57 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Leicestershire Hunt - Symptoms of a Skurry in a Pewy Country

Creator:: Possibly Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, pen and brown ink, and black ink on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 × 22 11/16 inches (23.3 × 57.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Westminster Abbey and St. Paul's from Battersea Fields

Creator:: Nathaniel Smith, 1740–1787
Date:: undated
Materials & Techniques:: Watercolor, ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Open Landscape with Cathedral in Distance

Creator:: Joshua Cristall, 1768–1847
Date:: undated
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 1/4 x 22 inches (13.3 x 55.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Title page for a 'New Drawing Book principally consisting of Beasts in various Actions' (1 of 6)

Creator:: Print made by George Bickham the Elder, 1683/4–1758
Date:: 1730
Materials & Techniques:: Etching on medium, smooth, cream laid paper
Dimensions:: Sheet: 11 7/8 x 7 1/8 inches (30.2 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Plate I: View taken near Scarva in the County of Downe, representing Ploughing, Sowing the Flax Seed and Harrowing

Creator:: William Hincks, 1752–1797
Date:: 1791
Materials & Techniques:: Stipple engraving with etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 3/16 x 17 1/2 inches (36 x 44.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/4 × 13 7/16 inches (23.5 × 34.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. The Death: Yokels Watching in Foreground

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 13 1/8 inches (23.2 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Steeplechasing: Five Riders Galloping Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 1/8 inches (25.1 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Steeplechasing: The Field Coming up to a Ditch

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 × 16 3/16 inches (25.1 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Steeplechasing: Four Riders Taking a Ditch and an Oxer

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 16 3/16 inches (25.2 × 41.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Steeplechasing: Three Riders Taking a Brook, Spectators on Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/16 × 14 11/16 inches (26.5 × 37.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 7/8 inches (20.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 × 10 5/8 inches (20.3 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Foxhunting: Drawing a Cover

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 7/16 inches (23.8 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Foxhunting: Gone Away

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 12 3/8 inches (23.7 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Foxhunting: The Leap

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 12 1/2 inches (23.7 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Foxhunting: The Death

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/16 × 12 3/8 inches (23.3 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Foxhunting: Full Cry

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/16 × 12 3/8 inches (23.7 × 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Reapers

2. Extensive Landscape with Grey Clouds

3. Summer - Evening Landscape

4. Plymouth

5. Richmond Castle, Yorkshire

6. Bachelor's Hall: Full Cry

7. South Prospect of Hampton Court, Herefordshire

8. A Hunter in a Landscape

9. The Hermitage

10. The Reverend Jemmet Browne at a meet of foxhounds

11. Landscape with Cottages

12. George I at Newmarket, 4 or 5 October, 1717

13. A View at Girgenti in Sicily with the Temple of Concord and Juno

14. Bifrons Park, Kent

15. The Reverend Thomas Levett and Favourite Dogs, Cock-shooting

16. Hackwood Park, Hampshire

17. Landscape

18. Box Hill, Surrey, with Dorking in the distance

19. Landscape with Figures in the Foreground

20. Cornfield at sunset

21. Landscape at Hampstead, with Harrow in the Distance

22. Landscape with Haymakers and a Distant View of a Georgian House

23. A Country House in a River Landscape, Previously Identified as Oatlands

24. A Finished Study for 'Reaping'

25. The North Prospect of Hampton Court, Herefordshire

26. Kidbrooke Park, Kent

27. A Highland Landscape

28. Landscape with Three Trees

29. The Sleeping Shepherd

30. The Sleeping Shepherd

31. The Sleeping Shepherd

32. The Weald of Kent

33. At Hailsham, Sussex: a Storm Approaching

34. Ivy Cottage, Shoreham

35. Illustrations of Imitation of Eclogue I, Page 15

36. Milkmaid and Dog in a Landscape

37. Porchester Castle: A View from Porchester Village Looking across the Water to Portsmouth

38. Choquer

39. Vale of Health - Hampstead

40. Cascades de Thiers, Auvergne

41. Château Vilain sur la Riviere Dain, Franche Comte

42. Royal Horse Artillery, 1843

43. Rocket Practice in the Marshes

44. Royal Artillery Repository Exercises, 1844

45. Clifton Spring and Woods near Maidenhead

46. Gloucestershire - a woman and child on a road bordering fields of ripe corn at Moreton-in-Marsh

47. A Windy Day

48. Mowers in the Field in Porchester Terrace, Bayswater, June 9, 1830

49. Winchelsea Castle

50. Cathedrals in England

51. Ely Cathedral

52. The Solent

53. Craigievar

54. The City of Bath taken from the London Road

55. Landscape with an Abbey

56. Belfast from Bunker's Hill / On the Road to Hollywood

57. Kielder Castle, Northumberland

58. Cerco de Paro, Lima

59. Windsor Castle, Berkshire

60. View of Sion House from the Banks of the Thames

61. A View of the Fens

62. Landscape with Trees; a River in the Background

63. Foxhunting: Full Cry

64. Foxhunting: Drawing Covert

65. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

66. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

67. Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

68. "Doing the Thing: and the Thing Done:" Doing it Somehow

69. "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can

70. "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty

71. "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty

72. "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat

73. Two Pointers, Facing Right with a Sportsman