"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
102
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
103
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
104
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
105
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
106
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
107
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
108
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
109
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
110
James Seymour, 1702–1752
Foxhunter, with Jockey Up
undated
111
James Seymour, 1702–1752
Sloven, with Jockey Up, Galloping to Right
undated
112
James Seymour, 1702–1752
Racehorse with Jockey Up: Galloping, Seen from the Near-Side; the Jockey Holds a Switch
undated
113
James Seymour, 1702–1752
Racehorse with Jockey Up: the Jockey Holds a Whip in His Teeth
undated
114
Henry Thomas Alken, 1785–1851
A Groom Leading a Bay Horse
undated
115
Henry Thomas Alken, 1785–1851
'Getting Across the Country Like a Gentleman'
undated
116
Henry Thomas Alken, 1785–1851
'Rather Too Slow'
undated
117
Henry Thomas Alken, 1785–1851
'Rather Too Fast'
undated
118
Henry Thomas Alken, 1785–1851
'Riding to Horses with Difficulty'
undated
119
Henry Thomas Alken, 1785–1851
Rider Holding on to a Gray Horse After a Fall
undated
120
Henry Thomas Alken, 1785–1851
Jumping a Wooden Fence
undated
121
Henry Thomas Alken, 1785–1851
Jumping a Double Oxer - A Rider in Difficulties
undated
122
Henry Thomas Alken, 1785–1851
Steeplechasing: The Field Coming up to a Ditch
undated
123
Peter Tillemans, 1684–1734
Horse and Rider Walking to Left in a Hilly Landscape
undated
124
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
125
Print made by unknown artist
Harvest
undated
126
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
127
James Seymour, 1702–1752
Setting Off for the Chase: The Huntsman Leading out a Pack of Harriers followed by the Master and the Whipper-In
undated
128
James Seymour, 1702–1752
A Gentleman on a Managed Horse Riding Out With a Lady
undated
129
Nathaniel Smith, 1740–1787
Westminster Abbey and St. Paul's from Battersea Fields
undated
130
Richard Dighton, 1795–1880
Mr. Ashton Smith
1841
131
Richard Dighton, 1795–1880
Mr. Smith Dorian, 1841
1841
132
George Moutard Woodward, ca. 1760–1809
A Family Likeness
undated
133
Print made by Michael "Angelo" Rooker, 1746–1801
A View of the Prince's House at Kew
1776
134
Attributed to James Sharples, ca. 1751–1811
Two Children Wearing Yellow Dresses, the Elder Holding a Rolling Hoop and Stick and the Younger Holding a Whip Top and Whip
undated
135
Print made by unknown artist
The Young Roscius
1804
136
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
137
Print made by unknown artist
Fortune
1796
138
Print made by L. Truchy, 1721–1764
Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore
1762
139
Print made by James Bretherton, ca. 1730–1806
John Jehu L'Inghilterra
1772
140
Print made by Charles Bretherton, ca. 1760–1783
Postiglione Germanico
1772
141
Print made by James Bretherton, ca. 1730–1806
Englishman at Paris, 1767
1799
142
Print made by Bradshaw & Blacklock, active ca.1850
Four Subjects
after 1850
143
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot
1823
144
James Gillray, 1756–1815
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
145
Print made by James Gillray, 1756–1815
Taming of the Shrew. Katharine and Petruchio - The Modern Quixotte, or, What You Will
1791
146
Print made by Gabriel Charton, active 1810
Juif; Paysan d'Ukraine
ca. 1810
147
Print made by Thomas Bewick, 1753–1828
The Cadger's Trot (first State)
1823
148
Paul Sandby, 1731–1809
The Opening of the Carnival at Rome
ca. 1781
149
Paul Sandby, 1731–1809
The Horse Race at Rome During the Carnival
ca. 1781
150
Print made by Thomas Barber, ca. 1768–1843
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington
1829
151
Print made by Robert Isaac Cruikshank, 1789–1856
A Correct Representation of Her Majesty Queen Caroline Returning from the House of Lords, 1820