The Seven Ages of Man: The Lover, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
12
unknown artist
The Assumption and Coronation of the Virgin
1450 to 1500
Not on view
13
George Romney, 1734–1802
Fall of the Rebel Angels
undated
14
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We censure nature for a span too short"
ca. 1797
15
William Blake, 1757–1827
The Parable of the Wise and Foolish Virgins
ca. 1825
16
Print made by William Blake, 1757–1827
Pity
ca. 1795
17
William Blake, 1757–1827
Mary Magdalen at the Sepulchre
ca. 1805
18
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
19
William Blake, 1757–1827
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
20
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
21
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."
1797
22
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
1797
23
Print made by William Blake, 1757–1827
Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
1804 to 1820
24
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
25
Print made by William Blake, 1757–1827
Jerusalem, Plate 75, "And Rahab Babylon the Great...."
1804 to 1820
26
William Blake, 1757–1827
The Poems of Thomas Gray, Design 25, "A Long Story."
between 1797 and 1798
27
William Blake, 1757–1827
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
29
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 16, "Night" (Bentley 20)
1789
30
Print made by William Blake, 1757–1827
Jerusalem, Plate 18, "From every-one of the Four Regions...."
1804 to 1820
31
Print made by William Blake, 1757–1827
Jerusalem, Plate 44, "With one accord...."
1804 to 1820
32
William Blake, 1757–1827
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
between 1797 and 1798
33
William Blake, 1757–1827
The Poems of Thomas Gray, Design 51, "The Progress of Poesy."
between 1797 and 1798
34
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
35
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O treacherous conscience!"
ca. 1797
36
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"
ca. 1797
37
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels should paint it, angels ever there"
ca. 1797
38
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One radiant Mark, the Deathbed of the Just"
ca. 1797
39
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
ca. 1797
40
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If angels tremble, 'tis at such a sight"
ca. 1797
41
Print made by William Blake, 1757–1827
Young's Night Thoughts, Title Page, "Night the First, On Life, Death and Immortality."
ca. 1797
42
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
1789
43
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
44
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
45
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
46
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 26, "Spring" (Bentley 23)
1789
47
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
1797
48
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
49
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
1797
50
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
1797
51
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
1797
52
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
1794
53
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
54
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
1794
55
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
56
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
57
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
58
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
59
Edward Francis Burney, 1760–1848
Allegory of Napoleonic Battles
undated
60
Sir James Thornhill, 1675–1734
Design for a Ceiling
undated
61
George Henry Harlow, 1787–1819
Queen Katherine's Dream
1807
62
George Richardson, ca.1738–ca.1813
Design for a Ceiling
undated
63
Attributed to John Martin, 1789–1854
The Release of Saint Peter from Prison
undated
64
Sir James Thornhill, 1675–1734
A Design for a Ceiling
undated
65
Thomas Carwitham, active 1723
Design for a Ceiling Decoration
1723
66
Edward Francis Burney, 1760–1848
Allegory of Steam
undated
67
Sir James Thornhill, 1675–1734
The Angel appearing to the shepherds, the visitation, and the annunciation: a sheet of notes for a proposed decorative scheme with 3 sketches of paintings for overdoors
undated
68
Sir James Thornhill, 1675–1734
Moses and the Brazen Serpent - Design for the chapel at Dunster Castle
ca. 1723
69
Sir James Thornhill, 1675–1734
The Birth of Venus
undated
70
unknown artist
The Destruction of Sodom and Gomorrah
undated
71
Augustus Welby Northmore Pugin, 1812–1852
Sketches of the Butler-Bowden cope
undated
72
Augustus Welby Northmore Pugin, 1812–1852
Elevation of a Baptismal Font
undated
73
Bernard Lens III, 1682–1740
Victorious Hero Takes Occasion to Conclude Peace
1720
74
Giovanni Battista Cipriani, 1727–1785
Selling of Cupids
undated
75
Stella Marsden, active 1955
Engraved Brasses
1955
76
Isaac Fuller, 1606/20–1672
The Nymph Galatea
undated
77
Attributed to Mauritius Lowe, 1746–1793
Classical Figures in Battle
undated
78
John Flaxman, 1755–1826
Illustration to Milton's Paradise Lost: Adam and Eve Guarded by the Angels
undated
79
John Flaxman, 1755–1826
To Phoebus at His Birth, From Aeschylus, Furies
undated
80
John Flaxman, 1755–1826
The Creation of the Heavens
ca. 1790
81
John Flaxman, 1755–1826
Get Thee Behind Me, Satan
between 1783 and 1787
82
Print made by Sir Muirhead Bone, 1876–1953
The Garden Front
1901
83
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
84
James Gillray, 1756–1815
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva
1790
85
Print made by Francesco Bartolozzi, 1728–1815
For the Benefit of Mr. Borghi
1789
86
Thomas Carwitham, active 1723
Raphael receiving the money of Tobias from Gabael: Tobit 9:5
undated
87
Richard Cosway, 1742–1821
Cupid Overpowering a Satyr
undated
88
Richard Cosway, 1742–1821
Flight into Egypt
undated
89
Print made by Johann Philip Koch, ca. 1716–1796
Le Ete - Der Sommer
undated
90
Print made by John Smith, 1652–1743
Plaudit Ave Regina
undated
91
Edward Francis Burney, 1760–1848
Female Figures and Putti Playing Musical Instruments