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Francis Danby Landscape near Clifton
Francis Danby, 1793–1861
Landscape near Clifton
1822 to 1823
Not on view
William Hogarth John and Elizabeth Jeffreys and Their Children
William Hogarth, 1697–1764
John and Elizabeth Jeffreys and Their Children
1730
Not on view
Henry Robert Morland Woman Reading by a Paper-Bell Shade
Henry Robert Morland, 1730–1797
Woman Reading by a Paper-Bell Shade
1766
Not on view
William Ratcliffe Cottage Interior
William Ratcliffe, 1870–1955
Cottage Interior
1911 to 1912
Not on view
David Roberts The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
David Roberts, 1796–1864
The Hypostyle Hall of the Great Temple at Abu Simbel, Egypt
1849
Not on view
Benjamin West John Eardley Wilmot
Benjamin West, 1738–1820
John Eardley Wilmot
1812
Not on view
Gwen John Study of a Nun
Gwen John, 1876–1939
Study of a Nun
ca. 1915
Not on view
Arthur Devis Mr. and Mrs. Hill
Arthur Devis, 1712–1787
Mr. and Mrs. Hill
between 1750 and 1751
Not on view
John Linnell John Varley
John Linnell, 1792–1882
John Varley
1820
Not on view
Sir Godfrey Kneller Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss
Sir Godfrey Kneller, 1646–1723
Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss
between 1705 and 1710
Not on view
James Smetham Lovers in Richmond Park
James Smetham, 1821–1889
Lovers in Richmond Park
1864
Not on view
Arthur Devis Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
Arthur Devis, 1712–1787
Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn Hall, Denbighshire (formerly T. Travers, Esq.)
1763
Not on view
Sir James Thornhill St. Paul before Agrippa
Sir James Thornhill, 1675–1734
St. Paul before Agrippa
ca. 1710
Not on view
Bertha Herkomer The Book Worm
Bertha Herkomer, 1858–1943
The Book Worm
1915
Not on view
John Francis Rigaud George Robertson
Portrait by John Francis Rigaud, 1742–1810
George Robertson
1776
Not on view
Arthur Devis An Unknown Man in a Library
Arthur Devis, 1712–1787
An Unknown Man in a Library
between 1740 and 1741
Not on view
Johan Joseph Zoffany The Gore Family with George, third Earl Cowper
Johan Joseph Zoffany, 1733–1810
The Gore Family with George, third Earl Cowper
ca. 1775
Not on view
Allan Ramsay Mary Adam
Allan Ramsay, 1713–1784
Mary Adam
1754
Not on view
Philippe Mercier An Unknown Man
Philippe Mercier, 1689 or 1691–1760
An Unknown Man
1746
Not on view
Arthur Devis Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire
Arthur Devis, 1712–1787
Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire
1749
Not on view
William Redmore Bigg Christening of the Heir
William Redmore Bigg, 1755–1828
Christening of the Heir
ca. 1799
Not on view
Paul van Somer Elizabeth, Countess of Kellie
Paul van Somer, ca. 1576–1621
Elizabeth, Countess of Kellie
ca. 1619
Not on view
Sir George Clausen Schoolgirls
Sir George Clausen, 1852–1944
Schoolgirls
1880
Not on view
Francis Wheatley Mrs. Stevens
Francis Wheatley, 1747–1801
Mrs. Stevens
ca. 1795
Not on view
Mason Chamberlin Conversation Piece
Mason Chamberlin, 1722–1787
Conversation Piece
1761
Not on view
Bartholomew Dandridge An Unknown Woman with a Book
Bartholomew Dandridge, baptized 1691–died in or after 1754
An Unknown Woman with a Book
ca. 1735
Not on view
John Downman An Unknown Man
John Downman, 1750–1824
An Unknown Man
ca. 1780
Not on view
unknown artist A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
unknown artist
A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
late 18th century?
Not on view
Francis Hayman George and Margaret Rogers
Francis Hayman, 1707/8–1776
George and Margaret Rogers
between 1748 and 1750
Not on view
Joseph Highmore Study for a Group Portrait
Joseph Highmore, 1692–1780
Study for a Group Portrait
between 1729 and 1730
Not on view
Joseph Highmore The Harlowe Family, from Samuel Richardson's "Clarissa"
Joseph Highmore, 1692–1780
The Harlowe Family, from Samuel Richardson's "Clarissa"
between 1745 and 1747
Not on view
Robert Smirke The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
Robert Smirke, 1752–1845
The Seven Ages of Man: Second Childishness, 'As You Like It,' II, vii
between 1798 and 1801
Not on view
George Morland A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
George Morland, 1763–1804
A Woman, possibly Anne (née Ward) Morland, Wife of the Artist
ca. 1795
Not on view
Sir William Beechey Portrait of a Boy
Sir William Beechey, 1753–1839
Portrait of a Boy
ca. 1790
Not on view
Gwen John The Brown Tea Pot
Gwen John, 1876–1939
The Brown Tea Pot
between 1915 and 1916
Not on view
James Holland The Lady Betty Germain Bedroom at Knole, Kent
James Holland, 1799–1870
The Lady Betty Germain Bedroom at Knole, Kent
1845
Not on view
Arthur Devis An Unknown Man Seated at a Table
Arthur Devis, 1712–1787
An Unknown Man Seated at a Table
between 1744 and 1746
Not on view
Thomas Gainsborough Portrait of a Woman
Thomas Gainsborough, 1727–1788
Portrait of a Woman
ca. 1750
Not on view
Phillip King Brick Piece 1
Phillip King, 1934–2021
Brick Piece 1
1974
Not on view
Derby porcelain factory A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm
Derby porcelain factory, founded 1756
A Cleric: rotund figure in white clerical collar and black robes, with a red book tucked under his arm
ca. 1810
Not on view
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
William Hogarth Simon, Lord Lovat
Print made by William Hogarth, 1697–1764
Simon, Lord Lovat
George Romney Sibyl
George Romney, 1734–1802
Sibyl
undated
George Romney Couple Examining a Book
George Romney, 1734–1802
Couple Examining a Book
undated
William Blake Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The longest night though longer far, would fail"
ca. 1797
William Blake Moses Receiving the Law
William Blake, 1757–1827
Moses Receiving the Law
ca. 1780
William Blake Thomas Alphonso Hayley, Half-Length Drawing
attributed to William Blake, 1757–1827
Thomas Alphonso Hayley, Half-Length Drawing
ca. 1800
William Blake Thomas Hayley (1780-1800)
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827
Songs of Innocence and of Experience
1789-1794
William Blake The Poems of Thomas Gray, Design 37, "Ode to Adversity."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake Jerusalem, Plate 41, "Bath who is Legions...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 41, "Bath who is Legions...."
1804 to 1820
William Blake Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
1797
William Blake The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
William Blake, 1757–1827
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 29, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 5, "Ode on the Spring."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 64, "Of the Mundane Shell...."
1804 to 1820
William Blake Thomas Hayley (1780-1800)
Print made by William Blake, 1757–1827
Thomas Hayley (1780-1800)
1800
William Blake Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
1789
William Blake Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
ca. 1797
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
William Blake Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
1789
William Blake Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
1789
William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence, Plate 2, Title Page (Bentley 3)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 2, Title Page (Bentley 3)
1789
William Blake Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's Toll, Whose Restless Iron Tounge"
1797
William Blake The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
1797
William Blake Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
1794
William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
1794
William Blake The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 8, "In Living Creations Appear'd...." (Bentley 5)
1794
Paulus Pontius Aubertus Miræus
Print made by Paulus Pontius, 1603–1658
Aubertus Miræus
ca. 1635
James Bretherton The Damnation of Obadiah
Print made by James Bretherton, ca. 1730–1806
The Damnation of Obadiah
1773
John Glover Two Little Girls
John Glover, 1767–1849
Two Little Girls
ca. 1810
Benjamin West A Child Seated
Benjamin West, 1738–1820
A Child Seated
undated
William Henry Hunt Sophy Steadman Reading
William Henry Hunt, 1790–1864
Sophy Steadman Reading
ca. 1830
Robert Sargent Austin Romance
Print made by Robert Sargent Austin, 1895–1973
Romance
1922
John Faber the Younger Alexander Pope
John Faber the Younger, ca. 1695–1756
Alexander Pope
ca. 1744
Gerald Leslie Brockhurst Le Casaquin de Laine
Print made by Gerald Leslie Brockhurst, 1890–1978
Le Casaquin de Laine
1923
William Henry Hunt A Lady Reading
William Henry Hunt, 1790–1864
A Lady Reading
ca. 1835
Jacques Christophe Le Blon St. Catherine Reading
Jacques Christophe Le Blon, 1667–1741
St. Catherine Reading
undated
Benjamin West Costume Study for the Portrait of a Lady
Benjamin West, 1738–1820
Costume Study for the Portrait of a Lady
undated
Lady Salesbury The Misses Van and Lady Salisbury
Lady Salesbury, active 1791
The Misses Van and Lady Salisbury
1791
Alfred Henry Forrester Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
Alfred Henry Forrester, 1804–1872
Original Frontispiece for 'Book of Ballads' (Bon Gaultier)
ca. 1845
John James Chalon Portrait of a Man with Hat
Print made by John James Chalon, 1778–1854
Portrait of a Man with Hat
1792
Francesco Bartolozzi A Lecture on Gadding
Print made by Francesco Bartolozzi, 1728–1815
A Lecture on Gadding
1789
W. Pyott The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
Print made by W. Pyott, active late 18th century
The Benevolent Effects of Abolishing Slavery, or the Planter instructing his Negro
1792
Robert Cooper Mr. Wilkinson as Michael in Free & Easy
Print made by Robert Cooper, ca. 1800–1836
Mr. Wilkinson as Michael in Free & Easy
1822
Michael Childers David Hockney
Michael Childers, born 1944
David Hockney
1978
Lewis Morley Ray Davies and Thom Keyes
Lewis Morley, 1925–2013
Ray Davies and Thom Keyes
1966
Richard Dagley Paul Sandby
Print made by Richard Dagley, ca. 1765–1841
Paul Sandby
1831