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26901. Kilgarren Castle, Pembroke

Kilgarren Castle, Pembroke
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1827-1838
Materials & Techniques:
Etching with chine collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 22 inches (42.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26902. Chain Bridge over the River Tees

Chain Bridge over the River Tees
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1838
Materials & Techniques:
Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 18 7/8 inches (37.5 × 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26903. Llangollen, North Wales

Llangollen, North Wales
Creator:
Print made by James Tibbits Willmore, 1800–1863
Date:
1837
Materials & Techniques:
Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 22 1/4 inches (41.3 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26904. Durham Cathedral

Durham Cathedral
Creator:
Print made by William Miller, 1796–1882
Date:
1836
Materials & Techniques:
Etching with chine-collé; open etched state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/4 × 22 1/4 inches (41.3 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26905. Orford Castle and Church

Orford Castle and Church
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/16 × 11 13/16 inches (43.3 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26906. Lowestoffe, Suffolk

Lowestoffe, Suffolk
Creator:
Print made by W. R. Smith, active 1819–1851
Date:
1837
Materials & Techniques:
Etching with chine-collé; open etched state on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 1/8 × 22 1/8 inches (41 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26907. Temple of Minerva, Cape Colonna

Temple of Minerva, Cape Colonna
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
ca. 1832
Materials & Techniques:
Etching and engraving with chine collé on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 17 3/16 inches (30.2 × 43.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26908. Tomb of Cecilia Metella, Rome

Tomb of Cecilia Metella, Rome
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 17 1/8 inches (30.2 × 43.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26909. Whitby

Whitby
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 3/8 × 20 1/2 inches (36.5 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26910. Rhodes

Rhodes
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's finished proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 × 17 3/8 inches (30.5 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26911. Lowestoffe

Lowestoffe
Creator:
Print made by James C. Allen, active 1821–1831
Date:
ca. 1830
Materials & Techniques:
Etching with chine collé on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/8 × 20 3/4 inches (37.8 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26912. Mount Blanc

Mount Blanc
Creator:
Print made by B. R. Davies, active ca. 1833
Date:
1828
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 9 15/16 × 13 1/4 inches (25.2 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26913. The Drachenfels

The Drachenfels
Creator:
Print made by William Finden, 1787–1852
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 11/16 × 17 5/16 inches (29.7 × 44 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26914. Cephalonia

Cephalonia
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 × 17 7/16 inches (30.2 × 44.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26915. Bolton Abbey, Wharfdale

Bolton Abbey, Wharfdale
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1826
Materials & Techniques:
Etching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 × 15 1/8 inches (28.1 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26916. Gate of Theseus, Athens

Gate of Theseus, Athens
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26917. Buckfastleigh Abbey, Devonshire

Buckfastleigh Abbey, Devonshire
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1827
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 16 7/8 inches (28.9 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26918. Santa Maria della Spina, Pisa

Santa Maria della Spina, Pisa
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 3/16 × 11 13/16 inches (43.7 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26919. The Plain of Troy

The Plain of Troy
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 1/8 × 11 3/4 inches (43.5 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26920. Gibraltar

Gibraltar
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving; engraver's proof on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 1/16 × 17 1/4 inches (30.6 × 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26921. Corinth from the Acropolis

Corinth from the Acropolis
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 17 3/16 × 11 7/8 inches (43.7 × 30.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26922. Bacharach on the Rhine

Bacharach on the Rhine
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 17 1/8 × 11 13/16 inches (43.5 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26923. Negropont

Negropont
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1832-1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 12 3/16 × 17 3/8 inches (31 × 44.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26924. The Castle of St. Angelo

The Castle of St. Angelo
Creator:
Print made by Edward Francis Finden, 1791–1857
Date:
1834
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (b) on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 17 3/8 × 11 11/16 inches (44.1 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26925. Tours, Looking Backwards

Tours, Looking Backwards
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1833
Materials & Techniques:
Etching and engraving with chine collé; engraver's proof (a) on moderately thick, sliightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26926. Road Between Hills

Road Between Hills
Creator:
pupil of John Malchair, 1730–1812
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 12 inches (24.4 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26927. Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 21, Plate 19 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 11/16 × 9 3/4 inches (17 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26928. Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 16, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 9 inches (12.1 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26929. The North Foreland Lighthouse, Kent

The North Foreland Lighthouse, Kent
Creator:
James Malton, 1761–1803
Date:
1791
Materials & Techniques:
Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 7/16 inches (18.3 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26930. Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 15, Plate 12 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 5/8 × 7 3/8 inches (11.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26931. Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 9, Plate 6 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 × 9 1/8 inches (15.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26932. Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)

Preparatory drawing for the Title page, "Designs for Villas" (A Collection of Designs for Rural Retreats)
Creator:
James Malton, 1761–1803
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/16 × 7 7/8 inches (13.2 × 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26933. Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 20, Plate 18 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, pink laid paper
Dimensions:
Sheet: 3 3/16 × 7 3/8 inches (8.1 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26934. Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats

Preparatory drawing for Design 19, Plate 31 of A Collection of Designs for Rural Rereats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 × 3 1/2 inches (10.2 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26935. Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 19, Plate 17 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 5/8 × 9 inches (14.3 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26936. Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 30, Plate 31 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on medium, sligihtly textured, cream laid paper
Dimensions:
Sheet: 4 13/16 × 4 1/2 inches (12.2 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26937. Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 7 and 8, Plate 5 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, pink laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/8 x 7 13/16in. (23.2 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26938. Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 1, Plate 1 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash and graphite with pen and black on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 9/16 inches (13 × 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26939. Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 11, Plate 9 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 9 1/4in. (20.3 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26940. Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 5 and 6, Plate 3 from A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:
Sheet: 10 5/16 x 8 5/8in. (26.2 x 21.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26941. Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats

Preparatory drawing for Design 14, Plate 11 for A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 x 9 3/8in. (18.1 x 23.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26942. Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats

Early state, with revisions, of Design 23, Plate 25 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, graphite, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 x 7 3/4in. (23.5 x 19.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26943. Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats

Preparatory drawings for Designs 3 and 4, Plate 2 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, pen and black ink, and graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 x 7 13/16in. (24.4 x 19.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26944. Bromley Hill, Kent

Bromley Hill, Kent
Creator:
Amelia Long, 1762–1837
Date:
1823
Materials & Techniques:
Graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 16 × 12 3/8 inches (40.6 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26945. Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats

Preparatory drawing for Design 24, Plate 27 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite and pen and black ink on thin, slightly textured, pink and cream laid paper laid mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 7/8 x 8 1/16in. (25.1 x 20.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26946. Old Church and House

Old Church and House
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/16 x 10 1/4in. (36.4 x 26cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26947. Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats

Preparatory drawing for Designs 12 and 13, Plate 10 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Graphite on thin, slightly textured, cream laid paper mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 7 7/8in. (25.2 x 20cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26948. On the Cam . . . back of St. John's College, Cambridge

On the Cam . . . back of St. John's College, Cambridge
Creator:
Amelia Long, 1762–1837
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, rough, cream wove paper
Dimensions:
Sheet: 9 3/8 × 12 inches (23.8 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26949. Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats

Etched State with revisions of Design 11, Plate 9 of A Collection of Designs for Rural Retreats
Creator:
James Malton, 1761–1803
Date:
1802
Materials & Techniques:
Gray wash, gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10in. (18.1 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26950. On the Colne, Middlesex

On the Colne, Middlesex
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 10 5/16 inches (16.7 × 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26951. Fashionable Men and Women Promenading

Fashionable Men and Women Promenading
Creator:
Joseph Nash, 1808–1878
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 5 5/8 inches (11.1 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26952. The Quadrangle of the Royal Exchange

The Quadrangle of the Royal Exchange
Creator:
John Preston Neale, 1771/80–1847
Date:
undated
Materials & Techniques:
Watercolor, graphite, and gouache on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 11/16 × 8 1/2 inches (14.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26953. Addington Place, Surrey

Addington Place, Surrey
Creator:
John Preston Neale, 1771/80–1847
Date:
1813
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 inches (15.6 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26954. Sketches of Towns People

Sketches of Towns People
Creator:
Joseph Nash, 1808–1878
Date:
1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/16 × 5 9/16 inches (11.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26955. Corsham Court, Wiltshire: Elevation of the North Front

Corsham Court, Wiltshire: Elevation of the North Front
Creator:
John Nash, 1752–1835
Date:
ca. 1797
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 14 3/8 inches (19.2 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26956. Street Activity

Street Activity
Creator:
Joseph Nash, 1808–1878
Date:
ca. 1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 5 9/16 inches (11.1 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26957. Fashionable Men and Women Conversing

Fashionable Men and Women Conversing
Creator:
Joseph Nash, 1808–1878
Date:
ca. 1827
Materials & Techniques:
Graphite on medium, slightly textured, cream wove
Dimensions:
Sheet: 4 7/16 × 5 9/16 inches (11.3 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26958. Greenwich Hospital

Greenwich Hospital
Creator:
Richard Henry Nibbs, 1816–1893
Date:
undated
Materials & Techniques:
Watercolor, gouache, and graphite with scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 17 3/4 × 24 7/8 inches (45.1 × 63.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26959. Winchester Tower, Windsor Castle

Winchester Tower, Windsor Castle
Creator:
Thomas Malton, 1726–1801
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26960. Skating in St. James' Park

Skating in St. James' Park
Creator:
John Nixon, ca. 1760–1818
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper mounted to board
Dimensions:
Sheet: 12 3/4 × 27 7/8 inches (32.4 × 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26961. York Water Gate

York Water Gate
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1795
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 11 3/4 inches (21.1 × 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26962. Dean's Yard

Dean's Yard
Creator:
unknown artist
Materials & Techniques:
Brown wash over graphite on wove paper
Dimensions:
Sheet: 10 1/2 x 13 11/16in. (26.7 x 34.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26963. Sketched at the Cockpit, Nottingham

Sketched at the Cockpit, Nottingham
Creator:
Thomas Rowlandson, 1756–1827
Date:
1801
Materials & Techniques:
Pen and brown ink with gray wash on laid paper
Dimensions:
Sheet: 4 3/8 x 6 7/8in. (11.1 x 17.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Melville and Naomi Stone

26964. Woodland Scene with a Path Across a Stream

Woodland Scene with a Path Across a Stream
Creator:
attributed to John Middleton, 1826–1856
Date:
undated
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 15/16 x 13 15/16in. (25.2 x 35.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26965. The North Front of St. Paul's

The North Front of St. Paul's
Creator:
Thomas Malton the Younger, 1748–1804
Date:
1785
Materials & Techniques:
Watercolor, pen and black ink, and graphite on thick, moderately textured, cream laid paper
Dimensions:
Sheet: 27 1/8 × 38 1/8 inches (68.9 × 96.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26966. Accepted

Accepted
Creator:
Sir John Everett Millais, 1829–1896
Date:
1853
Materials & Techniques:
Pen and brown ink; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 × 6 7/8 inches (25.1 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26967. Interior of Rag Chapel, Sir Robert Vaugn's Place, North Wales

Interior of Rag Chapel, Sir Robert Vaugn's Place, North Wales
Creator:
Attributed to John Middleton, 1826–1856
Date:
ca. 1849
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, greenish gray wove paper
Dimensions:
Sheet: 20 7/8 × 14 1/2 inches (53 × 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26968. An Evening Party

An Evening Party
Creator:
Sir John Everett Millais, 1829–1896
Date:
1846
Materials & Techniques:
Graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 9 3/8 inches (15.9 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26969. Interior of St. Paul's Cathedral

Interior of St. Paul's Cathedral
Creator:
Thomas Malton the Younger, 1748–1804
Date:
ca. 1792
Materials & Techniques:
Watercolor, pen and black ink, and graphite on smooth, medium, cream laid paper laid down on card
Dimensions:
Sheet: 26 1/4 x 36 1/8 inches (66.7 x 91.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26970. The Funeral of the Duke of Wellington

The Funeral of the Duke of Wellington
Creator:
Sir John Everett Millais, 1829–1896
Date:
1852
Materials & Techniques:
Pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 × 14 inches (25.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26971. Rejected

Rejected
Creator:
Sir John Everett Millais, 1829–1896
Date:
1853
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 7/8 x 6 7/8 inches (25.1 x 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26972. Stained Glass Study, Water Plant with Grasshoper, Fish and Newt

Stained Glass Study, Water Plant with Grasshoper, Fish and Newt
Creator:
Sir John Everett Millais, 1829–1896
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 x 2 1/2 inches (14.3 x 6.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26973. Stained Glass Study, An Otter and Two Fish

Stained Glass Study, An Otter and Two Fish
Creator:
Sir John Everett Millais, 1829–1896
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 × 4 inches (5.4 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26974. Hay and Log Barges on the Conway

Hay and Log Barges on the Conway
Creator:
Richard Henry Nibbs, 1816–1893
Date:
undated
Materials & Techniques:
Watercolor, gouache, gum, and graphite with scratching out on thick, textured, cream wove paper
Dimensions:
Sheet: 15 7/8 × 23 7/8 inches (40.3 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26975. A Woman Bowed in Grief

A Woman Bowed in Grief
Creator:
Sir John Everett Millais, 1829–1896
Date:
ca. 1857
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 3 7/8 inches (9.8 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26976. Brighton Races

Brighton Races
Creator:
John Nixon, ca. 1760–1818
Date:
1805
Materials & Techniques:
Watercolor, pen and gray ink, gouache, and graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 × 26 3/4 inches (51.4 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26977. The Long Gallery, Haddon Hall, Derbyshire

The Long Gallery, Haddon Hall, Derbyshire
Creator:
Joseph Nash, 1808–1878
Date:
1839
Materials & Techniques:
Watercolor, gouache, pen and brown ink, graphite, and scratching out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 21 5/8 × 29 3/4 inches (54.9 × 75.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26978. View of Edinburgh from Calton Hill

View of Edinburgh from Calton Hill
Creator:
Francis Nicholson, 1753–1844
Date:
1811
Materials & Techniques:
Watercolor, gouache, and graphite with scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 24 1/4 inches (47 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26979. The Amphitheater at Nimes

The Amphitheater at Nimes
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 x 20 3/8in. (35.6 x 51.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26980. Houses by the Riverside

Houses by the Riverside
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/16 x 12 3/8in. (20.5 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26981. Group of Caricature Heads

Group of Caricature Heads
Creator:
Elias Martin, 1739–1818
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 7 5/8 inches (16.7 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26982. Study for the Monument to Naval Captains William Bayne, William Blair and Lord Robert Manner

Study for the Monument to Naval Captains William Bayne, William Blair and Lord Robert Manner
Creator:
Joseph Nollekens, 1737–1823
Date:
ca. 1782
Materials & Techniques:
Brown wash and pen and gray ink over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 21 7/16 x 15 3/16in. (54.5 x 38.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26983. Stourhead, Wiltshire

Stourhead, Wiltshire
Creator:
after Francis Nicholson, 1753–1844
Date:
undated
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 1/2 x 22 1/2in. (39.4 x 57.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26984. Allington Castle, Kent

Allington Castle, Kent
Creator:
Robert Nixon, 1759–1837
Date:
ca. 1790
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/8 × 15 1/8 inches (27.6 × 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26985. Head of a Child Looking to Right

Head of a Child Looking to Right
Creator:
Isaac Oliver, ca. 1565–1617
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/2 × 2 9/16 inches (6.4 × 6.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26986. Oxford from Boar's Hill

Oxford from Boar's Hill
Creator:
Hugh O'Neill, 1784–1824
Date:
1811
Materials & Techniques:
Watercolor with scratching out over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26987. Study for a Tiger and Monkeys

Study for a Tiger and Monkeys
Creator:
James Northcote, 1746–1831
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, brown wash and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 x 13 7/8 inches (30.5 x 35.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26988. Page of Sketches of Cavaliers, Horse's Head, and Plumes

Page of Sketches of Cavaliers, Horse's Head, and Plumes
Creator:
Thomas Henry Nicholson, Died 1870
Date:
ca. 1839
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper medium, slightly textured, cream wove paper
Dimensions:
Sheet: 12 7/8 × 18 5/8 inches (32.7 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26989. Macbeth and the Witches

Macbeth and the Witches
Creator:
James Northcote, 1746–1831
Date:
between 1777 and 1778
Materials & Techniques:
Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 3/4 x 16 1/4 inches (32.4 x 41.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

26990. Seated Woman with a Flower Hat

Seated Woman with a Flower Hat
Creator:
Sir William Orpen, 1878–1931
Date:
undated
Materials & Techniques:
Black chalk on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 15 × 11 1/8 inches (38.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26991. Woman's Head Inclined to the Right

Woman's Head Inclined to the Right
Creator:
Isaac Oliver, ca. 1565–1617
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/16 × 2 3/16 inches (8.1 × 5.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26992. Prospero Summoning Ariel

Prospero Summoning Ariel
Creator:
William Young Ottley, 1771–1836
Date:
ca. 1800
Materials & Techniques:
Watercolor, graphite, gouache, white chalk, and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 12 7/16 x 8 1/8 inches (31.6 x 20.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26993. The Wreck of the Apollo Frigate, 1803

The Wreck of the Apollo Frigate, 1803
Creator:
William H. Overend, 1851–1898
Date:
undated
Materials & Techniques:
Gray wash, white gouache, and pen and black ink on very thick, smooth, cream wove card
Dimensions:
Sheet: 14 × 10 3/8 inches (35.6 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

26994. Leda and the Swan

Leda and the Swan
Creator:
Isaac Oliver, ca. 1565–1617
Date:
undated
Materials & Techniques:
Brown wash, graphite, gouache, and pen and brown ink on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/8 inches (16.5 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26995. Sailing Ships and Small Boats in Rough Sea off the Coast

Sailing Ships and Small Boats in Rough Sea off the Coast
Creator:
Samuel Owen, 1768–1857
Date:
undated
Materials & Techniques:
Watercolor and gouache with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 4 1/4 inches (13.3 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26996. Ships on a Stormy Sea

Ships on a Stormy Sea
Creator:
Samuel Owen, 1768–1857
Date:
1836
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 11 1/4 inches (14 × 28.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26997. Character Studies: A Child, A Man in a Hat, Military Officer

Character Studies: A Child, A Man in a Hat, Military Officer
Creator:
Daniel Orme, 1766–1837
Date:
undated
Materials & Techniques:
Watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 9 3/8 inches (13.3 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26998. Shipping on a Stormy Day

Shipping on a Stormy Day
Creator:
Samuel Owen, 1768–1857
Date:
undated
Materials & Techniques:
Gray wash and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 11 13/16 inches (11.4 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26999. Shipping in a Choppy Sea

Shipping in a Choppy Sea
Creator:
Follower of William Owen, 1769–1825
Date:
undated
Materials & Techniques:
Watercolor and graphite with scratching out on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 10 1/2in. (19.1 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27000. Shipping in a Choppy Sea

Shipping in a Choppy Sea
Creator:
Follower of William Owen, 1769–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scratching out on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 x 10 3/4in. (19.1 x 27.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection