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A Woman Rescued from the Sea and Assisted Ashore, Rowing Boat and Rescuers in Background
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 5/8 inches (16.5 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Perseus Flying to the Rescue of Andromeda
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 3/16 x 17 5/16 inches (31 x 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Salvage Men, World War I
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1919
Materials & Techniques:
Drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 x 13 3/4 inches (28.6 x 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
Cupid and Psyche
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 10 3/16 × 13 1/2 inches (25.9 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cupid and Psyche
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 13 1/16 inches (24.9 × 33.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Cupid and Psyche
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
undated
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 13 3/16 inches (24.9 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund