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201. Joshua Commanding the Sun to Stand Still

Joshua Commanding the Sun to Stand Still
Creator:
John Martin, 1789–1854
Date:
1827
Materials & Techniques:
Mezzotint, published state on moderately thick, slightly textured, cream wove paper, with cream chine-collé
Dimensions:
Sheet: 23 1/4 × 30 13/16 inches (59.1 × 78.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Bridge in Countryside

Bridge in Countryside
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gray wash and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 6 × 8 3/8 inches (15.2 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of William Lamson Warren, Class of 1935

203. Lago Maggiore

Lago Maggiore
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1828
Materials & Techniques:
Line engraving, 2nd state on medium, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Brignall Church

Brignall Church
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1821
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 × 15 1/4 inches (27.9 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Loch Achray (Vignette)

Loch Achray (Vignette)
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
Line engraving, second state on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/2 × 10 1/2 inches (36.8 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Gibraltar

Gibraltar
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Line engraving 1st published state on moderately thick, moderately textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 11 3/4 × 16 13/16 inches (29.8 × 42.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Buckfastleigh Abbey

Buckfastleigh Abbey
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1828
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 3/8 inches (26.8 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Valle Crucis Abbey, Denbighshire

Valle Crucis Abbey, Denbighshire
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1828
Materials & Techniques:
Line engraving, 3rd state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Kippford

Kippford
Creator:
Sir Frank Short, 1857–1945
Materials & Techniques:
Drypoint on laid paper
Dimensions:
Sheet: 8 3/4 x 12 3/4in. (22.2 x 32.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

211. Three Figures Resting by a Roadside

Three Figures Resting by a Roadside
Creator:
Evelyn Gibbs, 1905–1991
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, pen and black ink and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/4 × 9 inches (21 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

212. The Fishery

The Fishery
Creator:
Print made by William Woollett, 1735–1785
Date:
1768
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 18 1/4 × 22 11/16 inches (46.4 × 57.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. Free Natives of Dominica

Free Natives of Dominica
Creator:
Print made by Agostino Brunias, 1728–1796
Date:
1780
Materials & Techniques:
Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. Lac de Killin

Lac de Killin
Creator:
Print made by Richard Parkes Bonington, 1802–1828
Date:
1826
Materials & Techniques:
Lithograph on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 1/16 x 13 1/16 inches (25.5 x 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. Cave of Trophonius

Cave of Trophonius
Creator:
Sir Robert Smirke the younger, 1781–1867
Date:
1802-1804
Materials & Techniques:
Gray wash and graphite on thin, moderately textured, beige wove paper
Dimensions:
Sheet: 9 5/16 × 15 1/16 inches (23.7 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. The History of the Blind Beggar of Bethnal Green

The History of the Blind Beggar of Bethnal Green
Creator:
Print made by unknown artist
Date:
1909
Materials & Techniques:
Woodcut on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 5 inches (15.9 x 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. The River

The River
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 6 5/8 inches (20.6 x 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. Frost and Snow

Frost and Snow
Creator:
Print made by Alfred W. Cooper, active 1850–1901
Date:
undated
Materials & Techniques:
Wood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 8 3/16 x 6 5/8 inches (20.8 x 16.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. St. Herbert's Chapel

St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 7/8 inches (29.5 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. St. Pierre's Cottage

St. Pierre's Cottage
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, 1st state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 × 6 3/8 inches (29.5 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. Loch Lomond

Loch Lomond
Creator:
Print made by William Miller, 1796–1882
Date:
1834
Materials & Techniques:
line engraving, 1st state on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 11 5/8 × 6 1/2 inches (29.5 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. The Summit of Cader Idris Mountain

The Summit of Cader Idris Mountain
Creator:
Edward Rooker, 1724–1774
Date:
1775
Materials & Techniques:
Line engraving and etching with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 5/8 x 24 inches (44.8 x 61 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection