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1. Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres

Portrait of Mr. Van Amburgh, As He Appeared with His Animals at the London Theatres
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
Summer 1846 to March 1847
Materials & Techniques:
Oil on canvas
Dimensions:
69 1/4 x 94 inches (175.9 x 238.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view

2. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 4 1/2 x 7 3/16 inches (11.5 x 18.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Conversion of the Proconsul

The Conversion of the Proconsul
Creator:
Print made by George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 11/16 x 7 1/4 inches (14.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Etching and stipple engraving with aquatint and red color woodcut on thick, smooth, cream wove paper
Dimensions:
Image: 5 1/4 x 8 1/4 inches (13.4 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Sacrifice at Lystra

The Sacrifice at Lystra
Creator:
George Baxter, 1804–1867
Date:
after 1855
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on cream card mounted on contemporary cream card
Dimensions:
Mount: 6 15/16 x 7 7/8 inches (17.7 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Drawing for a Frontispiece: "The Toast"

Drawing for a Frontispiece: "The Toast"
Creator:
Hubert-François Gravelot, 1699–1773
Date:
1735
Materials & Techniques:
Pen and black ink, pen and brown ink, and gray wash on medium, moderately textured, beige laid paper mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/8 x 5 5/8 inches (21.3 x 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Nicholas Stone Sr. and Nicholas Stone Jr.

Nicholas Stone Sr. and Nicholas Stone Jr.
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, cream wove paper
Dimensions:
Plate: 11 9/16 x 8 11/16 inches (29.4 x 22 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Caractacus before Claudius

Caractacus before Claudius
Creator:
Print made by unknown artist
Date:
1816
Materials & Techniques:
Etching and line engraving on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of James Wilson, YCBA Docent

9. Benjamin West, Esq. President of the Royal Academy

Benjamin West, Esq. President of the Royal Academy
Creator:
Print made by William Thomas Fry, 1789–1843
Date:
1820
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 11/16 × 6 inches (22.1 × 15.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. David Hume

David Hume
Creator:
Print made by Joseph Collyer, 1748–1827
Date:
undated
Materials & Techniques:
Line engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:
Sheet: 7 1/16 × 4 1/2 inches (17.9 × 11.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Chauncey Brewster Tinker

11. Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1

Frontispiece for Town and Country Magazine, for Vol. III for 1771, No. 1
Creator:
Isaac Taylor, 1730–1807
Date:
undated
Materials & Techniques:
Graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 3/16 × 3 15/16 inches (15.7 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

12. Frontispiece for Town and Country Magazine, for Vol. II, No. 1

Frontispiece for Town and Country Magazine, for Vol. II, No. 1
Creator:
Isaac Taylor, 1730–1807
Date:
undated
Materials & Techniques:
Gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/16 × 3 15/16 inches (16 × 10 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

13. Frontispiece Vol. VII, No. I for 1775 from Town and Country Magazine

Frontispiece Vol. VII, No. I for 1775 from Town and Country Magazine
Creator:
Isaac Taylor, 1730–1807
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 3 9/16 inches (17 × 9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

14. Andromache and Hecuba Weeping over the Ashes of Hector

Andromache and Hecuba Weeping over the Ashes of Hector
Creator:
Print made by Thomas Burke, 1749–1815
Date:
1771
Materials & Techniques:
Mezzotint on moderately thick, smooth, beige laid paper
Dimensions:
Sheet: 20 1/16 × 14 1/16 inches (51 × 35.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. And This Was Caesar

And This Was Caesar
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching and stipple engraving on moderately thick, slightly textured, beige wove paper with cream chine collé
Dimensions:
Sheet: 6 5/16 x 8 1/16 inches (16 x 20.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund