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21501. Ivy Bridge, Devonshire

Ivy Bridge, Devonshire
Creator:
Print made by James C. Allen, active 1821–1831
Date:
1816
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 1/2 inches (31.8 × 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21502. Source of the Tamer and Torridge

Source of the Tamer and Torridge
Creator:
Print made by William Bernard Cooke, 1778–1855
Date:
1816
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/2 × 17 1/4 inches (31.8 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21503. Rome, Bridge, and Castle of St. Angelo, on the Tyber

Rome, Bridge, and Castle of St. Angelo, on the Tyber
Creator:
Print made by George Hollis, 1792–1842
Date:
1818
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 13/16 inches (27.3 × 37.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21504. The Forum Romanum

The Forum Romanum
Creator:
Print made by James Mitan, 1776–1822
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21505. The Rialto, Venice

The Rialto, Venice
Creator:
Print made by John Pye, 1782–1874
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 15 3/16 inches (27.1 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21506. Rome from Monte Mario

Rome from Monte Mario
Creator:
Print made by John Byrne, 1786–1847
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 inches (26.7 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21507. Amboise

Amboise
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1903
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Plate: 10 7/16 x 6 1/16in. (26.5 x 15.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Allen Evarts Foster, B.A. 1906

21508. Place Plumereau, Tours

Place Plumereau, Tours
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1903
Materials & Techniques:
Etching on Japanese paper
Dimensions:
Sheet: 12 1/8 × 8 1/4 inches (30.8 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, The Edwin M. Herr, Ph.D. 1884, Memorial Collection; Gift of Mrs. Herr

21509. La Riccia

La Riccia
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 15 1/8 inches (26.8 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21510. Bridge at Narni

Bridge at Narni
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 1/8 inches (27 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21511. Lake of Nemi

Lake of Nemi
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and engraving; second state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 inches (27 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21512. Antiquities at Pola, Frontispiece

Antiquities at Pola, Frontispiece
Creator:
Print made by George Cooke, 1781–1834
Date:
ca. 1818
Materials & Techniques:
Etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 11 3/4 inches (19.7 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21513. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching; open etched state on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 8 9/16 × 12 3/4 inches (21.7 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21514. Harfleur

Harfleur
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1903
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 8 1/2 inches (38.7 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection, The Edwin M. Herr, Ph.D. 1884, Memorial Collection; Gift of Mrs. Herr

21515. The Forth

The Forth
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 6 1/4 inches (11.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21516. Florence, from the Ponte alla Carraia

Florence, from the Ponte alla Carraia
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1818
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21517. Tomb of Cecilia Metella

Tomb of Cecilia Metella
Creator:
Print made by John Byrne, 1786–1847
Date:
1819
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 7/8 inches (26.7 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21518. Naples, from the Mole

Naples, from the Mole
Creator:
Print made by George Cooke, 1781–1834
Date:
1818-1820
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 1/8 inches (27.3 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21519. Florence, from the Chiesa al Monte

Florence, from the Chiesa al Monte
Creator:
Print made by George Cooke, 1781–1834
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 3/8 × 15 3/16 inches (26.4 × 38.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21520. A Norman Village

A Norman Village
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 6 1/4 × 7 3/4 inches (15.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21521. Aske Hall

Aske Hall
Creator:
Print made by John Scott, 1774–1828
Date:
1821
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 × 16 1/2 inches (27.9 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21522. Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737

Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737
Creator:
unknown artist
Date:
1737
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21523. Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737

Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737
Creator:
unknown artist
Date:
1737
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21524. Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737

Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737
Creator:
unknown artist
Date:
1737
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21525. Junction of the Greta and Tees at Rokeby

Junction of the Greta and Tees at Rokeby
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1819
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21526. St. German l'Auxerrois [Paris Set: No. 2]

St. German l'Auxerrois [Paris Set: No. 2]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 5/8 × 6 3/8 inches (34.6 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21527. Hotel de Sens [Paris Set: No. 3]

Hotel de Sens [Paris Set: No. 3]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 × 7 inches (30.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21528. Brignall Church

Brignall Church
Creator:
Print made by Samuel Rawle, 1771–1860
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 5/8 inches (32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21529. Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737

Londinum Antique, this plan shows the ancient extent of the famous cities of London and Westminster as it was near the begining of the Reign of Queen Elizabeth (8 sheets) Vertue, Soc. Antiq., Lond. Exxudit 1737
Creator:
unknown artist
Date:
1737
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21530. The North Porch, Harfleur

The North Porch, Harfleur
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 3/4 × 7 1/4 inches (40 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21531. Wycliffe, near Rokeby

Wycliffe, near Rokeby
Creator:
Print made by John Pye, 1782–1874
Date:
1823
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 10 15/16 × 16 1/2 inches (27.8 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21532. Simmer Lake, near Askrig

Simmer Lake, near Askrig
Creator:
Print made by John Le Keux, 1783–1846
Date:
1821
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 × 15 7/8 inches (27.9 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21533. Saint Gervais, Rue des Barres [The Paris Set: No. 4]

Saint Gervais, Rue des Barres [The Paris Set: No. 4]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching on Japanese paper
Dimensions:
Sheet: 11 3/8 × 7 inches (28.9 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21534. Rue Saint Julien, le Pauvre [The Paris Set: No. 6]

Rue Saint Julien, le Pauvre [The Paris Set: No. 6]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 × 7 1/16 inches (23.2 × 17.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21535. Restaurant Cavalier [The Paris Set: No. 5]

Restaurant Cavalier [The Paris Set: No. 5]
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1904
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 9 5/8 inches (22.2 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21536. Moss Dale Fall

Moss Dale Fall
Creator:
Print made by Samuel Middiman, ca. 1750–1831
Date:
1818-1823
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 5/8 × 10 15/16 inches (21.9 × 27.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21537. Hardraw Fall

Hardraw Fall
Creator:
Etched by Samuel Middiman, ca. 1750–1831
Date:
1818
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/4 × 18 1/4 inches (31.1 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21538. Kirkby Lonsdale Churchyard

Kirkby Lonsdale Churchyard
Creator:
Print made by Charles Heath, 1785–1848
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 × 15 1/16 inches (30.5 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21539. Heysham and Cumberland Mountains

Heysham and Cumberland Mountains
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1822
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21540. The Avenue

The Avenue
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1905
Materials & Techniques:
Etching on Japanese paper
Dimensions:
Sheet: 6 5/8 × 7 1/4 inches (16.8 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

21541. Crichton Castle

Crichton Castle
Creator:
Print made by George Cooke, 1781–1834
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 × 15 1/16 inches (27.8 × 38.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21542. Hornby Castle from Tatham Church

Hornby Castle from Tatham Church
Creator:
Print made by William Radclyffe, 1780–1855
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/16 × 17 1/4 inches (28.7 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21543. Heriot's Hospital

Heriot's Hospital
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 9/16 × 15 inches (26.8 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21544. Florence, from Fiesoli

Florence, from Fiesoli
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 15 1/8 inches (26.7 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21545. The Avenue

The Avenue
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1905
Materials & Techniques:
Etching and drypoint on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 7 inches (17.8 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

21546. High Street, Edinburgh

High Street, Edinburgh
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 7/8 inches (26.8 × 37.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21547. Tantallon Castle

Tantallon Castle
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1822
Materials & Techniques:
Etching and engraving on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/8 × 11 3/4 inches (23.2 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21548. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1819
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/2 × 17 11/16 inches (29.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21549. Isola Bella, on the Lago Maggiore

Isola Bella, on the Lago Maggiore
Creator:
Print made by James Fittler, 1758–1835
Date:
1818
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 15 inches (27.1 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21550. Richmond Castle and Town

Richmond Castle and Town
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 9/16 × 17 3/4 inches (29.4 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21551. Turin, from the Portico of the Superga Church

Turin, from the Portico of the Superga Church
Creator:
Print made by James Mitan, 1776–1822
Date:
1820
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 9/16 × 14 3/4 inches (26.8 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21552. tms:36989

Creator:
Print made by Robert Wallis, 1794–1878
Date:
1826
Materials & Techniques:
Etching and engraving on medium, smooth, cream wove paper
Dimensions:
Sheet: 11 7/8 × 9 3/16 inches (30.2 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21553. High Force or Fall of Tees

High Force or Fall of Tees
Creator:
Print made by John Landseer, 1769–1852
Date:
1821
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 1/8 × 17 3/4 inches (30.8 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21554. Egglestone Abbey, near Barnard Castle

Egglestone Abbey, near Barnard Castle
Creator:
Print made by Thomas Higham, 1796–1844
Date:
1818-1823
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 17 3/4 inches (28.6 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21555. St. Agatha's Abbey, Easby

St. Agatha's Abbey, Easby
Creator:
Print made by John Le Keux, 1783–1846
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 11/16 inches (28.9 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21556. Ingleborough, from Hornby Castle Terrace

Ingleborough, from Hornby Castle Terrace
Creator:
Print made by Charles Heath, 1785–1848
Date:
1822
Materials & Techniques:
Etching and engraving on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 3/8 inches (27.3 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21557. Merrick Abbey, Swaledale

Merrick Abbey, Swaledale
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1822
Materials & Techniques:
Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 13/16 × 17 11/16 inches (30 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21558. Crook of the Lune, Looking Towards Hornby Castle

Crook of the Lune, Looking Towards Hornby Castle
Creator:
Print made by John Wykeham Archer, 1808–1864
Date:
1821
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/16 × 12 5/8 inches (23 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21559. The Tweed at Coldstream

The Tweed at Coldstream
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1905
Materials & Techniques:
Etching and drypoint on Japanese paper
Dimensions:
Sheet: 5 1/2 × 9 inches (14 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

21560. Bolton Abbey, Yorkshire

Bolton Abbey, Yorkshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 14 11/16 inches (27.6 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21561. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 14 11/16 inches (27 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21562. Rievaulx Abbey, Yorkshire

Rievaulx Abbey, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21563. Lancaster from the Aqueduct Bridge

Lancaster from the Aqueduct Bridge
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21564. Aysgarth Force

Aysgarth Force
Creator:
Print made by John Scott, 1774–1828
Date:
1820
Materials & Techniques:
Etching and engraving with chine collé on moderaetely thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 × 17 3/4 inches (30.5 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21565. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 9/16 × 12 inches (24.3 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21566. Fall of the Tees, Yorkshire

Fall of the Tees, Yorkshire
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 1/2 inches (23.8 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21567. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/16 × 14 3/8 inches (25.6 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21568. Richmond, Yorkshire

Richmond, Yorkshire
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21569. Colchester, Essex

Colchester, Essex
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and engraving; third state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 11/16 inches (27.3 × 37.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21570. Launceston, Cornwall

Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/8 × 14 1/8 inches (26.4 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21571. Dartmouth Cove

Dartmouth Cove
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21572. Launceston, Cornwall

Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 12 3/4 inches (24.4 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21573. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; first state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 3/8 inches (27.1 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21574. Fraser's Panoramic Plan of London

Fraser's Panoramic Plan of London
Creator:
unknown artist
Date:
1831
Materials & Techniques:
Engraving with some hand coloring
Dimensions:
Sheet: 10 3/8 x 17 11/16in. (26.4 x 44.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21575. Launceston, Cornwall

Launceston, Cornwall
Creator:
Print made by J. C. Varrall, active 1815–1827
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; second state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/2 × 14 1/2 inches (26.7 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21576. Robert Lee's Workshop

Robert Lee's Workshop
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1905
Materials & Techniques:
Etching and drypoint on Japanese paper
Dimensions:
Sheet: 15 × 10 1/2 inches (38.1 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The Edwin M. Herr, Yale PhD 1884, Memorial Collection; Gift of Mrs. Herr, transfer from the Yale University Art Gallery

21577. Jockey and Jenny

Jockey and Jenny
Creator:
Print made by unknown artist
Date:
1782
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/2 × 11 3/4 inches (47 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

21578. Barnard Castle, Durham

Barnard Castle, Durham
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 11/16 × 14 5/16 inches (27.1 × 36.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21579. A View of London about the Year 1560

A View of London about the Year 1560
Creator:
unknown artist
Date:
1738
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21580. Plan of the Regent's Canal in the County of Middlesex

Plan of the Regent's Canal in the County of Middlesex
Creator:
unknown artist
Date:
1819
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21581. Quayside, Notre Dame in Distance

Quayside, Notre Dame in Distance
Creator:
Print made by Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Soft-ground etching on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/16 x 19 15/16 inches (34.2 x 50.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21582. Self-portrait of Antonie van Dyck

Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
1738
Materials & Techniques:
Color printed mezzotint; progress proof on medium, slightly textured cream laid paper
Dimensions:
Sheet: 24 3/16 x 18 1/4in. (61.4 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21583. Plan of St. James's Market

Plan of St. James's Market
Creator:
Robert Bremmel Schnebbelie, active 1803–1849
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 × 4 3/8 inches (7.9 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21584. Self-portrait of Antonie van Dyck

Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
1738
Materials & Techniques:
Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/4 × 18 5/16 inches (61.6 × 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21585. Saltash, Cornwall

Saltash, Cornwall
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1827
Materials & Techniques:
Etching and engraving; third state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21586. Self-portrait of Antonie van Dyck

Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
1738
Materials & Techniques:
Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/4 x 18 1/4in. (61.6 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21587. Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey

Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey
Creator:
Attributed to Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 13/16 × 24 3/4 inches (37.6 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21588. Self-portrait of Antonie van Dyck

Self-portrait of Antonie van Dyck
Creator:
Jacques Christophe Le Blon, 1667–1741
Date:
1738
Materials & Techniques:
Color printed mezzotint; progress proof on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 9/16 x 18 1/8in. (62.4 x 46cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21589. Views in the Levant: A Ruined Byzantine Church

Views in the Levant: A Ruined Byzantine Church
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/4 × 13 5/16 inches (23.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21590. Murthly on the Tay

Murthly on the Tay
Creator:
Print made by Sir David Young Cameron, 1865–1945
Date:
1905
Materials & Techniques:
Etching and drypoint on Japanese paper
Dimensions:
Sheet: 5 1/2 × 11 1/4 inches (14 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

21591. Views in the Levant: Place of Worship with Three Bell Towers with Crosses

Views in the Levant: Place of Worship with Three Bell Towers with Crosses
Creator:
Workshop of Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 13/16 × 14 3/16 inches (24.9 × 36 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21592. Views in the Levant: View of a Harbour and Town From the Sea, Turkey

Views in the Levant: View of a Harbour and Town From the Sea, Turkey
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 14 1/8 inches (19.1 × 35.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21593. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 12 13/16 × 18 1/4 inches (32.5 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21594. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 11/16 × 9 3/4 inches (32.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21595. Views in the Levant: Study of a Woman Wearing Turkish Costume

Views in the Levant: Study of a Woman Wearing Turkish Costume
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 13 9/16 × 7 11/16 inches (34.4 × 19.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21596. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Views in the Levant: Corner of a Stone Building with Palm Tree at Right
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21597. Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen

Views in the Levant: Ruins in Rome with Goats, Cows and Herdsmen
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, graphite, white gouache, and gum arabic on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/8 × 19 1/4 inches (30.8 × 48.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21598. Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea

Views in the Levant: Two Rowing Boats and a Sailboat by a Steep Cliff, Hilly Landscape Seen From the Sea
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 1/16 × 24 1/4 inches (33.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21599. Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome

Views in the Levant: Ruined Bridge with Four Pointed Arches Near Rome
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 7/16 × 20 3/4 inches (29.1 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21600. Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)

Views in the Levant: Landscape With Hills in Distance (page from a sketchbook)
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 8 3/4 × 28 5/8 inches (22.2 × 72.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection