Puck and Fairies, from "A Midsummer Night's Dream"
ca. 1850
Not on view
18
Frederick W. Watts, 1800–1862
Rocky Hillside
ca. 1830
Not on view
19
unknown artist
A Horse Frightened by a Lioness
ca. 1800
Not on view
20
Henry Thomas Alken, 1785–1851
Partridge Shooting
ca. 1825
Not on view
21
Vanessa Bell, 1879–1961
Design for Omega Workshops Fabric
1913
22
Print made by George Stubbs, 1724–1806
A Sleeping Leopard
1791
23
Print made by George Stubbs, 1724–1806
A Tiger and a Sleeping Leopard
1788
24
Edward Lear, 1812–1888
Bassenthwaite
1836
25
Edward Lear, 1812–1888
Villa Torlania, formerly Villa Conti, Erascati
ca. 1844
26
Edward Lear, 1812–1888
Reggio, 26 July 1847
1847
27
Edward Lear, 1812–1888
Reggio
1847
28
Edward Lear, 1812–1888
Sorrento, 2 August 1838
1838
29
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
30
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
31
Print made by William Blake, 1757–1827
The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
1789
32
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
33
Print made by William Blake, 1757–1827
The Book of Thel, Plate 4, "Why should the mistress . . . ."
1789
34
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
35
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
1797
36
Print made by William Blake, 1757–1827
The Book of Thel, Plate 7, "But he that loves the lowly . . . ."
1789
37
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 2, Title Page
1794
38
Frederick Goulding, 1842–1909
Ruins of the Old Bridge, Vernon
1879
39
George Richmond, 1809–1896
Study of a Tree on a Grassy Bank
1866
40
George Richmond, 1809–1896
Study of Trees, etc., in a Meadow
1866
41
William Wyld, 1806–1889
View of Gibraltar
undated
42
Henry Monro, 1791–1814
A Wooded Track
1813
43
unknown artist
Design for a Greenhouse at Kew Gardens
undated
44
Paul Jacob Naftel, 1817–1891
Head of Loch Lomond, with Ben Lomond in the Distance
1859
45
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
46
Print made by Robert Sargent Austin, 1895–1973
Early Spring, Gloucestershire
1922
47
Thomas Hearne, 1744–1817
Cottage
undated
48
Michel Jean Cazabon, 1813–1888
On the Cimaronero River
1857
49
Stefano della Bella, 1610–1664
A Study in Pinks and Roses
undated
50
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
51
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
52
Stefano della Bella, 1610–1664
A Study of Pinks and Roses
undated
53
James Ward, 1769–1859
Study of a Climbing Plant (Pumpkin Family)
undated
54
Thomas Rowlandson, 1756–1827
Covent Garden Market
between 1795 and 1810
55
Print made by Benjamin Green, ca. 1736–ca. 1800
Oxford Physic Garden
1766
56
John Ruskin, 1819–1900
Four Species of Grasses
undated
57
Print made by Mark Catesby, 1682–1749
An Thymelaea foliis obtusis; Anseri Bassano &c: The Great Booby, Plate 86 from the 'Natural History of Carolina, Florida and the Bahama Islands', volume I, 2nd edition, London 1754
1754
58
Print made by John Chalon, 1738 – 1795
Study
1789-1790
59
Print made by Sir Charles D'Oyly, 1781–1845
Brahmins at a Toolsee Altar
ca. 1830
60
Sir Francis Seymour Haden, 1818–1910
By Twickenham
1865
61
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
62
Joan Beales, born 1926
London's Museums
1955
63
Thales Fielding, 1793–1837
Hop Picking
1832
64
George Edwards, 1694–1773
A Stone Curlew
ca. 1790
65
Print made by Thomas Bewick, 1753–1828
The Wild Bull, of the Ancient Caledonian Breed, Now in the Park, at Chillingham-Castle, Northumberland
1789
66
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
67
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
68
Francis Barlow, 1622–1704
Hare Hunting
undated
69
Print made by George Cruikshank, 1792–1878
Mr Crump's Extreme Politeness
undated
70
Thomas Daniell, 1749–1840
Sketches
undated
71
Print made by Alfred Henry Forrester, 1804–1872
Wrapper for six prints from Alfred Crowquill's Christmas Pieces
undated
72
Thomas Rowlandson, 1756–1827
The Gardener's Offering
between 1803 and 1805
73
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
74
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
75
Henry Thomas Alken, 1785–1851
Pheasant Shooting
undated
76
C. Blake, active 1825–1826
"The Poacher's Progress:" 'Poachers Snaring Pheasants'
undated
77
John Buckler FSA, 1770–1851
The Court at Blithfield
1823
78
Possibly Henry Thomas Alken, 1785–1851
Drawing Covert
undated
79
Henry William Bunbury, 1750–1811
Patience in a Punt
undated
80
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
81
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
82
Peter P. Benazech, 1767–1794
For Japaning, Where may be 200 Different Sorts
1757
83
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower