Image Available: Available / Subject Terms: ruins - YCBA Collections Search Search Results

301. Rievaulx Abbey, Yorkshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 3/4 × 5 inches (34.9 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

302. Valle Crucis Abbey, near Llangollen

Creator:: imitator of Thomas Girtin, 1775–1802
Date:: between 1798 and 1801
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 1/4 × 11 5/8 inches (21 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

303. Tempio di Clitumno, Rome, after Piranesi

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 8 7/16 x 12 1/8 inches (21.4 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

304. Guisborough Priory

Creator:: follower of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

305. The Colosseum at Rome

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Pastel on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

306. The Quwwat-ul-Islam (or Might of Islam) mosque and the Iron Pillar of Delhi, Qtub Minar complex

Creator:: Hercules Brabazon Brabazon, 1821–1906
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/4 x 11 1/4 inches (22.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

307. The Destruction of Pompeii

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Watercolor and pastel on medium, slightly textured, cream wove paper mounted on card
Dimensions:: Sheet: 14 3/8 x 10 3/8 inches (36.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

308. Muckross Abbey, Killarney

Creator:: Print made by Morgan Dennis, 1892–1960
Date:: undated
Materials & Techniques:: Drypoint and etching on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 5/16 x 10 1/8 inches (18.6 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

309. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

Creator:: Print made by John Doyle ('H.B.'), 1797–1868
Date:: 1847
Materials & Techniques:: Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 12 1/16 x 17 9/16 inches (30.6 x 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

310. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

311. Mountain Landscape with Two Figures on a Winding Road

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper prepared with yellow wash
Dimensions:: Sheet: 6 7/16 x 9 1/4 inches (16.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

312. Classical Landscape with Ruin on Left, Two Figures on Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Brown wash, gray wash, pen and brown ink, and graphite on moderately thick, moderately textured, beige laid paper, prepared with yellow wash
Dimensions:: Sheet: 5 5/16 x 7 1/2in. (13.5 x 19.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

313. Three Figures in a Hilly Landscape with Ruins, beyond

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and brown ink over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 4 7/16 x 6 3/4 inches (11.3 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

314. The Keep, Porchester Castle

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

315. St. Paul's Church, Covent Garden, after the fire

Creator:: Edward Dayes, 1763–1804
Date:: 1795
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 5 5/8 inches (8.9 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

316. Llanberis Lake, with Castle Dolbadern

Creator:: John Varley, 1778–1842
Date:: ca. 1805
Materials & Techniques:: Watercolor and graphite on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 3/4 x 26 1/8 inches (50.2 x 66.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

317. Edlingham Castle, Northumberland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Gray wash, brown wash and black chalk on moderately thick, slightly textured gray wove paper
Dimensions:: Sheet: 4 1/2 × 7 inches (11.4 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

318. Jumma Musjid, Mandoo

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1834
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

319. Castle above a Lake with Distant Mountain under Stormy Sky

Creator:: Rev. William Gilpin, 1724–1804
Date:: undated
Materials & Techniques:: Gray wash with pen and brown ink and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 7/8 x 9 7/16 inches (14.9 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

320. Landscape with a Ruined Castle on the Right

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash, black ink, and graphite on moderately thick, moderately textured, beige laid paper, prepared with pink wash
Dimensions:: Sheet: 5 1/2 x 7 3/8in. (14 x 18.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

321. Landscape with Road in Foreground

Creator:: Rev. William Gilpin, 1724–1804
Date:: between 1745 and 1748
Materials & Techniques:: Gray wash with pen and black ink over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 inches (13.7 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

322. Llanthony Abbey, Monmouthshire

Creator:: Edward Dayes, 1763–1804
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 7/8 × 9 inches (14.9 × 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

323. Buildwas Abbey, Shropshire

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1790
Materials & Techniques:: Watercolor, pen, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 15 5/8 inches (26.7 x 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

324. Elgin Cathedral, Moray

Creator:: Edward Dayes, 1763–1804
Date:: 1792
Materials & Techniques:: Watercolor, graphite, pen, gray ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 x 8 1/2 inches (16.5 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

325. Druidical Remains

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 6 1/2 inches (12.1 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

326. View of the Convent of the Clarisses at Valenciennes after the Seige

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink , black wash, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 16 1/8 × 22 3/4 inches (41 × 57.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

327. Ruins at Chiaravalle near Ancona, Italy

Creator:: Edward Jones, active 1819–1835
Date:: 1818
Materials & Techniques:: Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 × 4 1/2 inches (15.9 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn

328. Cattle Watering by Corinthian Columns

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 7/8 inches (15.1 x 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

329. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

Creator:: attributed to Thomas Gainsborough, 1727–1788
Date:: 1742
Materials & Techniques:: Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

330. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor over graphite with scraping out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

331. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

Creator:: John Fulleylove, 1845–1908
Date:: ca. 1895
Materials & Techniques:: Watercolor and graphite, with scraping out on thick, rough, wove paper
Dimensions:: Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

332. Haverfordwest, Pembrokeshire

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: 1791
Materials & Techniques:: Watercolor with black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 1/2 inches (24.1 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

333. Mitford Castle, Northumberland

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

334. Holy Island and Castle, Northumberland

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 3/16 × 6 3/16 inches (10.6 × 15.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

335. View of St. Nicholas Church at Valenciennes after the Siege

Creator:: Joseph Farington, 1747–1821
Date:: 1793
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 19 × 26 13/16 inches (48.3 × 68.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

336. Ruined Archway with a Line of Washing, possibly in Rome

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor, graphite, and blue wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 × 8 7/8 inches (26.7 × 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

337. An Old Barn, Trees and Cow

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, gray wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 11 1/8 inches (21 × 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

338. Facade of Ruined (?) Roman Temple, with Columns and Doorway

Creator:: Heneage Finch fourth Earl of Aylesford, 1751–1812
Date:: after 1771
Materials & Techniques:: Watercolor and graphite, verso: blue wash on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 1/4 × 8 inches (23.5 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

339. Gate of the Old Fort at Old Benares

Creator:: Samuel Davis, 1760–1819
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite on wove paper with pen and brown ink border laid down on heavy wove paper
Dimensions:: Mount: 21 × 27 3/4 inches (53.3 × 70.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

340. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

Creator:: Thomas Daniell, 1749–1840
Date:: ca. 1785
Materials & Techniques:: Graphite and red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 8 7/8 x 13 1/2 inches (22.5 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

341. Bridge and Patna Gate and Monghyr Fort

Creator:: William Daniell, 1769–1837
Date:: 1788
Materials & Techniques:: Brown wash, pen and brown ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 5/16 × 20 3/4 inches (36.4 × 52.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

342. Nether Hall, Essex

Creator:: Henry Edridge, 1769–1821
Date:: 1806
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 10 5/8 inches (37.8 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

343. Long-Horned Cattle

Creator:: Robert Hills, 1769–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/4 x 14 15/16 inches (28.5 x 37.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

344. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

Creator:: John Fulleylove, 1845–1908
Date:: undated
Materials & Techniques:: Watercolor and graphite on thick, rough, wove paper
Dimensions:: Sheet: 11 × 15 3/8 inches (27.9 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

345. Norham Castle, Northumberland

Creator:: Capt. Francis Grose, 1731–1791
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/16 × 6 1/16 inches (10.3 × 15.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

346. Landscape with a Ruined Norman Church

Creator:: attributed to Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor with gouache over graphite on medium, smooth, beige laid paper
Dimensions:: Sheet: 13 1/8 x 19 1/8 inches (33.3 x 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

347. Cotton Garden, Westminster

Creator:: Print made by John Thomas Smith, 1766–1833
Date:: 1804
Materials & Techniques:: Etching on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 11 7/8 × 9 1/8 inches (30.2 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

348. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1842
Materials & Techniques:: Engraving on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 inches (33 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

349. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1836
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 3/4 × 4 3/8 inches (19.7 × 11.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

350. Temple Ruins at Plessey

Creator:: Thomas Daniell, 1749–1840
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 5/8 x 13 1/2 inches (21.9 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul F. Walter

351. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

352. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Line engraving
Dimensions:: Sheet: 11 1/8 × 16 5/8 inches (28.3 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

353. Jumièges

Creator:: James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, Engraver's proof on moderately textured, slightly textured, beige wove paper with cream chine collé
Dimensions:: Sheet: 11 1/4 × 16 3/8 inches (28.6 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

354. The Entrance into the Temple of the Sun in Palmira from the East

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 × 15 inches (27.9 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

355. Margain Abbey, Glamorganshire

Creator:: unknown artist
Date:: 1805
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

356. The Remains of the Great Temple in Palmira seen from the West. ...

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Plate: 11 1/8 × 15 1/8 inches (28.3 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

357. A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

Creator:: Thomas Bowles, ca. 1712–died 1753
Date:: undated
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/4 × 16 1/4 inches (28.6 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

358. Bacharach on the Rhine

Creator:: Print made by Edward Francis Finden, 1791–1857
Date:: 1832-1834
Materials & Techniques:: Line engraving, engraver's proof (early) on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/8 × 11 7/8 inches (43.5 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

359. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 × 17 1/2 inches (30.5 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

360. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

361. Jumièges

Creator:: Print made by James Charles Armytage, 1802–1897
Date:: 1834
Materials & Techniques:: Line engraving, engraver's proof, touched on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 12 1/8 × 17 3/8 inches (30.8 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

362. Ruins at Ephesus

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 5 1/2 × 13 1/8 inches (14 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

363. Ruins at Didyma

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 10 1/4 × 16 1/2 inches (26 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

364. The Tomb of the Horatii and Curatii

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and brown wash on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 9 7/8 × 15 1/4 inches (25.1 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

365. Torre delle Milizie

Creator:: Lewis Vulliamy, 1791–1871
Date:: between 1818 and 1822
Materials & Techniques:: Graphite and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:: Sheet: 8 15/16 × 15 1/16 inches (22.7 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

366. Unidentified Castle

Creator:: James Moore, 1762–1799
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 8 1/2in. (14 x 21.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

367. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

Creator:: Print made by John Le Keux, 1783–1846
Date:: ca. 1836
Materials & Techniques:: Engraving proof on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 1/2 × 5 1/8 inches (19.1 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

368. View of St Stephen's Chapel as it appeared after the Fire in October 1834

Creator:: Print made by Frederick Mackenzie, 1788–1854
Date:: 1843
Materials & Techniques:: Lithograph on slightly textured, thick, cream wove paper
Dimensions:: Sheet: 12 1/8 × 13 3/4 inches (30.8 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

369. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

Creator:: Print made by Robert William Billings, 1813–1874
Date:: 1835
Materials & Techniques:: Line engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 7 13/16 × 5 inches (19.8 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

370. View through the South East Window of the Crypt beneath St Stephen's, Westminster

Creator:: George Johann Scharf, 1788–1860
Date:: 1852
Materials & Techniques:: Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

371. West view of the Ruins of Cowdray House, Sussex

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 19 3/4 inches (33 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

372. West View of the Ruins of Cowdray House, Sussex; from the Court

Creator:: John Buckler FSA, 1770–1851
Date:: 1825
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 12 7/8 × 19 3/4 inches (32.7 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

373. Smailholm Tower

Creator:: Print made by William Forrest, 1802–1889
Date:: 1836
Materials & Techniques:: Line engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

374. Visitors Inspecting Abbey Ruins

Creator:: Thomas Rowlandson, 1756–1827
Date:: undated
Materials & Techniques:: Watercolor with pen and gray ink, and pen and red ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 7/8 inches (14 x 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

375. Hadleigh Castle, Essex, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 1/2 × 7 13/16 inches (16.5 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

376. Chapel of the Holy Ghost, Basingstoke, England

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

377. Cerne Abbey

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Pen and black ink, gray ink, gray wash, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

378. Eagle Tower of Caernarfon Castle, Wales

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

379. Ludlow Castle, Shropshire

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Gray wash and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 1/4 inches (16.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

380. Ludlow Castle, Shropshire

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 1/4 inches (16.8 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

381. Montgomery Castle, Powys, Mid-Wales

Creator:: James Moore, 1762–1799
Date:: 1791
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 6 5/8 × 8 5/16 inches (16.8 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

382. Warkworth Castle, Northumberland

Creator:: James Moore, 1762–1799
Date:: 1792
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

383. Arros Castle, Isle of Mull

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

384. Old Wick Castle, Caithness

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

385. Tynemouth, Northumberland

Creator:: unknown artist
Date:: after 1814
Materials & Techniques:: Watercolor with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

386. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

Creator:: John Buckler FSA, 1770–1851
Date:: 1815
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

387. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

388. South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1822
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

389. David Roberts

Creator:: Print made by Charles Baugniet, 1814–1886
Date:: 1844
Materials & Techniques:: Lithograph on thick, smooth, beige card with gray chine collé
Dimensions:: Sheet: 15 3/8 × 12 3/16 inches (39.1 × 30.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

390. Church of L'Ery, near Pont-de-l'Arche

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1820
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 19 15/16 inches (35.6 x 50.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Russell

391. Lillebonne, Château

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1834
Materials & Techniques:: Line engraving, and etching, engraver's proof (early) on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 8 3/4 × 12 7/8 inches (22.2 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

392. Lillebonne, Château and Tower

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1834
Materials & Techniques:: Etching and line-engraving, engraver's proof on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

393. Ticket: For the Benefit of Mr. Salpietro

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1799
Materials & Techniques:: Etching and stipple engraving on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 5 9/16 inches (10.8 × 14.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

394. Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Ruins of Ancient Rome; Temple of Concord, Temple of Antoninus and Faustina, Arch of Titus, Statue of M. Aurelius, Marcellus Theatre, Trajans Pillar

Creator:: Print made by William Austin, 1721–1820
Materials & Techniques:: Hand-colored engraving on laid paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

395. A View of the Ruins of the Temple of Jupiter Olympius at Athens

Creator:: unknown artist
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

396. Le Colonnacce, Rome: Remains of the Inner Walls of the Forum of Nerva

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: ca. 1840
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 26 × 19 inches (66 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Constance Clement in memory of her parents, Dr. and Mrs. David Hale Clement

397. Dustanborough Castle from a Distance

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1796
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 × 8 1/4 inches (12.7 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

398. Flint Castle

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1798
Materials & Techniques:: Pen and brown ink on thin, smooth, cream wove paper
Dimensions:: Sheet: 5 3/8 x 8 1/8 inches (13.7 x 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

399. Ruins of Savoy Palace

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1795
Materials & Techniques:: Graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 9/16 x 11 3/4 inches (21.7 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

400. Hillslap

Creator:: David Roberts, 1796–1864
Date:: undated
Materials & Techniques:: Gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/8 × 6 3/4 inches (12.4 × 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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301. Rievaulx Abbey, Yorkshire

302. Valle Crucis Abbey, near Llangollen

303. Tempio di Clitumno, Rome, after Piranesi

304. Guisborough Priory

305. The Colosseum at Rome

306. The Quwwat-ul-Islam (or Might of Islam) mosque and the Iron Pillar of Delhi, Qtub Minar complex

307. The Destruction of Pompeii

308. Muckross Abbey, Killarney

309. A Study for a Caius Marius Sitting amidst the Ruins of Carthage, Rather a Serious Subject: "Napoleon was in the habit of comparing England to Carthage!"

310. Ticket: For the Benefit of Mr. Salpietro

311. Mountain Landscape with Two Figures on a Winding Road

312. Classical Landscape with Ruin on Left, Two Figures on Right

313. Three Figures in a Hilly Landscape with Ruins, beyond

314. The Keep, Porchester Castle

315. St. Paul's Church, Covent Garden, after the fire

316. Llanberis Lake, with Castle Dolbadern

317. Edlingham Castle, Northumberland

318. Jumma Musjid, Mandoo

319. Castle above a Lake with Distant Mountain under Stormy Sky

320. Landscape with a Ruined Castle on the Right

321. Landscape with Road in Foreground

322. Llanthony Abbey, Monmouthshire

323. Buildwas Abbey, Shropshire

324. Elgin Cathedral, Moray

325. Druidical Remains

326. View of the Convent of the Clarisses at Valenciennes after the Seige

327. Ruins at Chiaravalle near Ancona, Italy

328. Cattle Watering by Corinthian Columns

329. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

330. The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens

331. The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light

332. Haverfordwest, Pembrokeshire

333. Mitford Castle, Northumberland

334. Holy Island and Castle, Northumberland

335. View of St. Nicholas Church at Valenciennes after the Siege

336. Ruined Archway with a Line of Washing, possibly in Rome

337. An Old Barn, Trees and Cow

338. Facade of Ruined (?) Roman Temple, with Columns and Doorway

339. Gate of the Old Fort at Old Benares

340. William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River

341. Bridge and Patna Gate and Monghyr Fort

342. Nether Hall, Essex

343. Long-Horned Cattle

344. The Southern Side of the Erectheum, with the Foundation of the Earlier Temple of Athena Polias

345. Norham Castle, Northumberland

346. Landscape with a Ruined Norman Church

347. Cotton Garden, Westminster

348. Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults

349. Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster

350. Temple Ruins at Plessey

351. Lillebonne, Château

352. Lillebonne, Château and Tower

353. Jumièges

354. The Entrance into the Temple of the Sun in Palmira from the East

355. Margain Abbey, Glamorganshire

356. The Remains of the Great Temple in Palmira seen from the West. ...

357. A View of St. Martin's Church, Also of the Arch of Septimius Severus, through which the Roman Generals marched in their Triumphs to the Capitol.

358. Bacharach on the Rhine

359. Lillebonne, Château

360. Jumièges

361. Jumièges

362. Ruins at Ephesus

363. Ruins at Didyma

364. The Tomb of the Horatii and Curatii

365. Torre delle Milizie

366. Unidentified Castle

367. Plate XXVII: St Stephen's Chapel, Looking East, Westminster

368. View of St Stephen's Chapel as it appeared after the Fire in October 1834

369. Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall

370. View through the South East Window of the Crypt beneath St Stephen's, Westminster

371. West view of the Ruins of Cowdray House, Sussex

372. West View of the Ruins of Cowdray House, Sussex; from the Court

373. Smailholm Tower

374. Visitors Inspecting Abbey Ruins