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The Lady of Shalott
Creator:
Walter Crane, 1845–1915
Date:
1862
Materials & Techniques:
Oil on canvas
Dimensions:
9 1/2 x 11 1/2 inches (24.1 x 29.2 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Human Figure, Anterior View, Undissected (Finished Study for Table VI)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 x 20 7/8 inches (40 x 53 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 15 7/8 x 21 1/8 inches (40.3 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Tiger Body, Lateral View
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite and red chalk; verso: graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 x 20 3/4 inches (35.2 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Human Figure, Posterior View, Undissected (Finished Study for Table VII)
Creator:
George Stubbs, 1724–1806
Date:
1795 to 1806
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 21 1/4 x 16 inches (54 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rispah: 2nd Book of Samuel, Chap. 21
Creator:
Etched by Joseph Mallord William Turner, 1775–1851
Date:
1812
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 16 3/8 inches (27.3 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Falstaff Dragging the Body of Hotspur
Creator:
Robert Smirke, 1752–1845
Date:
1825
Materials & Techniques:
Pen and brown ink with brown wash and gouache over graphite with gum on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/8 x 4 15/16 inches (16.2 x 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketch for WEJ
Creator:
R. B. Kitaj, 1932–2007
Date:
1991
Materials & Techniques:
Charcoal and graphite on moderately thick, rough, brown wove paper
Dimensions:
Sheet: 7 5/8 × 5 5/8 inches (19.4 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the R. B. Kitaj Estate
Lithograph from a Collection of 14, 1952-1954
Creator:
Print made by Reg Butler, 1913–1981
Date:
1954
Materials & Techniques:
Lithograph on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 15/16 x 11 1/16 inches (38 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Dying Gladiator, Back View, Capitol
Creator:
Robert MacPherson, 1814–1872
Date:
ca. 1860
Materials & Techniques:
Albumen print on medium, smooth, cream wove paper mounted to board
Dimensions:
Sheet: 9 × 14 1/2 inches (22.9 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, transfer from the Yale University Art Gallery
Study of a Classical Female Figure
Creator:
John Opie, 1761–1807
Date:
undated
Materials & Techniques:
Brown wash and graphite; verso: watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 9 1/4 inches (35.9 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Robert B. Simon
No. 2 from The Group
Creator:
Print made by Ibrahim El-Salahi, born 1930
Date:
2016
Materials & Techniques:
Etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 13 7/16 × 11 1/8 inches (34.2 × 28.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, John F. O'Brien Fund
Ornatus Corporis et Animi
Creator:
Print made by Johann Jacobus Haid, 1704–1767
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 5/8 x 19 3/4 inches (39.7 x 50.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Pieta

Pieta
Creator:
Print made by John Smith, 1652–1743
Date:
between 1681 and 1688
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 11/16 × 6 15/16 inches (14.4 × 17.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Soul Hovering over the Body reluctantly Parting with Life
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 15 inches (28.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Reunion of the Soul & the Body
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1808, published 1813
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 15 × 11 3/8 inches (38.1 × 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
De Begraving
Creator:
Print made by Frederik Christiaan Bierweiler, active 1800–1831
Date:
ca. 1820
Materials & Techniques:
Mezzotint and etching on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 26 3/8 × 20 1/2 inches (67 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund