The Essex East Indiaman in the Morning after the Storm with Her Signal of Distress to a Ship in Sight
1785
21205
George Moutard Woodward, ca. 1760–1809
A Peep at the Lion
1802
21206
after George Moutard Woodward, ca. 1760–1809
The King
ca. 1798
21207
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's dockyard, at Sheerness
1755
21208
Print made by Florence Claxton, active 1855–1889
A Conversazione
undated
21209
George Moutard Woodward, ca. 1760–1809
An Undertaker in Distress
1796
21210
George Moutard Woodward, ca. 1760–1809
A Clerical Rebuke & Parochial Reply
1794
21211
Thomas Rowlandson, 1756–1827
The Word Eater
1786
21212
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical plan of his Majesty's Dockyard near Portsmouth
1754
21213
Print made by George Moutard Woodward, ca. 1760–1809
A Charge of Bastardy before Justice Juggle
1790
21214
Thomas Rowlandson, 1756–1827
A Touch of the Times
1788
21215
Print made by Pierre Charles Canot, ca. 1710–1777
Geometrical Plan of his Majesty's Dockyard, at Woolwich
1753
21216
Thomas Rowlandson, 1756–1827
The Modern Egbert, or the King of Kings
1789
21217
Print made by Florence Claxton, active 1855–1889
A Game at Cards
undated
21218
Thomas Rowlandson, 1756–1827
Suitable Restrictions
1789
21219
Thomas Rowlandson, 1756–1827
Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman
1785
21220
Thomas Rowlandson, 1756–1827
The Reconciliation, or the Return from Scotland
1793
21221
Thomas Rowlandson, 1756–1827
Box-Lobby Hero, The Branded Bully, or the Ass Stripp'd of the Lion's Skin
ca. 1786
21222
Thomas Rowlandson, 1756–1827
The Times
ca. 1783
21223
Thomas Rowlandson, 1756–1827
A Lying-In Visit, or a Short-Sighted Mistake
1792
21224
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
21225
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
21226
Thomas Rowlandson, 1756–1827
Uncle George and Black Dick at Their New Game of Naval Shuttlecock
1787
21227
Richard Newton, 1777–1798
Michael driving Satan out of Paradise
1792
21228
Richard Newton, 1777–1798
An Old Grudge
1795
21229
Richard Newton, 1777–1798
Enjoying an Old Friend
1795
21230
Richard Newton, 1777–1798
A Serious Thought of a Plain Englishman, in 1793
1793
21231
Richard Newton, 1777–1798
Pull Devil - Pull Parson
1795
21232
Richard Newton, 1777–1798
Opening the Ambassadors Ball in Paris
1794
21233
Richard Newton, 1777–1798
A Political Wil'O The Wisp
1795
21234
Richard Newton, 1777–1798
Patriotism
1794
21235
Richard Newton, 1777–1798
Pluck'd Pigeons
1792
21236
Richard Newton, 1777–1798
All of One Mind or a Mutual Agreement amongst Traveller
1794
21237
Richard Newton, 1777–1798
Tricks upon Travellers
1795
21238
Richard Newton, 1777–1798
Hibernian Sagacity and Sang Froid
1795
21239
Richard Newton, 1777–1798
Ca Ira - or John Bull studying the Graces!!---
1792
21240
Richard Newton, 1777–1798
The Misers Economy
1794
21241
Richard Newton, 1777–1798
A Visit to the Grandfather, How Do Grand Pa?
1792
21242
Richard Newton, 1777–1798
The Blue Devils!
1795
21243
Attributed to Thomas Cook, 1744–1818
Plan of Lambeth Palace
1750
21244
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
21245
Richard Newton, 1777–1798
A Sketch from Highlife
1791
21246
S. G. Hughes, active 1832
View of the Intersection Bridge on the line of St. Helen's & Runcorn Gap Railway, Crossing the Liverpool and Manchester Railway near the Foot of the Sutton Inclined Plane
1832
21247
Richard Newton, 1777–1798
Scene in the Road to Ruin
1792
21248
John Nixon, ca. 1760–1818
How to Avoid the Horse Duty
1791
21249
unknown artist
Le Gourmand, Heavy Birds fly Slow, Delay Breeds Danger, A Scene at Varennes, June 21, 1791
1791
21250
Print made by Isaac Cruikshank, 1764–1811
The Wrangling Friends or Opposition in Disorder
1791
21251
William O'Keefe, active 1794–1807
A Bundle of Straw
1795
21252
Print made by William O'Keefe, active 1794–1807
A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of Blodd
1796
21253
William O'Keefe, active 1794–1807
A Present for Past Favours
1796
21254
William O'Keefe, active 1794–1807
Inspection of Property and Income, John Bull and The Inquisition
1798
21255
Print made by Florence Claxton, active 1855–1889
Four Intellects
undated
21256
William O'Keefe, active 1794–1807
Private Conference on the Meeting of P-L-M-N-T
ca. 1794
21257
William O'Keefe, active 1794–1807
A Pious Endeavour to Moralize John Bull
1798
21258
William O'Keefe, active 1794–1807
Dog Days, or Paying off Billy Budget
1796
21259
William O'Keefe, active 1794–1807
Hell Broke Loose, Billy and his Gang, Working the Swine
21260
William O'Keefe, active 1794–1807
Making Composition Bread, for John Bull
1796
21261
William O'Keefe, active 1794–1807
Ducking a Pickpocket
1797
21262
William O'Keefe, active 1794–1807
The Town Cryer, in Search of John Bull's Lost Property
1797
21263
William O'Keefe, active 1794–1807
The Taxman's Visit, (vide) the Devil will have his Due
1797
21264
William O'Keefe, active 1794–1807
A-La-Mode
1789
21265
William O'Keefe, active 1794–1807
The Fatal Blow, John Bull Overburthen'd
21266
Print made by Florence Claxton, active 1855–1889
Shopping
undated
21267
William O'Keefe, active 1794–1807
An Irish Attack on an English Surloin
1794
21268
John Nixon, ca. 1760–1818
Menage as Champanzee in Perouse
1801
21269
William O'Keefe, active 1794–1807
A Contest between Oppression and Reason, On the Best Way of Settleing Debates
1795
21270
John Nixon, ca. 1760–1818
Maiden Speeches in the New Parliament of 1796 (Plate I)
1797
21271
John Nixon, ca. 1760–1818
Monkey Sharp of Newbury
1801
21272
William O'Keefe, active 1794–1807
How to Attack, Defeat, and Destroy all France
1795
21273
John Nixon, ca. 1760–1818
Maiden Speeches in the New Parliament of 1796 (Plate II)
1796
21274
James Sayer, 1748–1823
The Minister Endeavouring to Eke Out Dr. Pr--ty-----n's Bisho-Prick
1787
21275
James Sayer, 1748–1823
A Whisper across the Channel
1785
21276
James Sayer, 1748–1823
Monsieur Francois introduces Master Pr----------tly to the National Assembly
1792
21277
James Sayer, 1748–1823
A Noble Lord, on an Approching Peace, Too Busy to attend to the Expenditure of a Million of the Public Money
1787
21278
Print made by Florence Claxton, active 1855–1889
Crystal Palace
undated
21279
James Sayer, 1748–1823
Untitled (Seated Barrister)
1789
21280
James Sayer, 1748–1823
Neddy's Black Box, Containing what he does not value Three Shipps of a Louse
1789
21281
James Sayer, 1748–1823
The Injured Count, - S. -
ca. 1792
21282
James Sayer, 1748–1823
The Regency Twelfth Cake not cut up, and All the People rejoiced and said "Long Live the King"
1789
21283
James Sayer, 1748–1823
Barataria
1789
21284
James Sayer, 1748–1823
A Shot at the Min----r, for a Call of the House
1787
21285
James Sayer, 1748–1823
The Rights of the People, a Mis-Fire-at the Consitution ____
1789
21286
James Sayer, 1748–1823
To be seen at Mr J------n's Menagerie-----
1789
21287
James Sayer, 1748–1823
The Patriot Exalted
ca. 1788
21288
James Sayer, 1748–1823
Eloquence founded on Chemical Principles
1787
21289
James Sayer, 1748–1823
Dun-shaw, One Foot in Leadenhall Street, and the other in the Province of Bengal (from: Caricature, vol. 5)
1788
21290
James Sayer, 1748–1823
Impeachment Ticket
ca. 1785
21291
James Sayer, 1748–1823
The First Charge - Exit in Fumo
1788
21292
James Sayer, 1748–1823
Pand(e)monium
1784
21293
James Sayer, 1748–1823
A Dish of Mutton-Chop's
1788
21294
Print made by Adelaide Claxton, 1858–1905
June - Society at the Drawing Room
undated
21295
James Sayer, 1748–1823
A Posthaste Conveyance for S---Members
1784
21296
James Sayer, 1748–1823
A Transfer of East India Stock
1783
21297
James Sayer, 1748–1823
A Hasty Sketch of Yesterday's Business
1784
21298
James Sayer, 1748–1823
Such was the Love of Office of the Noble Lord, That finding he would not be Permitted to Mount the Box, He had been Content to get up Behind
1783
21299
Annibal Scratch, active 1791
The Political Rat Catcher or Jack Renegado's new Patent Trap's